Explore choice, conflict, and cages at POP MART’s ‘SKULLPANDA CAGE-UNCAGE Showcase’ at the National Museum of Singapore

At the National Museum of Singapore this December, visitors are invited into a world that feels at once startlingly surreal and intimately familiar. SKULLPANDA CAGE-UNCAGE, the international debut of the cult-favourite character’s immersive showcase, asks a disarming question: What cages do we build for ourselves—and what keeps us from leaving them? For its creator, Chinese artist Xiong Miao, Singapore was always the right place for … Continue reading Explore choice, conflict, and cages at POP MART’s ‘SKULLPANDA CAGE-UNCAGE Showcase’ at the National Museum of Singapore

SWF 2025: Theatremakers Jo Tan and Adib Kosnan revisit past writing with ‘Rewrite My Fire’

by D.Y. Jo Tan brings a new initiative to the Singapore Writer’s Festival (SWF 2025); connecting playwrights and their older works with new dramaturgical support, in hopes of revitalisation. As theatre companies produce season after season, smaller local scripts can slowly fade away from public memory, especially in favour of bigger, flashier productions. This is the problem that local theatremaker, Jo Tan, set out to … Continue reading SWF 2025: Theatremakers Jo Tan and Adib Kosnan revisit past writing with ‘Rewrite My Fire’

Review: We Make Spaces Divine ft. Dey by the Esplanade, Pooja Nansi, Shivram Gopinath, Isuru Wijesoma & RAAJ

Pooja Nansi and Shivram Gopinath’s tongue-in-cheek, electric verse meets sick beats to create a profoundly healing experience. In tiny Singapore, it can be all too easy to feel a creeping sense of claustrophobia. Shared third spaces vanish, and opportunities for uninhibited self-expression grow scarce. For poet Pooja Nansi, the solution is not to wait for transformation, but to seize agency: to uncover beauty in the … Continue reading Review: We Make Spaces Divine ft. Dey by the Esplanade, Pooja Nansi, Shivram Gopinath, Isuru Wijesoma & RAAJ

Pairing Food with Writing: Two culinary, literary experiences at Singapore Writers Festival 2025

In his second year helming the Singapore Writers Festival (SWF), Festival Director Yong Shu Hoong has not only brought in heavyweight names like Ken Liu and R.F. Kuang, but also pushed the festival toward new ways of experiencing literature. This edition sees him experimenting with more intimate formats—small-group sessions that allow participants to meet authors up close, and hands-on workshops that prioritise interaction over audience … Continue reading Pairing Food with Writing: Two culinary, literary experiences at Singapore Writers Festival 2025

Kalaa Utsavam 2025: An Interview with directors Subramanian Ganesh and Karthikeyan Somasundaram on Agam Theatre Lab’s original work ‘Mission Malligapoo’

In 1942, Singapore was under the shadow of the Japanese Occupation. Amid fear, scarcity, and uncertainty, ordinary people performed extraordinary acts of courage. Now, Agam Theatre brings those untold stories to life in Mission Malligapoo, a riotous dark comedy that celebrates resilience, multiculturalism, and love in all its forms. Presented as part of the Esplanade’s Kalaa Utsavam – Indian Festival of Arts, and directed by … Continue reading Kalaa Utsavam 2025: An Interview with directors Subramanian Ganesh and Karthikeyan Somasundaram on Agam Theatre Lab’s original work ‘Mission Malligapoo’

Kalaa Utsavam 2025: An Interview with Pooja Nansi on what it takes to make spaces divine

We Make Spaces Divine ft. Dey began as a quiet idea in the wake of a pandemic and grew into a riot of sound, poetry, and cinematic memory. For poet and performer Pooja Nansi, the work was a way to finally launch a collection that had been waiting in the wings. “So much of my practice is performance,” she reflects. “I’d already performed every collection … Continue reading Kalaa Utsavam 2025: An Interview with Pooja Nansi on what it takes to make spaces divine

Brigitte Niedermair and Carine Roitfeld share more about their vision behind UBS House of Craft x Dior at New Museum Singapore

The prestigious UBS House of Craft x Dior is set to arrive in Singapore within a week, a full exhibition exploring Dior at the heart of haute couture fashion for eight decades, complete with strong scope, ambition, and emotional resonance. After its resounding New York debut in June 2025, the Asian edition brings an enriched program to the New Art Museum Singapore, part of Whitestone … Continue reading Brigitte Niedermair and Carine Roitfeld share more about their vision behind UBS House of Craft x Dior at New Museum Singapore

★★★★★ Theatre Review: The Cherry Orchard (벚꽃동산) by Simon Stone and LG Arts Center (South Korea)

Chekhov’s final play gets adapted in the form of a modern K-drama, anchored by a stellar cast led by the impeccable Doyeon Jeon. In Simon Stone’s The Cherry Orchard, Chekhov’s final play finds a new home and new angles to its heartbreak, as it navigates the quiet violence of time and the cruelty of progress against he sleek, ever-changing skyline of modern Korea. In Stone’s … Continue reading ★★★★★ Theatre Review: The Cherry Orchard (벚꽃동산) by Simon Stone and LG Arts Center (South Korea)

★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

SRT, La Boite Theatre and Sydney Theatre Company’s karaoke-inspired ghost story struggles to find the note. Singapore Repertory Theatre’s Congratulations, Get Rich! arrives with an impressive pedigree, marking a first-time co-production between SRT, Sydney Theatre Company, and Brisbane’s La Boite Theatre. Written by and starring Merlynn Tong, the play promises a raucous blend of karaoke comedy, family tragedy, and ghostly intervention. On paper, it sounds … Continue reading ★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

Preview: Othello by Intercultural Theatre Institute

Intercultural Theatre Institute (ITI) presents Shakespeare’s Othello, directed and adapted by multi-award-winning theatre artist Tang Shu-wing, and performed by the graduating cohort of 2025. This is Tang’s first production in Singapore since 2013. Described as “one of the richest and most wrenching of Shakespeare’s tragedies” (Variety, 2025), the story of Othello was written in 1603 and has been told across film and stage for centuries. … Continue reading Preview: Othello by Intercultural Theatre Institute