Review: Plaything of the Gods by Intercultural Theatre Institute (8/9/16)

Have you ever wondered just how in control of your life you are? Plaything of the Gods is literally about that – hypothesising that human beings are simply puppets, providing entertainment value for higher beings. Written and directed by Bambang ‘Besur’ Suryono, ITI’s full-time faculty member, Plaything of the Gods is a theatrical production based on the traditional Indonesian dance Wayang Wong and is set … Continue reading Review: Plaything of the Gods by Intercultural Theatre Institute (8/9/16)

Singapore Night Festival 2016: The Wheel House by Acrojou (UK)

Amongst the highlights of the first weekend of the Singapore Night Festival, we were particularly interested in Acrojou’s The Wheel House. Having debuted in 2006 (a whopping ten years ago!), the Wheel House is a truly unique piece of street performance mixing acrobatics with a quirky ‘stage’. Acrojou, ‘The Wheel House’ from Acrojou on Vimeo. Acrojou’s Wheel House could very well be set in the … Continue reading Singapore Night Festival 2016: The Wheel House by Acrojou (UK)

Singapore Night Festival 2016: Husk

Coconut water’s been all the rage recently, and in our humid weather, it’s the number one solution to quenching our thirst. With coconut water providing the much needed boost of electrolytes and natural sugars, it’s the best way to quench that insatiable thirst. That was exactly how we felt after checking out the various events around Bras Basah and Bugis for the Singapore Night Festival, … Continue reading Singapore Night Festival 2016: Husk

Review: Every Singaporean Daughter by Unsaid

Unsaid is a social enterprise/arts collective who have been actively highlighting awareness of women’s issues this year, and breaks onto the theatre scene with their debut production. Every Singaporean Daughter‘s title riffs on the popular web series Every Singaporean Son, aiming to showcase the shared experience of the Singaporean female in this production. Playwright Marie Ee used stories and e-mails submitted to Unsaid to weave a … Continue reading Review: Every Singaporean Daughter by Unsaid

Review: Apprentice dir. Boo Junfeng

Boo Junfeng’s name has been making the rounds in Singapore, most recently for directing that advert featuring a long distance relationship made possible through Singtel. It’s no surprise; after all, he’s one of the nation’s best, following his sensitive coming of age film debut Sandcastle in 2010. In his latest film, which premiered at the Cannes Festival this year, we follow Aiman (Firdaus Rahman), a young Malay man … Continue reading Review: Apprentice dir. Boo Junfeng

Les Misérables (28/6/16)

Since catching it on the West End and Broadway, I dreamed a dream that one day, I’d be watching Les Misérables on our very own shores, like my parents did 20 years back. Now, that day has come and we were more than excited to get a chance to catch it at last. Les Misérables is eternally on the London stage for good reason – … Continue reading Les Misérables (28/6/16)

Hotel by W!ld Rice [2/7/16]

Hotels are strange places. They’re transitory, temporal spaces for people to live, many of which happen to be foreigners in a new country. People come and go, and leave traces of the past behind the same rooms that get cleaned up each day, in an almost spectral manner. Each room contains a rich history. W!ld Rice’s epic Hotel traces the hundred year history of a … Continue reading Hotel by W!ld Rice [2/7/16]

National Gallery – Common Grounds (25-26 June)

We previously attended the National Gallery’s Common Grounds Open House on 11 June, greeted with Lindy Hop dancers, Chinese Calligraphy artists and fascinating talks. This weekend, Common Grounds returns once again due to its overwheming popularity, and to celebrate the National Gallery’s 1 Millionth visitor. Come on down this weekend, 25-26 June to celebrate art and family, not to mention the fact that you’ll gain … Continue reading National Gallery – Common Grounds (25-26 June)

I Know Why The Rebel Sings – SIFA: The O.P.E.N. 2016

Today marks the start of the O.P.E.N., the pre-festival to the Singapore International Festival of the Arts. Artists and media were gathered at 72-13, home of Theatreworks, where festival director Ong Keng Sen made an opening speech explaining SIFA’s theme of Potentialities and the O.P.E.N. about being ‘Open to the Individual In You’. Newsha Tavakolian does just that, in an extensive solo exhibition that spans … Continue reading I Know Why The Rebel Sings – SIFA: The O.P.E.N. 2016

REVIEW: Trees, A Crowd… 11/6/16

The inaugural twenty something theatre festival began this week, and we were really excited to cover it! We marathoned all four plays today, and we’re going to review the headline play here, and the Fresh plays in a separate post. Kudos to Tan Kheng Hua for producing this amazing festival with great opportunities, and hoping that it returns again next year! We started off the … Continue reading REVIEW: Trees, A Crowd… 11/6/16