Preview: Esplanade presents Huayi Festival 2020

As we approach Chinese New Year once again, so does the Esplanade’s annual Huayi – Chinese Festival of Arts. Come the year of the Rat, often considered a symbol of wit, imagination and curiosity, Huayi is set to bring these traits to life in its programming, with a line-up of leading Chinese artists from Singapore and beyond between 31st January and 9th February 2020. Presenting a mix … Continue reading Preview: Esplanade presents Huayi Festival 2020

Review: KNOTS《结》by STRANGER

New Chinese theatre collective still has some knotty issues to untangle.  In spirituality, it is believed that if one does not let go of the metaphorical ‘knots in one’s heart’, then their mind will remain tormented by these unresolved issues, burdened and suffering on. It is one such knot that takes centrestage in KNOTS, playing as part of the Singapore Chinese Language Theatre Alliance’s New Works … Continue reading Review: KNOTS《结》by STRANGER

Preview: New Works Festival 2019 by Singapore Chinese Language Theatre Alliance

In 2016, six of Singapore’s leading Chinese language theatre companies united and formed the Singapore Chinese Language Theatre Alliance. Aiming to surface and address concerns and issues pertaining to the development of Chinese language theatre scene in Singapore, the six members of the alliance are Drama Box, Nine Years Theatre, Paper Monkey Theatre, The Finger Players, The Theatre Practice and Toy Factory Productions. Three years on, they’re … Continue reading Preview: New Works Festival 2019 by Singapore Chinese Language Theatre Alliance

The Studios 2019: My Grandfather’s Road (RHDS) (English Version) by Neo Kim Seng (Review)

Return to Neo Pee Teck Lane. Neo Kim Seng’s My Grandfather’s Road is back, this time as part of the Esplanade’s 2019 season of The Studios. While overall following the same plot and arc as the last time we watched it. Now taking place in the Esplanade Theatre Studio, our experience begins even before we step into the performance space, where Kim Seng has set up … Continue reading The Studios 2019: My Grandfather’s Road (RHDS) (English Version) by Neo Kim Seng (Review)

The Studios 2019: An Interview with Playwrights Neo Kim Seng, Gary Tang and Tan Cher Kian of My Grandfather’s Road (RHDS)

Neo Kim Seng’s My Grandfather’s Road has had a wild journey since it was first created in 2015 for Cake Theatrical Productions’ Running with Strippers. The biographical work was based on the history of his actual grandfather Neo Pee Teck, which had a side road in Pasir Panjang named after him, and has gone on not only to become published as a book, but also a Cantonese version … Continue reading The Studios 2019: An Interview with Playwrights Neo Kim Seng, Gary Tang and Tan Cher Kian of My Grandfather’s Road (RHDS)

The Studios 2019: Mergers and Accusations (Review)

The ties that bind us are frayed in this revival of a Singaporean LGBTQ classic. Written by Eleanor Wong in 1993, 16 years on, Mergers and Accusations remains one of Singapore’s most seminal queer theatrical works. Dripping with sarcastic wit and rapid fire legal jargon, the play remains relevant even today for its unabashed portrayal of citizens afraid to come out of the closet for fear of the impact … Continue reading The Studios 2019: Mergers and Accusations (Review)

The Studios 2019: An Interview with Director Chen Yingxuan and Performer Oon Shu An of Mergers & Accusations

Eleanor Wong is sometimes better known for her position as a law professor at NUS’ Faculty of Law. But to most of the arts community, she is perhaps best known for her seminal Invitation to Treat trilogy of plays, narratively linked by their protagonist, Ellen Toh. Set in the 90s, Ellen is a lawyer who realises she is a lesbian. But coming out, both to society and … Continue reading The Studios 2019: An Interview with Director Chen Yingxuan and Performer Oon Shu An of Mergers & Accusations

The Studios 2019: Miss British by The Art of Strangers (Review)

Post-colonial blues from the personal stories of three minority actresses.  With a title like Miss British, it’s easy to assume that the second show of the Esplanade’s 2019 The Studios Season is all about British identity. It’s a misnomer, and in fact, deals primarily with the impact, trauma and legacy that British colonialism has left behind on minorities. Directed by Felipe Cervera, Miss British comes at a timely … Continue reading The Studios 2019: Miss British by The Art of Strangers (Review)

The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

As the Esplanade’s 2019 seasons of The Studios roars into its second week, The Art of Strangers presents a brand new show – Miss British. Based off an original idea by Sharon Frese, who stars alongside Grace Kalaiselvi, Rebekah Sangeetha Dorai and Riduan Zalani, Miss British is a devised, multi-disciplinary work questioning the British identity, thinking about issues of both the monarchy and slave trade. What then are the prejudices and social hierarchies left behind … Continue reading The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

Antigone gets schooled. School is a tragedy. Specifically in Cake’s case, it’s a Greek tragedy. Opening the Esplanade’s 2019 season of The Studios, Cake presents Rubber Girl on the Loose, a brand new adaptation and reinterpretation of Sophocles’s Antigone, except this time, set within the tyranny of a formal education system. The titular ‘rubber girl’ is of course, Antigone, wearing rubber bands all over her body and refusing … Continue reading The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)