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Waiting rooms can feel like hell. Over the years, purgatory onstage has taken a great many forms, from the horrificContinue Reading
Warning: This review may contain spoilers Journey to the centre of the self…and Liu Xiaoyi. Over the years, Emergency StairsContinue Reading
Pangdemonium opens their 2019 season with the Asian premiere of Canadian playwright Jordan Tannahill’s Late Company. Touching on the ever pertinent issueContinue Reading
When we first met Dana Lam at a preview of her new play Still Life last year, we were struck by the quietContinue Reading
“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gatheredContinue Reading
This March, the Substation returns with the next part of their 2018/19 season of Cities change. People die. Everything you knowContinue Reading
10 years ago, leading local theatre company The Necessary Stage (TNS) started their Theatre for Seniors (TFS) programme, a platformContinue Reading
A musical soundscape through unorthodox means. When John Cage’s controversial 4’33 premiered in 1952, never might the avant-garde composer have imaginedContinue Reading
Tragedy seems written in the stars in this lengthy production as the cosmos themselves bid our sweet prince goodnight. RankingContinue Reading
Organised by Yale-NUS College in support of the Singapore Bicentennial, next week sees the launch of the inaugural The Future of OurContinue Reading
