Because I Love You: An Interview with Shen Tan and Tan Shou Chen of Theatreworks’ 13.13.13

Theatreworks is having a busy July, dedicating the entirety of the month to activities surrounding their Writers Lab programme, from dramatised readings of plays born out of the Lab to the annual 24-Hour Playwriting Competition to be held at Haw Par Villa. But amidst it all, they’ll also be premiering their first mainstage show of the year in the form of Shen Tan’s 13.13.13 in her professional … Continue reading Because I Love You: An Interview with Shen Tan and Tan Shou Chen of Theatreworks’ 13.13.13

Preview: Because I Love You – Theatreworks’ 2018 Season

Following exhibiting Zai Kuning’s epic Dapunta Hyang and touring Trojan Women internationally, Theatreworks’ 2018 theatre season begins proper again this July at their home in 72-13, Mohammed Sultan Road. This year, they’ve themed their season ‘Because I Love You’, and present two brand new plays diving in to the heart of relationships and love. Is love enough? How do you love someone who is far away, … Continue reading Preview: Because I Love You – Theatreworks’ 2018 Season

TheatreWorks’ Writer’s Lab Month 2018

After an educational and unexpectedly inspirational farm stay last year, Theatreworks’ annual 24-Hour site-specific playwriting competition returns this July, this time to be held at everyone’s favourite local theme park – Haw Par Villa. In conjunction with the competition, Theatreworks has lined up an entire month’s worth of programmes celebrating and imparting the power of writing to interested participants with the Writers’ Lab! First started … Continue reading TheatreWorks’ Writer’s Lab Month 2018

Dapunta Hyang: Zai Kuning’s Magnificent Ship Sails Home at Last to Theatreworks

There’s something impossibly magnificent about the way Singaporean artist Zai Kuning’s gigantic skeleton of a ship hangs in 72-13. Entering the exhibition space, an air of the mystical and awe-inspiring emanates forth when witnessing the handwoven beast in person, as the obelisk-like structure towers over you and stretches out and across the entire room. Suspended in mid-air, the ship seems to defy gravity itself as it … Continue reading Dapunta Hyang: Zai Kuning’s Magnificent Ship Sails Home at Last to Theatreworks

Lanang: An Interview with Hatch Theatrics

This April, Hatch Theatrics will be closing the latest chapter of their lives. The theatre company will be ending their two year residency with the Malay Heritage Centre with their 9th production, and will be presenting Hafidz Rahman’s Lanang. Prior to its premiere, we spoke to artistic director and Lanang director Faizal Abdullah, general manager Nur Khairiyah (Khai) and Lanang playwright Hafidz Rahman about the process leading up to Lanang and where Hatch might … Continue reading Lanang: An Interview with Hatch Theatrics

The Art Scene’s Movers and Shakers: Theatreworks Curators Academy

    The inaugural Theatreworks Curators Academy comes to a close for now, with plenty of food for thought. SINGAPORE – Even as new SIFA Festival Director Gaurav Kripalani steps up to the plate for a new era of the festival, his immediate predecessor still certainly has plenty on his plate, as Ong Keng Sen heralds an all new programme of his own: the inaugural … Continue reading The Art Scene’s Movers and Shakers: Theatreworks Curators Academy

Review: The Good Farmer by Theatreworks

Theatreworks’ twentieth edition of the annual 24-Hour Playwriting Competiton was held at a farm commune out in Lorong Chencharu. So it makes complete sense that one of its winners, first time competition participant Christopher Chee, would make full use of the setting for inspiration for his play The Good Farmer.  The Good Farmer’s entire plot revolves around the competition’s first prompt, where participants were tasked to open … Continue reading Review: The Good Farmer by Theatreworks

Preview: The Good Farmer by Theatreworks

At Theatreworks’ 20th 24-Hour Playwriting Competition, aspiring playwrights were sent to a farm community in the middle of Lorong Chencharu last September to bang out a full script over a day. And from that competition, one winner’s play from the Open Category is about to be adapted into a full production – NUS sociology student Christopher Chee with The Good Farmer.  The Good Farmer starts off with … Continue reading Preview: The Good Farmer by Theatreworks

Review: Apichatpong Weerasethakul’s FEVER ROOM presented by Theatreworks

A change of perspective could widen your peripheries in this oneiric projection-performance from one of Thailand’s most acclaimed filmmakers.  Apichatpong Weerasethakul is one of Thailand’s most internationally acclaimed filmmakers, having been the first Southeast Asian artist to nab the Palme d’Or at the 2010 Cannes Festival. If anything though, Apichatpong is an artist first, filmmaker second, never shying away from innovations in the medium, and … Continue reading Review: Apichatpong Weerasethakul’s FEVER ROOM presented by Theatreworks

The Monday Interview: Ong Keng Sen on the Role of a Curator

It’s hard to miss Ong Keng Sen. Sporting his usual all black attire, complete with a snazzy pair of sunglasses, Theatreworks’ artistic director cuts an imposing figure as he strides across the lobby of the Intercontinental to meet us. But there’s honestly nothing to fear about Ong, who greets us with a smile and a cool demeanour. If anything, the most impressive thing about him … Continue reading The Monday Interview: Ong Keng Sen on the Role of a Curator