Pangdemonium’s final show finds hope and grace with how Come From Away finds the extraordinary power of care, community and an open door, even in the face of loss and tragedy. Duration: 105 minutes It seems poetic that Pangdemonium should end its 16-year journey as a company with Come From Away. On the 25th anniversary of 9/11, the musical arrives as a story about what … Continue reading ★★★★★ Theatre Review: Come From Away by Pangdemonium!
An experiment in live theatrical co-creation that asks what happens when theatre lets go of rehearsal, control and certainty. Duration: 80 min There is something inherently awkward about getting to know someone for the first time. You stumble over your words, try on different versions of yourself, wonder what the other person is thinking, and slowly, if you are lucky, find a rhythm together. Gangguan! … Continue reading Theatre Review: Getting To Know You by Gangguan! Theatre
Rishi Vadrevu and Juliana Kassim Chan deliver warm, sincere performances in Gateway Arts’ tender, devastating site-specific production, drawing attention to masculinity and mental health. Duration: 75 minutes There is something fitting about setting a play called The Parting Glass in a pub. Originally written by Chris O’Connor, the play takes its title from a traditional Irish and Scottish farewell song about having one last drink … Continue reading ★★★★★ Theatre Review: The Parting Glass by Gateway Arts
A harrowing, brutally honest look at what happens when we judge what we see without looking closer, and the people who fall through the cracks as a result. For a long time now, disability in Singapore has been framed through the language of charity and celebration: to champion the differently abled, applaud their resilience, celebrate the obstacles they have overcome, and hold them up as … Continue reading ★★★★☆ Theatre Review: MONSTRESS by ART:DIS
For more than six decades, Joanna Wong has devoted her life to Cantonese opera. She has performed it, taught it, modernised it and taken it around the world. Alongside her late husband, Leslie Wong, she also helped build one of Singapore’s most important Chinese opera institutions from the ground up. Now, as Chinese Theatre Circle (CTC) marks its 45th anniversary, that extraordinary journey is coming … Continue reading Preview: One Love, A Legacy – Celebrating Joanna & Leslie Wong and Chinese Theatre Circle by Chinese Theatre Circle
More than three decades after Michael Jackson brought his Dangerous World Tour to Singapore, the King of Pop’s music and creative legacy are set to return to the city, this time on the stage. MJ The Michael Jackson Musical, the four-time Tony Award-winning Broadway production, will open for a limited season at Sands Theatre, Marina Bay Sands, in August 2027, giving Singapore audiences the chance … Continue reading Preview: MJ The Michael Jackson Musical arrives in Singapore August 2027, waitlist now open
Pangdemonium’s 2026 finale season began with Force Majeure in March, followed by A Mirror in June. The company’s founders, Tracie and Adrian Pang, had previously announced in February that they would step away from Pangdemonium at the end of 2026, describing the decision as a deeply personal one and saying they wanted to bring the company’s story to an end on their own terms, on … Continue reading Interview: Tracie Pang, director Timothy Koh and the cast of ‘Come From Away’ reflect on building community and 16 years of Pangdemonium
For someone who has spent much of her career stepping into other people’s stories, Nathania Ong is about to do something rather different: telling her own. The Singaporean musical theatre performer returns this September with HONEST, her first solo concert in Singapore, promising an intimate evening of musical theatre, original music and personal storytelling that traces both the trajectory of her career, as well as … Continue reading Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert
A wistful, deeply human portrait of female friendship that grows apart, and a strong return to form for Haresh Sharma’s writing. Duration: 90 minutes 3 Queens, The Necessary Stage’s new production, is the type of everyday tragedy that plays out across households all around the world. Written by Haresh Sharma, and co-directed by Haresh and Adib Kosnan, the play does not find its tragedy from … Continue reading ★★★★☆ Theatre Review: 3 Queens by The Necessary Stage
Singapore’s Xander Pang leads an ambitious reimagining of the manga phenomenon that dazzles in moments but struggles to match the psychological intensity of its source material. LONDON, UNITED KINGDOM – There is something inherently audacious about bringing Death Note, one of Japan’s most recognisable manga properties, to the London stage as an English-language musical. Even more so when the musical itself has travelled such an … Continue reading ★★★★☆ London Theatre Review: Death Note – The Musical by HoriPro and Trafalgar Theatre Productions
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