Dance with Me: cont·act Contemporary Dance Festival 2024 – On the Cusp by T.H.E Dance Company

The Human Express (T.H.E) Dance Company’s annual cont·act Contemporary Dance Festival returns for the month of June. Presented in collaboration with national performing arts centre Esplanade – Theatres on the Bay, this year’s Festival offers 6 live performances, 26 classes, 4 workshops and a 3-day long intensive to immerse the country in contemporary dance once more. Now in its 14th edition, this year’s festival is … Continue reading Dance with Me: cont·act Contemporary Dance Festival 2024 – On the Cusp by T.H.E Dance Company

Preview: Who’s Afraid of Virginia Woolf? by Pangdemonium!

This June, one of theatre’s greatest tour de forces comes to life, with Pangdemonium! presenting Edward Albee’s magnum opus – Who’s Afraid of Virginia Woolf? Directed by Timothy Koh, the play has been studied by literature students around the world (including for the local A level syllabus) and has entranced audiences around the world with its riveting blend of tension, rapid fire wordplay, and unrelenting … Continue reading Preview: Who’s Afraid of Virginia Woolf? by Pangdemonium!

An Interview with Jacob Rajan, star and creator of ‘Paradise or the Impermanence of Ice Cream’

What happens after death? Perhaps just like ice cream – life itself also eventually melts away. This May, the afterlife and everything in between gets explored in Singapore Theatre Company (STC) and Indian Ink’s sensational new play – Paradise or the Impermanence of Ice Cream. Created by and starring New Zealand-based theatremaker Jacob Rajan, follow Kutisar on a fantastical journey after his death, as he … Continue reading An Interview with Jacob Rajan, star and creator of ‘Paradise or the Impermanence of Ice Cream’

Pesta Raya 2024: An Interview with Mohd Fared Jainal and Ridhwan Saidi on Teater Ekamatra’s epic new reimagining of ‘Bawang Putih Bawang Merah’

For generations, the classic Malay fairy tale of Bawang Putih and Bawang Merah (literally garlic and shallot) has been passed down from orator to captive listener, a story filled with magic that takes all kinds of twists and terms in all its iterations. Now, acclaimed local theatre company Teater Ekamatra is getting ready to reintroduce this yarn to a brand new audience, reimagining it for … Continue reading Pesta Raya 2024: An Interview with Mohd Fared Jainal and Ridhwan Saidi on Teater Ekamatra’s epic new reimagining of ‘Bawang Putih Bawang Merah’

★★★★★ Review: Secondary The Musical by Checkpoint Theatre

Searing critique of Singapore education system identifies the cracks in and those who slip through it. The topic of education has always been a hot one in Singapore. Despite being hailed as having one of the world’s best, the education system has almost always been a trial by fire for any student going through it, rewarding those who excel with the promise of praise and … Continue reading ★★★★★ Review: Secondary The Musical by Checkpoint Theatre

★★★★★ Review: Hamilton by Base Entertainment Asia

You will know his name and sing it, loud and proud. On paper, Hamilton seems like an audacious idea for a musical – not only is it a three hour biographical recount of lesser known American founding father Alexander Hamilton, it also deliberately does race blind casting to have almost all these major Caucasian historical figures to being played by minorities onstage. But ever since … Continue reading ★★★★★ Review: Hamilton by Base Entertainment Asia

Preview: Paradise or the Impermanence of Ice Cream by Singapore Theatre Company and Indian Ink

This May, take a wild ride to paradise with Singapore Theatre Company (STC) and Indian Ink’s sensational new play – Paradise or the Impermanence of Ice Cream, about life’s impermanence—where love, ice cream, and the mysteries of death intertwine in unexpected ways. Kutisar is dead, and lost between paradise and hell. On an existential post-mortem journey to correct mistakes of his past, Kutisar joins the … Continue reading Preview: Paradise or the Impermanence of Ice Cream by Singapore Theatre Company and Indian Ink

★★★★☆ Review: How I Learned To Drive by Renee Yeong

Full speed ahead into the complex topic of pedophilia and grooming in small town America. In America, with its long highways and winding roads, driving remains a necessity if you want to get out. As a result, getting one’s driver’s license becomes a key rite of passage, marking a coming of age for many Americans, symbolising newfound freedom with the ability to go anywhere, anytime … Continue reading ★★★★☆ Review: How I Learned To Drive by Renee Yeong

An Interview with T:>Works Artistic Director Ong Keng Sen on second edition of Per°Form Open Academy of Arts and Activations (POA)

Last Wednesday, the second edition of T:>Works’ Per°Form Open Academy of Arts and Activations (POA) welcomed artist Hira Nabi to deliver an opening keynote, where the filmmaker presented a lecture performance at 72-13. Titled How to Love A Tree, the presentation showcased footage of green landscapes and misty mountains, while Hira spoke of forest time and the spectre of colonialism, drawing us into a dreamscape … Continue reading An Interview with T:>Works Artistic Director Ong Keng Sen on second edition of Per°Form Open Academy of Arts and Activations (POA)

★★★★☆ Review: Little Shop of Horrors by Sing’theatre

Delightfully camp revival of Off Broadway classic brings both darkness and comedy to the stage. For anyone who’s ever owned or cared for a plant, you’ll know that many of them can be incredibly picky or particular about their food sources. But when it comes to carnivorous plants, it’s a whole other ball game, when you have to actively hunt down and provide live insects … Continue reading ★★★★☆ Review: Little Shop of Horrors by Sing’theatre