Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

It’s been sixty years since Singapore’s independence, a milestone that reminds us how young this country still is, and how much artistic possibility should still lie ahead. Yet 2025 has felt like a strangely uncertain year for theatre, one where our artists have found themselves caught between commemoration and complacency. Not quite an anniversary year, but treated as one nonetheless, it became a season where … Continue reading Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

“You very celup sia.” The moment her partner said it, Sofie Buligis laughed, but she also felt something click into place. “I was like, yeah, I am,” she remembers. “My friends and family have called me that, and actually it’s quite a snappy name for a show.” That idea became Celup (literally, ‘to dip’, and loosely translates to a desire to be more ‘mixed’) her … Continue reading Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

When audiences first encountered Retina Manoeuvre in its early work-in-progress, few could have guessed that the performance would later tour Europe, gathering deeply personal responses from audiences who recognised themselves, despite having no connection to Taiwan at all. The project began far from the solo, autobiographical form it eventually took. Taiwanese artist and creator Ping-Hsiang Wang recalls that the original proposal involved three performers and … Continue reading Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

When theatre-makers Rosie McGowan and Kluane Saunders first started writing a musical about a woman trying to create the happiest lesbian love story ever put on stage, they didn’t realise they were also building a company. “The idea for the production came first and the company came after,” Rosie laughs. “A lot of people asked who was the company behind it, and we thought, oh, … Continue reading Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

Set against the seemingly ordinary backdrop of a hotel workplace, Invisible begins with a simple premise: Malini, a young disabled woman, starts her new job as a cleaner determined to do well. When a guest’s prized possession goes missing, the incident sets off a chain of events that reveals the hidden struggles, quiet tensions, and unseen disabilities carried by those involved. Written by award-winning playwright … Continue reading Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

★★★★★ Theatre Review: Beauty and the Beast – The Musical by Disney Theatrical Group and Base Entertainment Asia

One of Disney’s most successful stage adaptations, this tale as old as time casts its spell with confidence, polish, and theatrical flair. Few animated films from Disney’s Renaissance era loom as large as Beauty and the Beast. With Alan Menken’s emotionally resonant score, richly drawn characters, and a story that balances fairytale fantasy with very human vulnerability, it’s no wonder the film has remained an … Continue reading ★★★★★ Theatre Review: Beauty and the Beast – The Musical by Disney Theatrical Group and Base Entertainment Asia

Preview: Slava’s Snowshow (2026) by Base Entertainment Asia

Last in Singapore in 2022, Base Entertainment Asia is thrilled to present the internationally acclaimed Slava’s Snowshow in Singapore once again. Following its successful seasons in 2012 and 2022, the show is set to captivate audiences at Sands Theatre, Marina Bay Sands for a limited season from 15 July 2026. Since its premiere in Singapore, Slava’s Snowshow has entertained generations with its playful blend of humour, heart, and theatrical … Continue reading Preview: Slava’s Snowshow (2026) by Base Entertainment Asia

Preview: Huayi – Chinese Festival of Arts 2026 by Esplanade – Theatres on the Bay

The Esplanade’s annual Huayi – Chinese Festival of Arts returns from 27 February to 8 March 2026 with an expansive, story-rich programme inspired by Chinese dialects, dynasties and regional folklore. This 24th edition promises audiences a vibrant mix of theatre, dance, music and family-friendly works featuring celebrated artists from Singapore, the region and beyond. As the festival team notes, audiences can expect “legends told through … Continue reading Preview: Huayi – Chinese Festival of Arts 2026 by Esplanade – Theatres on the Bay

★★★★☆ Review: ENTOURAGE – Murder Amongst Friends by Dramalab

Jit Murad’s lost play transforms The Playhouse into a spiralling night of ’90s excess, nostalgia, and danger, resurrecting his voice with bold direction and an unforgettable ensemble. KUALA LUMPUR – Stepping into The Playhouse, it begins as though the audience has stumbled into a party already in progress: a beautiful, artsy house with a bar, a living room, and the specific kind of lived-in aesthetic … Continue reading ★★★★☆ Review: ENTOURAGE – Murder Amongst Friends by Dramalab

Review: Falling Falling Falling Falling by SRT’s The Young Company

Modern love is chaos, but somewhere in the mess, we still find connection. What is love? The question hangs, rhetorical, almost mocking, over the opening moments of Falling Falling Falling Falling, as the young ensemble strides down a catwalk-like runway, phones up, posing for selfies as if this were the “catwalk of fame.” It’s a clever visual choice by director Daniel Jenkins, immediately situating us … Continue reading Review: Falling Falling Falling Falling by SRT’s The Young Company