Preview: Not In My Lifetime? by The Finger Players

The Finger Players open their 2019 season with an all new inclusive theatre performance this March. Titled Not in My Lifetime?, the production will be staged at Gateway Theatre’s Black Box and explores the special education system in Singapore as experienced by teachers working within the sector. Conceived by director Tan Beng Tian in collaboration with a diverse team of creatives, the production aims to cater … Continue reading Preview: Not In My Lifetime? by The Finger Players

In London’s (Off) West End 2019: Tom Ratcliffe’s Circa Announces Cast (Preview)

LONDON – Tom Ratcliffe’s debut play Circa, about gay relationships in the modern age, plays at the Old Red Lion Theatre this March, and will be led by a cast starring Thomas Flynn, Daniel Abelson, Antony Gabriel, Joseph Rowe and Jenna Fincken. After premiering at the Theatre de Meervaart, Amsterdam in 2016, work.Theatre returns with Tom Ratcliffe’s Circa in a co-production with Harlow Playhouse. Exploring the blurred identity … Continue reading In London’s (Off) West End 2019: Tom Ratcliffe’s Circa Announces Cast (Preview)

Huayi Festival 2019: FOUR FOUR EIGHT (四四八) by Emergency Stairs (Review)

Warning: This review may contain spoilers Journey to the centre of the self…and Liu Xiaoyi. Over the years, Emergency Stairs Artistic Director Liu Xiaoyi has made it abundantly clear that the work he puts out staunchly refuses to conform to theatrical standards, having created work that subverts the norm, be it a piece of anti-theatre deliberately attempting to crush audience expectations or even performing in unusual … Continue reading Huayi Festival 2019: FOUR FOUR EIGHT (四四八) by Emergency Stairs (Review)

Preview: Anak Melayu by Teater Kami

In conjunction with their 30th Anniversary celebration this year, Teater Kami is set to restage Anak Melayu – a play that was first staged in 1992 at The Substation, as written and directed by a then 18 year old Noor Effendy Ibrahim. Anak Melayu follows six Malay teenagers going through a tumultuous period in their lives as they attempt to find themselves and discover those around them in … Continue reading Preview: Anak Melayu by Teater Kami

In London’s (Off) West End 2019: Nothing to Fear at the Blue Elephant Theatre (Preview)

Around 40% of the world population has an internet connection today. In 1995, it was less than 1%. LONDON – Nothing to Fear is a collaboration between technology and the human voice. Throughout, Benjamin explores our relentless relationship with the internet and why taking ownership of our data is now more important than ever. Part gig, part lecture, with a blend of beatboxing and experimental … Continue reading In London’s (Off) West End 2019: Nothing to Fear at the Blue Elephant Theatre (Preview)

Checkpoint Theatre’s Still Life: An Interview with Playwright/Performer Dana Lam

When we first met Dana Lam at a preview of her new play Still Life last year, we were struck by the quiet strength the former AWARE president exuded as she confidently performed a poetic interpretation of scenes from her life. This was helped in part by the countless artworks displayed all around her studio in Goodman Arts Centre, offering us a glimpse into Dana’s life not just … Continue reading Checkpoint Theatre’s Still Life: An Interview with Playwright/Performer Dana Lam

Preview: It Takes All Kinds by Theatre for Seniors (The Necessary Stage)

10 years ago, leading local theatre company The Necessary Stage (TNS) started their Theatre for Seniors (TFS) programme, a platform for pioneers and older citizens to find a creative and educational space to learn and perform theatre. Now, TFS has come into its own as a professional theatre group, and this year, will present a brand new production jointly devised and performed by seniors. Says Alvin … Continue reading Preview: It Takes All Kinds by Theatre for Seniors (The Necessary Stage)

In London’s West End 2018: Harry Potter and the Cursed Child at the Palace Theatre (Review)

The international phenomenon proves perhaps magic truly does exist within the theatre.  LONDON – To the casual outsider, Harry Potter and the Cursed Child feels like an overrated play. After all, following seven (conclusive) books, eight movies (not including the Fantastic Beasts series) and one massive fandom, does J.K. Rowling’s Harry Potter franchise deserve yet another addition to the canon? The answer, surprisingly, is a resounding yes. With an … Continue reading In London’s West End 2018: Harry Potter and the Cursed Child at the Palace Theatre (Review)

Huayi Festival 2019: Dear John by M.O.V.E. Theatre (Review)

A musical soundscape through unorthodox means. When John Cage’s controversial 4’33 premiered in 1952, never might the avant-garde composer have imagined the sheer impact he might have had in the field of music theory. Infamous for being four minutes and thirty three seconds of ‘silence’ as an orchestra stands still onstage, the work reflects Cage’s interests in Zen Buddhism, and his magnum opus epitomizing the theory … Continue reading Huayi Festival 2019: Dear John by M.O.V.E. Theatre (Review)

Preview: The Future of Our Pasts Festival by Yale-NUS College

Organised by Yale-NUS College in support of the Singapore Bicentennial, next week sees the launch of the inaugural The Future of Our Pasts Festival (TFOOPFest), seeking to explore lesser-known narratives in Singapore history through various art mediums. Running from 16th February to 17th March, the month-long festival features 11 projects created by local undergraduates, young artists and cultural advocates. The programme lineup is set to showcase a range of … Continue reading Preview: The Future of Our Pasts Festival by Yale-NUS College