It’s been 11 years since How Did The Cat Get So Fat? was last staged and its message of a hollow pledge still rings true. Besides literally referring to corpulent felines, a fat cat can of course, also refer to corrupt businessmen and politicians abusing their wealth or power. And in Zizi Azah’s play How Did The Cat Get So Fat?, it is these members of the upper class … Continue reading The Studios 2018: How Did The Cat Get So Fat? (Review)
In this day and age, local bands are a dime a dozen, and far too many come and go in the blink of an eye. It’s a rarity to even release one album, let alone two, which is precisely why funk-rock band Ugly In The Morning’s third release is absolutely significant in the history of Singapore music. 3 Or More If You Can Afford It was officially launched … Continue reading No Such Thing As Magic: Ugly In The Morning Launches 3rd Album – 3 Or More If You Can Afford It
Sing it loud from the rooftops: reveal The Secret and let everyone know how fantastic it is. The biggest challenge jukebox musicals often face is finding the right songs in an artists’ repertoire to fit a decent storyline. If done wrong, the entire musical could come off as hackneyed and forced. But in the event it does succeed, then expect only roaring success, mining the … Continue reading Review: The Secret presented by BASE Entertainment Asia and Perfect World Pictures
A woman’s will is put to the test when hit by the double whammy of divorce and death. Grief is one of the most common topics covered in theatre, making it an increasingly difficult subject to portray in a new light. But with Hatch Theatrics’ latest production and final show of their residency at the Malay Heritage Centre, it’s a topic that feels fresh with Lanang’s … Continue reading Review: Lanang by Hatch Theatrics
Pooja Nansi and Jessica Bellamy delve into the history and personal significance of hip hop in a fun and insightful performance. Before we begin, take a moment to think about your favourite hip-hop artist is. Is it Tupac with the deeply emotional and strangely prescient The 7 Day Theory? Could it be pre-Kardashian Kanye West making waves and pushing genre boundaries with 808s & Heartbreak? Or is it … Continue reading Review: Thick Beats for Good Girls by Checkpoint Theatre
Kaylene Tan encapsulates the art of living in the in between in an innovative, sensory experience. The term ‘between living and dying’ can be interpreted in a great many ways. You could literally be on the brink of death, fully paralysed and barely breathing, yet still completely alive. Perhaps you’re already dead and gone, but your spirit and memories linger on in the space and … Continue reading The Studios 2018: In The Silence of Your Heart (Review)
A troubled examination of the language of love when placed at its Orwellian limits. If you think Twitter’s original 140 character limit was extreme, imagine a world where that was applied to real life, and each person allowed only to speak 140 words per day. That’s the premise of Sam Steiner’s debut play Lemons Lemons Lemons Lemons Lemons, serving as the virgin production of director/producer duo Adeeb … Continue reading Review: Lemons, Lemons, Lemons, Lemons, Lemons by Adeeb & Shai
History comes alive in The Theatre Practice’s most ambitious project yet. Waterloo Street has become one of our most frequented areas in Singapore, serving as home to both The Theatre Practice and Centre 42. But in the rush of life we’re constantly caught up in, it’s very rare we get a chance to truly appreciate just how well preserved the buildings they’re housed in are, … Continue reading Review: 四马路 Four Horse Road by The Theatre Practice
It’s 630pm on a Saturday evening and I’m clad in the pristine white Illumi runners T-shirt I received as part of the sign up goody bag. As the sun sets on the Prudential Marina Bay Carnival, there’s a part of me that’s dreading what I’ve signed up for. I’m surrounded by countless kids at least 5 years younger than me, each of them bristling with … Continue reading Party On The Run: Illumi Run 2018
In taking on the mantle of the entire future of theatre from one’s predecessors, it is understandable that one would feel trepidation and anxiety at living up to the precedents set by them, or want to establish a new standard and stake one’s claim in the history of theatre. NUS’ latest batch of Theatre Studies students attempts to tackle just that issue in a project … Continue reading Review: Hana by NUS Theatre Studies Theatre Lab
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