M1 Singapore Fringe Festival 2018: An Interview with Kenneth Chia and Mitchell Fang (One Thousand Millennials Crying)

Lazy. Entitled. Selfish. Shallow. Narcissistic. These are probably some of the most common generalizations about the millennial generation (loosely defined as those born between the late 80s and early 2000s). So what happens when you ask an actual millennial to respond to those accusations? You might just get something like One Thousand Millennials Crying, as co-creators and theatremakers Kenneth Chia and Mitchell Fang premiere this self-reflexive, comedic … Continue reading M1 Singapore Fringe Festival 2018: An Interview with Kenneth Chia and Mitchell Fang (One Thousand Millennials Crying)

M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)

EDM, North Korea and storage space collapse into an absurdist reflection on the difficulty of remaining an individual in an already overcrowded world.  Two figures clad in black zentai suits discuss getting a self storage space in distorted voices. A man finds his opinions constantly silenced and quashed whenever he raises them to his ‘friends’. A ghostly figure meets a red suited, Japanese-speaking man in … Continue reading M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)

M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

An unusually moving neo-burlesque reflection on film and pop culture’s influence on women.  One of the key theories any film studies student learns early on is the concept of the male gaze and visual pleasure, coined by seminal film critic Laura Mulvey. In short, it’s a concept that discusses how Hollywood films are essentially born from an unconscious patriarchal desire to derive pleasure from voyeurism … Continue reading M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

M1 Singapore Fringe Festival 2018: Step Outta Line by Thong Pei Qin (Review)

Thong Pei Qin summons the old guard of feminist artists for a new generation. If Step Outta Line was anyone’s first introduction to playwright Ovidia Yu, they’d probably come away with the impression that this was one angry woman. And rightfully so. Yu was one of the most outspoken and prominent female local playwrights of the 90s, with seminal plays that dared rebel against the patriarchy, pushed … Continue reading M1 Singapore Fringe Festival 2018: Step Outta Line by Thong Pei Qin (Review)

M1 Fringe Festival 2018: The Immortal Sole by Edith Podesta (Review)

A confident, powerful performance to kick off the 2018 M1 Singapore Fringe Festival. By now, Edith Podesta has firmly established herself as the mistress of just about every performing art form. From her years of experience as a theatre director leading up to the award-winning BITCH, to her stint as a choreographer in RAW Moves’ Indices of Vanishment, Podesta’s breadth of work has grown from strength to strength, … Continue reading M1 Fringe Festival 2018: The Immortal Sole by Edith Podesta (Review)

M1 Fringe Festival 2018: Hayat by Pink Gajah Theatre (Review)

The transformative power of pain is on full display in a moving work from Pink Gajah. Hayat may be a word that means life, but in Pink Gajah’s newest work of the same name, it begins with a death. Specifically, the memory of the death of performer Ajuntha Anwari’s mother, a trigger to reflect upon her life and begin her journey of grief, not only for her mother, … Continue reading M1 Fringe Festival 2018: Hayat by Pink Gajah Theatre (Review)

M1 Singapore Fringe Festival 2018: Reflecting on Life with Pink Gajah’s Hayat (Preview)

“Pink Gajah is a company where everyone becomes family,” Sharda Harrison, Artistic Director of Pink Gajah Theatre muses, while sipping on her drink. “I’m quite picky about the people I work with, because I need them to be comfortable with themselves, and be able to be raw and open with one another. I can’t have people who are trying to plaster themselves onto me or … Continue reading M1 Singapore Fringe Festival 2018: Reflecting on Life with Pink Gajah’s Hayat (Preview)

M1SFF 2018 Previews Part 3: Questioning Perfection and the Patriarchal Gaze

In the final part of our previews for the 2018 M1 Singapore Fringe Fest, we look at four works that tackle the complexities of the female form and the emphasis on female beauty. These pieces question the validity of succumbing to the patriarchal gaze and reject the emphasis on traditional ‘aesthetic beauty’, as they bring alternative takes on femininity across age and history. Read our … Continue reading M1SFF 2018 Previews Part 3: Questioning Perfection and the Patriarchal Gaze

M1SFF 2018 Previews Part 2: Redefining Individuality and Identity

As we looked at the pressure to conform to societal norms in part 1 of our 2018 M1SFF previews, we follow up on the theme with another aspect of Amanda Heng’s Let’s Walk – redefining individuality and identity. In our increasingly chaotic world, it becomes more important than ever to hold on to some kind of meaning, and that is best gleaned from confidence and assurance in … Continue reading M1SFF 2018 Previews Part 2: Redefining Individuality and Identity

M1SFF 2018 Previews Part 1: Battling Societal Influences and Pressures

The annual M1 Singapore Fringe Festival kicks off this year with an all new theme, as artistic director Sean Tobin takes it in a new direction – celebrating some of the most influential Singapore artists and taking inspiration from their most iconic works. In 2018, this theme begins with artist Amanda Heng and her seminal work Let’s Walk, created in 1999 as a response to women losing … Continue reading M1SFF 2018 Previews Part 1: Battling Societal Influences and Pressures