Review:06:58 by The Rooftop Collective 19/8/16

Started in 2016, The Rooftop Collective aims to “harness the power of collaboration”, creating new devised, interdisciplinary works.  06:58 is their virgin production, with the title referring to the time of day. (Coincidentally its exactly my normal alarm time as well) Directed by NYU theatre major Sim Yan Ying, 06:58 explores the daily morning rituals of the millennial generation. From struggling to stop hitting the snooze button, … Continue reading Review:06:58 by The Rooftop Collective 19/8/16

Preview: 6:58 by The Rooftop Collective

Look closer, think deeper. Feel. What is the morning? 06:58 is a new devised piece by The Rooftop Collective about the seemingly banal daily morning routine (hence the name), and an exploration and experiment to find out how different art forms can coalesce in interesting and organic ways to re-present the mundane nature of life. This is the Rooftop Collective’s first piece, and the performance will … Continue reading Preview: 6:58 by The Rooftop Collective

Review: International Friendship Day by The Necessary Stage [27/7/16]

The Necessary Stage has always been a mainstay of Singapore’s theatre scene, covering all kinds of topics from political pieces to collaborations with overseas theatre companies, making for some very interesting pieces. But what they also do regularly is community type theatre, often written with a very specific message in mind that addresses pertinent issues in society, such as When The Bough Breaks and post-natal depression. This … Continue reading Review: International Friendship Day by The Necessary Stage [27/7/16]

Review: GRC by Teater Ekamatra

After Cooling Off Day in 2010 it only seemed natural that Alfian Sa’at follow up with another political play the next election year, this time in the form of GRC, first performed in December last year. GRC takes place in a Singapore turned upside down, where Malays are now the majority, and Chinese are a minority race, discriminated against for being suspected of their Chinese communist ties, and stereotyped … Continue reading Review: GRC by Teater Ekamatra

Review: Every Singaporean Daughter by Unsaid

Unsaid is a social enterprise/arts collective who have been actively highlighting awareness of women’s issues this year, and breaks onto the theatre scene with their debut production. Every Singaporean Daughter‘s title riffs on the popular web series Every Singaporean Son, aiming to showcase the shared experience of the Singaporean female in this production. Playwright Marie Ee used stories and e-mails submitted to Unsaid to weave a … Continue reading Review: Every Singaporean Daughter by Unsaid

Review: Let’s Get Back Together by Red Pill Productions (10/7/16)

Red Pill Productions’ Let’s Get Back Together (or rather unsubtly, LGBT) was first staged in 2014, and W!ld Rice has revived it for the 2016 Singapore Theatre Festival with an all new cast, consisting Ezzat Alkaff, Ann Lek, Ruzaini Mazani, Eleanor Tan, Jo Tan and Zachary Ibrahim. LGBT is a play much in the same vein as Alfian Sa’at’s Cooling Off Day, in that it uses interviews … Continue reading Review: Let’s Get Back Together by Red Pill Productions (10/7/16)

Review: Apprentice dir. Boo Junfeng

Boo Junfeng’s name has been making the rounds in Singapore, most recently for directing that advert featuring a long distance relationship made possible through Singtel. It’s no surprise; after all, he’s one of the nation’s best, following his sensitive coming of age film debut Sandcastle in 2010. In his latest film, which premiered at the Cannes Festival this year, we follow Aiman (Firdaus Rahman), a young Malay man … Continue reading Review: Apprentice dir. Boo Junfeng

REVIEW: Ibsen:Ghosts

Last night, the German duo Markus&Markus left an indelible Margot-shaped impression in local discourse on the right-to-die with their riveting documentary theatre Ibsen: Ghosts. This certainly isn’t the first time Singaporean audiences have been confronted with moral questions about dying (think: the use of medical marijuana in Haresh Sharma’s Good People (2007)), and this moving piece with its dearly departed protagonist Margot suggests that one … Continue reading REVIEW: Ibsen:Ghosts

PREVIEW: Innamorati Two

After a sell out run of Innamorati One in 2014, Toy Factory is back to ignite the Drama Centre stage this September with its sequel Innamorati Two (唯二): A Spirited Mandarin Musical. Innamorati Two is not a direct sequel to Innamorati One, rather, a spiritual successor, both penned by Jiang Daini. Innamorati Two follows an ensemble cast of 7 people searching for an answer to their physical and emotional losses in life, and … Continue reading PREVIEW: Innamorati Two

Review: Riders Know When It’s Gonna Rain/Hawa [3/7/16]

W!ld Rice has really brought in a gem with this double bill. Both Riders and Hawa are unique in that they showcase voices rarely heard in the theatre scene – Riders for its honest portrayal of the mat moto subculture in Singapore, and Hawa for a glimpse into Islamic funeral rites from a recent convert to Islam grappling with personal issues of her own. These are issues and scenes that are in short supply … Continue reading Review: Riders Know When It’s Gonna Rain/Hawa [3/7/16]