★★★☆☆ Film Review: Liang Po Po Vs Ah Beng《梁婆婆VS阿炳》dir. Matt Lai

A cross-border showdown powered by stereotypes, slapstick, and surprisingly a lot of heart. If Hollywood has Godzilla vs Kong, then Southeast Asia gets Liang Po Po Vs Ah Beng, a proudly loud, unapologetically silly clash between two cultural icons. On one side is Liang Po Po, the legendary sharp-tongued grandmother from Singapore, once again played in drag by Jack Neo. On the other is Ah … Continue reading ★★★☆☆ Film Review: Liang Po Po Vs Ah Beng《梁婆婆VS阿炳》dir. Matt Lai

★★★☆☆ Film Review: Luck My Life《我的人生我自摸》dir. Eric Wong

Luck is fickle but charm lasts, leading to a solid CNY crowd-pleaser. Some movies aim to dazzle. Chinese New Year movies aim to comfort. Luck My Life knows exactly which camp it belongs to, and for better and worse, it plays the part faithfully. Fresh from a Golden Horse–nominated turn as a devoted drag queen son in A Good Child, rising star Richie Koh steps … Continue reading ★★★☆☆ Film Review: Luck My Life《我的人生我自摸》dir. Eric Wong

★★★☆☆ Film Review: 3 Good Guys 《老婆,我爱你》dir. Boi Kwong

Good intentions, bad habits, and a whole lot of slapstick in this Singapore-Thai Chinese New Year release. There is something ironic about a film called 3 Good Guys opening on three men who are, by most measures, failing spectacularly as romantic partners. In the familiar tradition of the Chinese New Year movie, goodness here is not a given but something to be learned by the … Continue reading ★★★☆☆ Film Review: 3 Good Guys 《老婆,我爱你》dir. Boi Kwong

Film: An Interview with Jason Lee, Screenwriter and Director of ‘A Good Fortune’《百万红包》

As Singapore prepares for the annual Lunar New Year homecoming, A Good Fortune《百万红包》 arrives with the familiar comforts of festive comedy, and even brings something surprisingly heartfelt beneath the laughter. The film follows Kai Xin (Xixi Lim), a struggling influencer who flees to Malaysia after falling victim to a scam, only to reunite with Zi Hao (Wang Weiliang), the boy who once stood up for … Continue reading Film: An Interview with Jason Lee, Screenwriter and Director of ‘A Good Fortune’《百万红包》

Film Fanatic: An Interview with Ryo Takebayashi, director of ‘MONDAYS: See you “this” week!’

Since he watched Home Alone at the age of 6, Ryo Takebayashi became enamoured with film. All it took was for his father to buy him a film camera while in school, and the young Takebayashi would start embarking on his own little projects, making short films and amateur videos, vowing to one day make a feature film of his own. Now, that day has … Continue reading Film Fanatic: An Interview with Ryo Takebayashi, director of ‘MONDAYS: See you “this” week!’

Review: Mountains May Depart dir. Jia Zhangke

Jia Zhangke is a legend of 6th generation Chinese filmmakers. Having made a name for himself with naturally shot, gripping social realism films, Mountains May Depart marks a new career high, delivering some of the best work Jia has done in the majority of the film. Mountains May Depart is set in Jia’s hometown of Fenyang, China and spans the course of 26 years, tracking three periods in … Continue reading Review: Mountains May Depart dir. Jia Zhangke

Artist Spotlight: An Interview with Xu Bing, Director of Dragonfly Eyes (SGIFF 2017)

Chinese visual artist Xu Bing is primarily an installation based artist. But in 2017, he made his film directorial debut with Dragonfly Eyes, snagging the FIPRESCI Prize and Special Mention: Ecumenical Jury at the Locarno International Film Festival 2017. Dragonfly Eyes continues Xu’s ongoing exploration of communication and the way we interact, carefully editing down over 11,000 hours of footage obtained from surveillance cameras to create a completely unstaged, … Continue reading Artist Spotlight: An Interview with Xu Bing, Director of Dragonfly Eyes (SGIFF 2017)

Artist Spotlight: Vivian Qu, Director of SGIFF 2017 Opening Film Angels Wear White

Vivian Qu has plenty of producing credits to her name and is a star in the Chinese independent film community, having produced arthouse films such as Knitting (2008), Night Train (2007) and Black Coal, Thin Ice (2014). But besides producing, the Chinese filmmaker also has a firm hand on creating her own works,  having scripted and directed her critically acclaimed debut Trap Street in 2013 and with it, becoming the first Chinese female filmmaker to … Continue reading Artist Spotlight: Vivian Qu, Director of SGIFF 2017 Opening Film Angels Wear White

The Spirits Play: An Interview with Director Oliver Chong and Actor Tay Kong Hui

The second play in their Contemporary/Classics series, the Finger Players will be restaging theatre legend Kuo Pao Kun’s The Spirits Play in the final week of October, in the week immediately following Poop! The Spirits Play is a haunting, anti-war work that follows five spirits in conversation, all killed during World War II as they discuss the enemies that led to their death, both without and within their … Continue reading The Spirits Play: An Interview with Director Oliver Chong and Actor Tay Kong Hui

Poop!: An Interview with Director/Playwright Chong Tze Chien and Actress Janice Koh

As part of their Contemporary/Classics series for their 2017 Main Season, the Finger Players are bringing back Chong Tze Chien’s Poop! this October! Last staged in 2010, this restaging will feature all of the original cast and production team. Masters of applying puppetry in the most ingenuous and creative of ways, Poop! is a heartbreaking, dark fairytale about dealing with grief…but as seen through a child’s eyes. We managed to … Continue reading Poop!: An Interview with Director/Playwright Chong Tze Chien and Actress Janice Koh