Music Is: An Interview with Dedric Wong, Resident Conductor of Ding Yi Music Company

For nearly two decades, Ding Yi Music Company has been shaping the landscape of Chinese chamber music in Singapore. Now, at 18 years old and having firmly established their identity and purpose, the ensemble has reached a new crossroads, and are now moving towards developing a lasting legacy, not just in Singapore, but throughout the region. As they prepare to open their 2025/26 season, current … Continue reading Music Is: An Interview with Dedric Wong, Resident Conductor of Ding Yi Music Company

Music Is: Ding Yi Music Company announces 2025/26 Season

Ding Yi Music Company proudly announces its highly anticipated 2025/26 concert season, a visionary lineup that fuses tradition with cutting-edge artistry. Committed to shaping the future of Chinese chamber music, the upcoming season celebrates Singapore’s 60th year by featuring Cultural Medallion and Young Artist Award recipients in every concert—paying tribute to the nation’s most distinguished and emerging talents. Ding Yi continues its deep dive into … Continue reading Music Is: Ding Yi Music Company announces 2025/26 Season

★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

The past comes knocking, as Pangdemonium tackles the resounding fallout from the dramatic decision made by one of Ibsen’s most iconic heroines. Nora Helmer is perhaps one of theatre’s most iconic heroines of all times, famed for daring to fight back against oppressive, conservative Norwegian society by walking out on her family, slamming the door behind to pursue her independence, in Henrik Ibsen’s A Doll’s … Continue reading ★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’

Across the many great works of theatre in the literary canon, Henrik Ibsen’s A Doll’s House possesses an iconic ending scene that ranks among the very best, with a door slamming shut as protagonist Nora Helmer walks away from her husband and children, choosing herself over the constraints of 19th-century domesticity. But what happens to those left behind after that exit? What does it mean … Continue reading An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’

Arts of Hong Kong: The 53rd Hong Kong Arts Festival in 2025 opens

HONG KONG – The 53rd Hong Kong Arts Festival (HKAF) officially opened on 28 February with a performance by Italy’s Orchestra of the Teatro Comunale di Bologna. This year, more than 1,300 acclaimed international and local artists will stage over 45 programmes in more than 125 performances during the month-long Festival, including four new works/world premieres, five Asian premieres and two co-productions. As of 28 … Continue reading Arts of Hong Kong: The 53rd Hong Kong Arts Festival in 2025 opens

Art What!: Dylan Chan and Daniel Chong’s ‘unfurling murmurs’ at DECK

unfurling murmurs by Dylan Chan and Daniel Chong, draws from the tensions within ephemeral queer moments. Located between fleeting gestures of intimacy, they circulate and exist within the inbetween. Set against the backdrop of DECK’s open ground, the project bridges imagery and materiality, forming structures that both invite and evade. Absent within the site are direct references to figures, hinted only through cut background images. … Continue reading Art What!: Dylan Chan and Daniel Chong’s ‘unfurling murmurs’ at DECK

★★★★★ Review: ALICE (in wonderland) by Hong Kong Ballet

Bursting with life, this wildly imaginative adaptation of Lewis Carroll’s classic that both entertains and awes. As a classical style, ballet is an art form that is often thought of as prim and proper, where everything has been coordinated and choreographed to perfection. That stereotype seems to be at direct odds with Lewis Carroll’s novel Alice’s Adventures In Wonderland, which instead embraces non-linearity, surrealism and … Continue reading ★★★★★ Review: ALICE (in wonderland) by Hong Kong Ballet

★★★★★ Review: See You, Anniversary (2025) by Nine Years Theatre

Three years on, See You, Anniversary remains a devastating reflection on our limited time and the ways we cherish it. Originally staged in 2022, Nine Years Theatre’s (NYT) See You, Anniversary was among one of the strongest plays of the year, following a couple over each anniversary of their time together over 29 years. It’s a mundane-sounding premise, but one that, under Nelson Chia’s pen … Continue reading ★★★★★ Review: See You, Anniversary (2025) by Nine Years Theatre

★★☆☆☆ Review: Last Luncheon by Le Jeu Studio

More mundane than absurd, this one-man meditation on grief winds up a head-scratcher of a commission that never commits to any one idea long enough to leave an impact. Presented as part of the Esplanade’s Huayi – Chinese Festival of Arts, Le Jeu Studio’s Last Luncheon, conceived, directed, and performed by veteran theatre practitioner Alvin Chiam, aims to be a meditative journey into solitude, grief, … Continue reading ★★☆☆☆ Review: Last Luncheon by Le Jeu Studio