Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

★★★☆☆ Review: Pickle Party by The Theatre Practice

Part educational workshop, part reflection on the past and future of food in Singapore, the latest work by Ang Xiao Ting raises poignant questions but may still need time to ferment. Theatremaker Ang Xiao Ting has always been interested in matters of conservation in consumption, themes which eventually came to manifest in her original creations under The Theatre Practice (Practice), such as her work on … Continue reading ★★★☆☆ Review: Pickle Party by The Theatre Practice

Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

The third edition of the Esplanade – Theatres on the Bay’s da:ns focus – Connect Asia Now (CAN) takes place over a weekend this September, presenting three works that push the boundaries of dance, and uniting the unique perspectives of artists from the Asia Pacific. Imagining the future through dance, watch as Antony Hamilton, Choy Ka Fai and Pichet Klunchun reimagine the limitations and potentials of physical … Continue reading Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

The Studios 2025: An Interview with The Theatre Practice on ‘Pickle Party’ and sustainable theatre

How much of a pickle are we in when it comes to sustainability and climate change? It all feels like a bit of a crisis, but in the meantime, the solution just might be…pickling? This September, the Esplanade’s The Studios 2025 rounds off with Pickle Party by The Theatre Practice (Practice), which places the audience at a pickling workshop within a performance. Originally staged as … Continue reading The Studios 2025: An Interview with The Theatre Practice on ‘Pickle Party’ and sustainable theatre

★★★☆☆ Theatre Review: Escape To Batam by Checkpoint Theatre

Claire Wong attempts to stage her grieving process onstage, winding through knotty memory and reflection in search of meaning. Checkpoint Theatre’s latest work began over a decade ago, when creator Claire Wong started interviewing her father, Wong Heck Ming. After his passing in 2016, the piece transformed from a portrait of his youth during World War II into something more inward-looking: a meditation on Wong’s … Continue reading ★★★☆☆ Theatre Review: Escape To Batam by Checkpoint Theatre

★★★★★ Review: FOOD by Geoff Sobelle

Geoff Sobelle serves up food for thought, elevating the act and art of consumption. Geoff Sobelle is nothing short of a master of theatrical magic and clownery. And considering how skeptical today’s audiences are, and how easy it is to see through most performers’ sleight of hand, that’s high praise for an increasingly rare talent in entertainment. But more than just parlour tricks, Sobelle’s work … Continue reading ★★★★★ Review: FOOD by Geoff Sobelle

★★★☆☆ Review: Haribo Kimchi by Jaha Koo / CAMPO

Jaha Koo delivers a whimsical, uplifting show about food and connection in a foreign land. What links a person to their culture? A common answer from many Singaporeans would undoubtedly be food, not only in the tastes, but the scents, atmospheres, and experiences inexplicably tied to them. In that same vein, with Haribo Kimchi, Korean artist Jaha Koo has also found himself turning to food … Continue reading ★★★☆☆ Review: Haribo Kimchi by Jaha Koo / CAMPO

The Studios 2025: An Interview with Geoff Sobelle on ‘FOOD’, art, and connection

Do we need what we eat? Do we eat what we need? What does it really cost? In FOOD, American theatremaker Geoff Sobelle returns to Singapore with an invitation to chew on the complexities of consumption, memory, and meaning. Set around an absurdly oversized banquet table, this multi-sensory theatrical experience transforms the act of eating into a ritual of inquiry. Guests are not merely observers … Continue reading The Studios 2025: An Interview with Geoff Sobelle on ‘FOOD’, art, and connection

★★★☆☆ Review: Scenes From The Climate Era by David Finnigan and Ellison Tan

Myriad views of the climate disaster and the desperation and depression that emerges in its rise. How does one frame a play about climate change and still add to the already burgeoning conversation? Adapted for a Singaporean production, Australian playwright David Finnigan’s Scenes From The Climate Era is keenly aware of the weighty and convoluted nature of the climate crisis, and how difficult it can … Continue reading ★★★☆☆ Review: Scenes From The Climate Era by David Finnigan and Ellison Tan