Dive into a raw and unflinching exploration of masculinity in No Man’s Land, a thought-provoking devised interdisciplinary experience that sees the team at The Necessary Stage boldly ripping away the veneer of manhood, to immerse audiences in an arena where traditional masculinity collides with contemporary reality.
In No Man’s Land, we are thrust into a shifting landscape where four men grapple with primal rituals, battle with gym culture’s perfectionism and bravado, confront fraught familial legacies, and struggle with sexual exploitation. As they contest their personal histories and fears, questions arise: what truly makes a man, and can our protagonists emerge from old patterns to find authenticity and healing?
“No Man’s Land began with a curiosity around the theme of masculinity and the questions it raises, rather than a pre-existing script,” co-conceptualisers and co-directors Alvin Tan and Sim Yan Ying “YY” share. Writer Danial Matin discloses that questioning masculinity could be uncomfortable, but asserts, “What scared me more is how little we understood where these masculine ideals came from, and yet blindly adopting them and imposing them upon others. This hurts everyone: women, children, men included.”
In No Man’s Land, raw physicality and vulnerable intimacy fuse in a surreal yet powerful narrative that compels viewers to question the contradictions at the heart of masculinity. The work highlights the necessary yet uncertain transformation that defines the journey of manhood today.
The Necessary Stage is no stranger to adopting an interdisciplinary approach towards creating original, groundbreaking productions, and this applies as well to No Man’s Land. Tan and Sim are both enthusiastic about working collaboratively across different disciplines. “The interdisciplinary form is exciting to us as each discipline offers its own distinct potential,” they state. “For example, dance has the power to elicit responses beyond the reach of words, while dialogue can articulate ideas with clarity, and sound can evoke emotions on a subliminal level.”
Choreographer Hafeez Hassan, a first-time collaborator with The Necessary Stage, will take inspiration from a wide range of sources, including improvisations, cinematic storytelling, and movement mechanics of athletes and dancers. In particular, he reveals that he is keen to draw from films that see different timelines in interplay. “I intend to observe how flashbacks, present moments, and future moments are interconnected, and recreate those moments through movements,” he shares.
No Man’s Land stars an exceptional cast including Michael Tan, Neo Hai Bin, Shahizman Sulaiman, Suhaili Safari and Vishnucharan Naidu. It will feature a stellar creative team including a.syadiq (set), Tai Zi Feng (lighting), MAX.TAN (costumes) and Jing Ng (compositions and sound design), all coming together to bring this exploration of masculinity to life, and promising to take you on a journey of authenticity, healing, and transformation.
No Man’s Land plays from 12th to 15th June 2025 at the Esplanade Theatre Studio. Tickets available from BookMyShow
