Taking place at the grand, sprawling Esplanade Hall, the Nidaros Cathedral Men and Boys’ Choir put on a rousing show for the nearly sold out show last Saturday. The concert began with famed organist Magne Draagen as he emerged from the wings and sat at the Esplanade’s huge pipe organ (yes, we’re as surprised as you are that the Esplanade has one). We couldn’t help … Continue reading Review: Nidaros Cathedral Men and Boys’ Choir
Teased as film noir meets dance, 48 Hours To Live focuses on visual and aural overload in its opening scenes, with exciting montages of a drug addled brain going into hyperdrive, reeling from the death of his sister. There are times it almost feels like an experimental film as it plays out in ‘tracks’, an extended music video for an EDM driven playlist. Essentially an update on … Continue reading Review: 48 Hours to Live dir. Benny Boom
Every so often, a theatrical production that gets just about everything right comes along, enchanting audiences from the opening lines and holding them spellbound till the very end. One of these plays happens to be Poop!, one of The Finger Players’ best, and most alluring plays. As they condensed a deceptively simple plot, captivating puppetry, blacklight theatre and musings on grief and death into an hour, there … Continue reading Review: Poop! by The Finger Players
We’re always on the hunt for new places to chill out at before or after an evening theatre show, and Aloha Poke’s Tiki Bar at Amoy Street fits that to a T. Since the first time we decided to grab a bowl and try this Hawaiian take on sashimi, the pioneer brand has since grown to have five outlets to their name, expanding their menu … Continue reading Enter The Golden Pineapple: Aloha Poke’s All New Tiki Bar
We round off our coverage of the inaugural Asian Youth Theatre Festival with our reviews of Jayaprana & Layonsari by Gigi Art of Dance, Beder Meye (Snake Charmer Girl) by Prachyanat, and a review of last Friday’s forum theatre piece Jangan Kurang Ajar (Don’t Be Rude) by Adib Kosnan & Tumpil Yang Tampil. Read more below: Jayaprana & Layonsari by Gigi Art of Dance (Indonesia) Hailing … Continue reading Review: Asian Youth Theatre Festival Day 3
Are you ready to go Crazy? Parisian cabaret extraordinaires Crazy Horse Paris returns to town after an absence of ten years to set stages ablaze once again with their elegant, classy dances that can only be described as pure art. Base Entertainment Asia and the production team have done an amazing job of transforming the Grand Theatre at Marina Bay Sands into an intimate, cabaret style … Continue reading Review: Forever Crazy by Crazy Horse Paris
If there’s one performance that’s bound to make you believe in eternal love, it’s Romeo and Juliet. And what better way to experience the timeless story of star crossed lovers than with the Stuttgart Ballet’s production of John Cranko’s Romeo and Juliet? John Cranko was artistic director of the Stuttgart Ballet when he choreographed what is now considered the definitive ballet version of the Bard’s tragic … Continue reading Review: Romeo & Juliet by The Stuttgart Ballet
The inaugural Asian Youth Theatre Festival kicked off at *SCAPE on Friday, and we sat through FIVE of the ten short, one act plays that were presented at the festival today! Tasked to perform plays that riffed on themes of cultural identity, these youth groups from both the international theatre scene and Singapore certainly delivered on the theme, some more successfully than others, and proved … Continue reading Review: Asian Youth Theatre Festival Day 1
If you think there’s nothing to look forward to but retirement and CPF after becoming a senior citizen, think again, as Sing’theatre presents their 10th anniversary production this October – an all new, localized version of Erik Gedeon’s Forever Young. The jukebox musical has gained cult status in several European countries, and is described by Gedeon himself as a form of “song drama”, where appropriately … Continue reading Review: Forever Young by Sing’theatre
Mental illness has long been the subject of fascination in theatre. From depression to obsession, theatremakers have consistently been attempting to find the best way to sensitively represent mental issues onstage. Perhaps then, Ramesh Meyyappan has stumbled upon something truly special in attempting to weave in an element of (dark) comedy and his signature style of physical theatre to give the issue a new, accessible … Continue reading Review: Off Kilter by Ramesh Meyyappan (Presented by Theatreworks)
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