In the soft half-light of the theatre, a piano sits waiting. A woman steps forward. What unfolds over the next 70 minutes is not just a play, but a deeply human reckoning with loss, memory, and the quiet ways our parents shape who we become. Running at Omnibus Theatre from 24–28 February, The Sound of Absence is an intimate piece of storytelling that lives somewhere … Continue reading London Theatre: The Sound of Absence at Omnibus Theatre
LONDON – After conquering Hollywood, the powerhouse performer returns to her first love, the stage, in a radical reimagining of a gothic legend. Producers Michael Cassel and Adam Kenwright have announced that Sydney Theatre Company’s internationally acclaimed production of Dracula, adapted and directed by visionary theatre-maker Kip Williams, will make its London premiere at the Noël Coward Theatre in February 2026. But this isn’t your … Continue reading Arts of the UK: Cynthia Erivo stars as Dracula on the West End in 2026
ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun
Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai
The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move
When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement
Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human
When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance
The third edition of the Esplanade – Theatres on the Bay’s da:ns focus – Connect Asia Now (CAN) takes place over a weekend this September, presenting three works that push the boundaries of dance, and uniting the unique perspectives of artists from the Asia Pacific. Imagining the future through dance, watch as Antony Hamilton, Choy Ka Fai and Pichet Klunchun reimagine the limitations and potentials of physical … Continue reading Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade
More than just a showcase of accessibility, Stopgap Dance Company elevates inclusivity to an artform of the future. For years, accessibility in the performing arts has too often carried an unfortunate association with charity—where the presence of disabled artists on stage is seen as a benevolent gesture rather than a celebration of creative excellence, where artists and companies are assumed to be platforming disabled artists … Continue reading ★★★★★ Review: Lived Fiction by Stopgap Dance Company
Bakchormeeboy 