★★★★★ Theatre Review: Salesman之死 by Jeremy Tiang and Danny Yeo (SIFA 2026)

A love letter to theatre, translation, and humanity itself. Salesman之死 understands that sometimes the hardest thing to translate is not language; it’s culture, emotion, and perspective. Even someone like Miller, a playwright of immense stature, struggles to grasp even a fraction of the Chinese dialogue — a quiet but telling reminder of how language itself resists ownership, even by those who write it. This becomes … Continue reading ★★★★★ Theatre Review: Salesman之死 by Jeremy Tiang and Danny Yeo (SIFA 2026)

★★★★★ Theatre Review: LACRIMA by Caroline Guiela Nguyen (SIFA 2026)

A searing commentary on the countless hours of tears and unseen labour it takes to weave a work of art. In the realm of fashion, haute couture (literally “high dressmaking”) exists as the pinnacle of craftsmanship: exclusive, custom-fitted garments made almost entirely by hand using some of the world’s most luxurious fabrics. It is legally protected in France, strictly regulated by the Fédération de la … Continue reading ★★★★★ Theatre Review: LACRIMA by Caroline Guiela Nguyen (SIFA 2026)

★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

Undercooked, repetitively formulaic scripts do this promising batch of young actors a disservice. Graduation showcases are a notoriously difficult dish to plate. A director has to decide exactly what they want audiences to leave remembering: is it an ensemble spread where every graduate gets equal time to shine? A curated tasting menu built around the strongest performers? Or a riskier selection that leans classical, experimental, … Continue reading ★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

Art: Siew Guang Hong on biology and the politics of the unstable in his debut solo exhibition ‘the body improper’

This May, Richard Koh Fine Art (Singapore) presents the body improper, the first solo exhibition by Siew Guang Hong with the gallery. Bringing together 19 works across expanded photography, sculptural print, and performance, the exhibition unfolds as a sustained investigation into the body not as a fixed biological unit, but as something continually assembled, destabilised, and re-projected through ecological and conceptual systems. Across the exhibition, … Continue reading Art: Siew Guang Hong on biology and the politics of the unstable in his debut solo exhibition ‘the body improper’

★★★☆☆ Theatre Review: Master White Dragon 白龙王子  by Toy Factory

A distinctly Singaporean fable about about faith and modern spirituality that buries its strongest ideas beneath flat humour and an ending that feels rushed. Few recent local productions have started with a premise as immediately striking as Toy Factory’s Master White Dragon: an ah beng mistaken for the reincarnation of a temple deity, caught between street hustling, spiritual performance and a journalist intent on exposing … Continue reading ★★★☆☆ Theatre Review: Master White Dragon 白龙王子  by Toy Factory

Preview: 6 Microlectures on Genocides (May 2026)

Six voices. Six short, sharp shocks of theatre. One urgent question running underneath it all: what do we do when the world is on fire and language itself starts to feel inadequate? After an initial showing earlier this year, 6 Microlectures on Genocides is back for a limited return to Singapore (21–23 May), a work that refuses easy answers and instead leans into discomfort, contradiction, … Continue reading Preview: 6 Microlectures on Genocides (May 2026)

SIFA 2026: Makan Culture – An interview with playwright Jo Tan and director Krish Natarajan on makan, mayhem and making meaning

What happens when theatre stops asking audiences to sit still and instead invites them to eat, speak, and play? At the festival village of the 2026 Singapore International Festival of Arts, new experience Makan Culture unfolds as a lively, unpredictable encounter that sits somewhere between performance and gathering. Created by Jo Tan and directed by Krish Natarajan, the work brings together music, puppetry, and audience … Continue reading SIFA 2026: Makan Culture – An interview with playwright Jo Tan and director Krish Natarajan on makan, mayhem and making meaning

SIFA 2026: Tempo – An interview with choreographer Fernando Melo on twisting and turning time through dance and illusion

Time slips, stretches, and occasionally seems to stand still in Tempo, a dreamlike work presented at the Singapore International Festival of Arts. In this collaboration between director Kalle Nio and choreographer Fernando Melo, falling bodies hover mid-air, actions reverse, and the ordinary becomes quietly uncanny. Rather than treating illusion as spectacle, Melo approaches it as a byproduct of attention, of bodies, space, and time aligning … Continue reading SIFA 2026: Tempo – An interview with choreographer Fernando Melo on twisting and turning time through dance and illusion

SIFA 2026: The Lighthouse – An interview with Patch Theatre artistic director Geoff Cobham on light and children’s theatre

In The Lighthouse, light isn’t something you simply watch, but something you step into. Created by Geoff Cobham for Patch Theatre, the work invites audiences, both young and the young-at-heart, to move through a glowing landscape of shifting rooms, reflections, and surprises, where curiosity leads the way. Presented as part of the 2026 Singapore International Festival of Arts, this immersive experience rethinks what theatre for … Continue reading SIFA 2026: The Lighthouse – An interview with Patch Theatre artistic director Geoff Cobham on light and children’s theatre

SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller

In the spring of 1983, despite not speaking a word of Mandarin, Arthur Miller travelled to Beijing to direct Death of a Salesman with an all-Chinese cast. The encounter, later documented in his memoir Salesman in Beijing, has since become a touchstone of cross-cultural theatre-making. More than two decades later, that improbable collaboration now finds new life in Salesman之死, a multilingual, documentary-inflected work that traces … Continue reading SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller