Category: Esplanade Annexe Studio

Arts, Chinese Theatre, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Preview, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Huayi 2020: An Interview with Star Pianist Tony Yike Yang

At the tender age of 16, Chinese-Canadian pianist Tony Yike Yang took the music world by storm when he became the youngest-ever laureate at the prestigious 2015 Chopin International Piano Competition in Warsaw. Now, the young prodigy is set to make his Southeast Asian debut at the Esplanade, performing a solo recital as part of this year’s edition of Huayi – Chinese Festival of the arts. … Continue reading Huayi 2020: An Interview with Star Pianist Tony Yike Yang

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Arts, Chinese Theatre, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Preview, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Preview: Esplanade presents Huayi Festival 2020

As we approach Chinese New Year once again, so does the Esplanade’s annual Huayi – Chinese Festival of Arts. Come the year of the Rat, often considered a symbol of wit, imagination and curiosity, Huayi is set to bring these traits to life in its programming, with a line-up of leading Chinese artists from Singapore and beyond between 31st January and 9th February 2020. Presenting a mix … Continue reading Preview: Esplanade presents Huayi Festival 2020

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Arts, Esplanade Annexe Studio, Review, Singapore, Singapore Arts, Theatre., Theatre

Review: Fat Kids Are Harder To Kidnap X Re-Run by How Drama

Fat on genuine passion, heart and love for Singapore in all her idiosyncrasies.  After a fantastic sold-out run in 2018, Fat Kids Are Harder to Kidnap X returned this weekend for a second round to give those that missed it the first time (and longtime fans of the show) to immerse themselves completely in “the perfect, quintessentially Singaporean fringe show”. Directed by Melissa Sim,  the format of Fat Kids is … Continue reading Review: Fat Kids Are Harder To Kidnap X Re-Run by How Drama

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Arts, Esplanade Annexe Studio, Preview, Singapore, Singapore Arts, Theatre., Theatre

Preview: Fat Kids Are Harder To Kidnap X Re-Run by How Drama

They’ve been getting kidnapped for 11 years now, but that hasn’t stopped the irreverent, irresistible and insane energy and humour of How Drama as they bring back Fat Kids Are Harder To Kidnap X for a rerun this August, after a fantastic sold-out run last year. In the show, five cast members embark on a theatrical marathon as they attempt to perform 31 plays in an … Continue reading Preview: Fat Kids Are Harder To Kidnap X Re-Run by How Drama

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Arts, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Review: Crazy Poor Sita by Sharul Channa

Sharul Channa lets her acid humour take a backseat to this timely character drama about the underclass of Singapore. Better known for her sharp tongue and razor wit, stand up comedian Sharul Channa has lately, been delving into a somewhat different brand of performance lately, exploring her actor side with character work that’s seen her transform into women of all backgrounds. In the International Women’s … Continue reading Review: Crazy Poor Sita by Sharul Channa

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Arts, Chinese Theatre, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Huayi Festival 2019: Love Letters by The Nonsensemakers/Nelson Chia & Mia Chee (Review)

Two melodramatic lives, their destinies intertwined by a flurry of love letters. It’s one thing to be married, or married to your job, but quite another to be married to someone who runs a company with you. Such is the case for both The Nonsensemakers (Hong Kong) and Nine Years Theatre (Singapore), run by partners Rensen Chan and Jo Ngai, and Nelson Chia and Mia … Continue reading Huayi Festival 2019: Love Letters by The Nonsensemakers/Nelson Chia & Mia Chee (Review)

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Arts, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Huayi Festival 2019: That Which Cannot Be Divided (无法被整除) by Bulareyaung Pagarlava & Albert Tiong (Review)

United we stand, divided we fall. Inspired by the concept of prime numbers – numbers indivisible by anything other than themselves and 1 and with no immediately apparent pattern, former Cloud Gate Dance Theatre members Bulareyaung Pagarlava (Taiwan) and Albert Tiong (Singapore) each choreographed a work attempting to unravel the mysteries behind them, showcasing how they may have more application to daily life than we … Continue reading Huayi Festival 2019: That Which Cannot Be Divided (无法被整除) by Bulareyaung Pagarlava & Albert Tiong (Review)

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Arts, Chinese Theatre, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Huayi Festival 2019: The Way of Zhuang Zi (庄子兵法) by Story Works (Review)

Nerve wracking thriller of a play that keeps you guessing every step of the way. Happiness is the absence of striving for happiness. I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly dreaming I am a man. Of the many Chinese philosophers we grew up learning from our scholar of a Chinese teacher … Continue reading Huayi Festival 2019: The Way of Zhuang Zi (庄子兵法) by Story Works (Review)

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Arts, Chinese Theatre, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Huayi Festival 2019: FOUR FOUR EIGHT (四四八) by Emergency Stairs (Review)

Warning: This review may contain spoilers Journey to the centre of the self…and Liu Xiaoyi. Over the years, Emergency Stairs Artistic Director Liu Xiaoyi has made it abundantly clear that the work he puts out staunchly refuses to conform to theatrical standards, having created work that subverts the norm, be it a piece of anti-theatre deliberately attempting to crush audience expectations or even performing in unusual … Continue reading Huayi Festival 2019: FOUR FOUR EIGHT (四四八) by Emergency Stairs (Review)

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Arts, Chinese Theatre, Esplanade Annexe Studio, Esplanade Concert Hall, Esplanade Recital Studio, Esplanade Theatre, Esplanade Theatre Studio, Huayi 2018, Review, Singapore, Singapore Arts, Theatre., Theatre, Theatres

Huayi Festival 2019: Dear John by M.O.V.E. Theatre (Review)

A musical soundscape through unorthodox means. When John Cage’s controversial 4’33 premiered in 1952, never might the avant-garde composer have imagined the sheer impact he might have had in the field of music theory. Infamous for being four minutes and thirty three seconds of ‘silence’ as an orchestra stands still onstage, the work reflects Cage’s interests in Zen Buddhism, and his magnum opus epitomizing the theory … Continue reading Huayi Festival 2019: Dear John by M.O.V.E. Theatre (Review)

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