★★★★★ Review: Disgraced (2024) by Singapore Repertory Theatre

Fear and self-loathing in Islamophobic America. There’s a common saying that one of the worst pieces of advice to give to anyone is to ‘just be yourself’. Indeed, as much as a country like the USA posits itself as one that welcomes individualism and uniqueness, there also often seems to be certain OB markers where the moment you step even a little outside of what … Continue reading ★★★★★ Review: Disgraced (2024) by Singapore Repertory Theatre

Preview: Oleanna by Major Minor Encounters and The Windland Collective

This August, graduates from the Intercultural Theatre Institute (ITI) will be staging an independent production of David Mamet’s controversial play, Oleanna. The production is the result of a collaboration between independent collectives Major Minor Encounters, co-founded by Singaporean theatre performer, playwright, and arts manager Choy Chee Yew, and The Windland Collective, co-founded by Swathilakshmi Perumal, actor and theatre-maker from Tamil Nadu, India. Both collectives strive … Continue reading Preview: Oleanna by Major Minor Encounters and The Windland Collective

★★☆☆☆ Review: National Day Charade by Wild Rice

Meta-commentary on the annual NDP sees how Wild Rice would celebrate National Day, their way. Whether you see it as propaganda or a celebration of nationhood, the annual National Day Parade (NDP) is without a doubt one of the quintessential parts of the Singapore calendar. But how accurate is it, really, of reflecting our lives as Singaporeans, and representing our hopes, dreams and often complicated … Continue reading ★★☆☆☆ Review: National Day Charade by Wild Rice

★★★☆☆ Review: All The World’s A Sea by The Theatre Practice

Ambitious speculative fiction epic questions how we will find our way amidst an unknown future. Facing the waves of chaos that rock our world, it can oftentimes feel impossible to overcome the overwhelming feelings of displacement all around us, from the helplessness felt towards climate change and war, to the sense that we’re being left behind as technological fast approaches the singularity, and the world … Continue reading ★★★☆☆ Review: All The World’s A Sea by The Theatre Practice

Disgraced: An Interview with director Daniel Jenkins, and cast members Ghafir Akbar and Shrey Bhargava

In 2016, Singapore Repertory Theatre (SRT) presented a sold-out run of Ayad Akhtar’s Pulitzer Prize-winning play Disgraced, gripping audiences with its provocative subject matter, dealing with race relations in a post 9/11 America. Eight years on, SRT is bringing it back for a second run this August, with a brand new cast and creative team, and perhaps, more relevant than ever before. Leading the team … Continue reading Disgraced: An Interview with director Daniel Jenkins, and cast members Ghafir Akbar and Shrey Bhargava

★★★★☆ Review: Phinny & Wally by Nine Years Theatre

Nine Years Theatre’s foray into children’s theatre tugs at the heartstrings and covers a sea of themes. In the world of children’s theatre, a show often has to go beyond pure entertainment, to also include teachable moments and life lessons for its young audiences to take away. The quality of a children’s show then hinges on the execution of several core tenets, including the level … Continue reading ★★★★☆ Review: Phinny & Wally by Nine Years Theatre

Preview: Disgraced (2024) by Singapore Theatre Company

The Singapore Theatre Company is delighted to announce the restaging of Ayad Akhtar’s Pulitzer Prize-winning play Disgraced at the KC Arts Centre – Home of STC from 13 August 2024. Following a sold-out run in 2016, this gripping and provocative drama returns to challenge and captivate audiences once more. Disgraced is set in an upscale New York City apartment where Amir, a successful lawyer with … Continue reading Preview: Disgraced (2024) by Singapore Theatre Company

All The World’s A Sea: An Interview with director Kuo Jian Hong and cast member Clinton Zhang

No one can predict the entirety of what lies ahead, but one can always extrapolate based on current circumstances. For local theatre company The Theatre Practice (Practice), they’re giving audiences a glimpse five seconds into the future with their speculative work All The World’s A Sea this August. Restructured and reimagined from their 2018 piece I came at last to the seas, this new play has … Continue reading All The World’s A Sea: An Interview with director Kuo Jian Hong and cast member Clinton Zhang

Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

For years, local theatre company Nine Years Theatre has been producing original and adapted works in Mandarin, primarily targeted at adults, and showcasing the beauty and art of the Chinese language. But this July, they’re breaking new ground and attempting to bring in a completely different demographic of audience – children. Kicking off this new initiative is original production Phinny & Wally, set to premiere … Continue reading Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

Preview: All The World’s A Sea by The Theatre Practice

Back in 2018, The Theatre Practice (Practice) premiered their epic work I came at last to the seas at the Esplanade Theatre. Exploring issues of migration, identity, and the Chinese diaspora, the work was vastly ambitious, featuring international collaborations with Hong Kong, Taiwan and China, and marked the first time a Singaporean theatre company was commissioned to do an original work for the Esplanade’s Huayi – Chinese … Continue reading Preview: All The World’s A Sea by The Theatre Practice