Modern take on Dr Jekyll and Mr Hyde problematises society’s obsession with gender and performativity. In the novel Strange Case of Dr Jekyll and Mr Hyde, author Robert Louis Stevenson uses the core narrative of a kind man hiding a sinister alter ego to pass commentary on the stress of conforming to strict moral codes and social norms in Victorian-era London. In suppressing our true … Continue reading ★★★★★ Review: King by T:>Works
Back in 2020, at the height of COVID-19, theatremaker Jo Tan was invited by T:>Works to present a little one-woman show called King, as part of their annual N.O.W. Festival of Women. With pandemic restrictions in place, King, however, was relegated to becoming a live film, streamed online. Now, with the world open again, Jo is taking another stab at the play again, bringing it … Continue reading T:>Works’ King: An Interview with writer/performer Jo Tan and director Irfan Kasban
First produced as a live-streamed digital production for the Festival of Women N.O.W. in 2020, Jo Tan’s one-woman show King returns this National Day week for a live presentation. Presented by T:>Works, this new production of King will now be directed by Irfan Kasban, and will once again star writer Jo Tan, and delivers a tour de force performance playing multiple characters, navigating expertly through … Continue reading Preview: King (2023) by Jo Tan and T:>Works
Showcasing the winners of this year’s 24-Hour Playwriting Competition. T:>works’ annual 24-Hour Playwriting Competition is one of Singapore’s longest running playwriting competitions, unique in how it puts competitors in different site-specific writing locations, and of course, the chance to discover brand new writing talent to contribute to the canon of Singapore scripts. With the COVID-19 pandemic this year, the competition was held in the only … Continue reading Review: How To Break A Window by T:>Works
Following their hybrid edition of Festival of Women: N.O.W. 2020 (not ordinary work) in July, this December, T:>Works is set to re-open their doors for their final programme of 2020. Taking place from 16th to 19th December 2020, T:>Works will be welcoming a limited audience to attend a hybrid theatrical experience at their home at 72-13, with the intention of deepening engagement with an emerging community of … Continue reading Preview: How To Break A Window by T:>Works
Using drag as a form of female empowerment in this one woman show by Jo Tan. Under T:>works’ N.O.W. Festival of Women, diversity is the name of the game, with women of all backgrounds and personalities celebrated through its range of programmes. And with this year’s edition, that even includes the rarely seen concept of the drag king, as highlighted in Jo Tan’s one-woman show King. … Continue reading N.O.W. 2020: King by Jo Tan (Review)
T:>works (formerly known as Theatreworks) has never been one to shy away from trying new things, even with the coronavirus rendering them unable to proceed with live events. For the second edition of Not Ordinary Work (N.O.W.), Noorlinah Mohamed and her all-woman team have pivoted from their original plans and taken the festival fully online, and fully accessible, with its slew of digital programmes free … Continue reading Preview: T:>Works presents fully virtual, fully free second edition of N.O.W. Festival of Women
As much as the current COVID-19 pandemic has brought live performances to a halt, local theatre company Theatreworks has found an opportunity to rebrand and look into the future instead. Says Dr Ong Keng Sen, who has now returned as artistic director of the company: “COVID-19 is probably the first major disruption we’ve experienced across the company’s 35-year history. Realistically speaking, we are likely to … Continue reading TheatreWorks Rebrands as T:>Works As Artistic Director Ong Keng Sen Looks To The Future
A 10-lesson course by one of Asia’s top 10 female comedians pays off for these new comedy hopefuls. Is it possible to even teach an art form as intuitive as stand-up comedy? Sharul Channa certainly thinks so, as she presents the graduating cohort of her very first 10-lesson course for beginners in N.O.W.’s Stand-Up: Fresh + Raw. Transforming the space at 72-13 to a cosier, more … Continue reading N.O.W. 2019: Stand-up – Fresh + Raw (Review)
The tragedy of Partition leaves a haunting impression in this page to stage adaptation. When Akshita Nanda debuted her first novel last year, little did we expect to see it receive a stage adaptation just a year later. Directed by Edith Podesta, the staged reading may not be a full production, but still manages to mostly capture the essence of the original novel, trimming out material … Continue reading N.O.W. 2019: Nimita’s Place – Staged Reading (Review)
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