In a city where ambition and identity are constantly in motion, theatre has a way of holding up a mirror, sometimes gently, sometimes unflinchingly. This April, the Intercultural Theatre Institute (ITI) invites audiences to sit with the big questions in godategod, a bold, layered production written and directed by Haresh Sharma.

Running from 23 to 25 April at the Drama Centre Black Box, the show isn’t just another night out—it’s an immersive, thought-provoking encounter with power, faith, and grief in a world that often feels like it’s spinning too fast to make sense of.

godategod doesn’t follow a single storyline. Instead, it unfolds as a tapestry of voices, cultures, and moments—some surreal, some deeply familiar. You might find yourself in a kitchen at the end of the world, then suddenly listening in on a philosophical debate between a crow and a government officer, before being pulled into a quiet, aching story of loss in the age of AI.

The production asks a deceptively simple question: How do we keep going when everything feels uncertain? Drawing from Sharma’s earlier work godeatgod and weaving in fresh narratives, the play blends fiction with lived experiences, particularly those of three immigrant student performers: Henry Joseph Fundo, Jyoti Rana, and Pratiksha Sindhu. Their stories ground the production in something raw and real, making the cosmic feel personal.

If the past few years have taught us anything, it’s that uncertainty is universal. godategod leans into that feeling, not to overwhelm, but to explore. Sharma, known for his socially conscious writing, doesn’t shy away from heavy themes. Yet, what makes this production compelling is its balance. There’s humour tucked into unexpected corners, moments of tenderness that soften the weight, and an honesty that lingers long after the curtain falls.

Beyond the script, godategod is also a showcase of emerging talent. Performed by ITI’s graduating class of 2026, the production highlights the versatility and depth of young actors stepping into the professional world.

ITI itself has long been a cornerstone of Singapore’s theatre landscape, founded by the late Kuo Pao Kun and led by T. Sasitharan. Its training philosophy, bridging traditional and contemporary forms—comes alive in productions like this, where experimentation meets discipline.

The world of godategod is shaped not just by its performers but by a collaborative creative team. Movement, sound, lighting, and set design all play a role in building its shifting, almost dreamlike atmosphere. From evocative soundscapes to carefully constructed physicality, every element works together to pull audiences into a space where reality and imagination blur.

If you’re looking for something beyond the usual dinner-and-drinks routine, this is it. godategod offers an experience that stays with you, something to talk about long after you’ve left your seat.

godeatgod plays from 23rd to 25th April 2026 at Drama Centre Black Box. Tickets available from Peatix