In London’s West End 2019: The Gruffalo by Tall Stories (Preview)

LONDON – Coinciding with the 20th birthday of the much-loved picture book, Tall Stories is bringing back their hit musical adaptation of The Gruffalo, with a UK tour and limited ten-week West End season at The Lyric Theatre, London. Originally written by Julia Donaldson and illustrated by Axel Scheffler, The Gruffalo was adapted for the stage by Tall Stories in 2001 and has continued to delight audiences all around the world. Join the brave Mouse on a daring adventure … Continue reading In London’s West End 2019: The Gruffalo by Tall Stories (Preview)

In London’s (Off) West End 2019: Feast from the East by INK Festival (Preview)

LONDON – This May, London’s INK Festival is showcasing some of East Anglia’s short plays with Feast from the East, featuring contributions from writing superstars such as Richard Curtis and his daughter Scarlett. Considered a vital platform for regional writing, INK’s London residency is set to bring their work to a wider audience, having produced over 100 new plays in just four years. With INK, the … Continue reading In London’s (Off) West End 2019: Feast from the East by INK Festival (Preview)

In London’s (Off) West End 2019: F*ck You Pay Me at the Bunker (Preview)

LONDON – Writer, performer and winner of the Sexual Freedom Awards Joana Nastari closes The Bunker Theatre’s spring season with her award-winning debut performance, Fuck You Pay Me.  Having won the Wilton’s Music Hall Edinburgh Award and VAULT Festival People’s Choice Award 2018, Fuck You Pay Me blends theatre, comedy, music and spoken word to bring audiences an authentic and hilarious night of entertainment, telling of one woman and … Continue reading In London’s (Off) West End 2019: F*ck You Pay Me at the Bunker (Preview)

Preview: Railway Records by Desert Wine

  Desert Wine’s Comfort Theatre Series returns this weekend with a brand new production, this time with a site-specific theatre work titled Railway Records.  Held in partnership with the Bicentennial, the free performance runs at the black truss bridge at the former Bukit Timah Railway Station on Saturday, March 30th for six 30 minute sessions, showcasing five monologues that capture the last 116 years of our passenger … Continue reading Preview: Railway Records by Desert Wine

The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

so This week, the Esplanade’s new season of The Studios returns, presenting a lineup of intimate, powerful theatre shows playing at both the Theatre Studio and Annexe Studio. Kicking off the season is Cake Theatrical Productions with their hotly anticipated new production Rubber Girl On The Loose.  Based off Sophocles’s Antigone, this new interpretation of the Greek classic carries on in Cake’s tradition of reworking Greek plays (following … Continue reading The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

Sleep No More《不眠之夜》: An Interview with Punchdrunk Artistic Director Felix Barrett

SHANGHAI, CHINA – It’s been almost three years since Punchdrunk brought their blockbuster immersive theatre experience Sleep No More to Shanghai, and the success they’ve seen so far isn’t letting up anytime soon, as good as or even better than previous editions staged in New York and London. Based off Shakespeare’s classic tragedy Macbeth, Sleep No More takes the experience up a level by turning it into a film noir-like tale, … Continue reading Sleep No More《不眠之夜》: An Interview with Punchdrunk Artistic Director Felix Barrett

Review: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

It can happen to anyone and everyone. When Grace Kalaiselvi asked her actresses to read the poems of Sarojini Naidu in preparation for her all new Goddesses of Words series (aimed at highlighting female Indian poets writing in English), each performer somehow connected almost instantly with the theme of trauma, and more specifically, sexual assault. While not all of the poems necessarily put trauma at … Continue reading Review: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

Review: Bette Davis on the Edge presented by Wag the Dog Theatre

Unravelling the woman behind the star. Performing an icon is no easy feat, but if it’s anyone who’s done Bette Davis justice, it’s Christine St. John. Presented by Wag the Dog Theatre for its Asian premiere, St. John performed her solo show Bette Davis On The Edge in Singapore this week, where, channeling Davis into her performance, Davis, on 31st October 1962, recounts her life and times … Continue reading Review: Bette Davis on the Edge presented by Wag the Dog Theatre

Review: FAUST/US (浮世/德) by Nine Years Theatre

Lest the demons get to me. Written by Johann Wolfgang von Goethe in the early 1800s, there is a timelessness to the narrative and themes discussed in Faust that have led to it becoming an inspiration for countless other works of art, and its regard as one of the greatest works of German literature. To stage it in a new capacity then, is certainly a challenging … Continue reading Review: FAUST/US (浮世/德) by Nine Years Theatre

Hong Kong 2019: Hong Kong Repertory Theatre Announces 2019-2020 Season – Long Live The Classics!

HONG KONG – The Hong Kong Repertory Theatre has launched its 2019–20 season, themed “Long Live the Classics!” The season focuses on both classic works that have stood the test of time, while also producing new work in the hopes of establishing brand new modern classics of the future. Season highlights include the contemporary Chinese masterpiece A Dream Like a Dream, the renowned Cantonese musical The Good Person of … Continue reading Hong Kong 2019: Hong Kong Repertory Theatre Announces 2019-2020 Season – Long Live The Classics!