Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Everybody underestimates Elle Woods. That is, after all, the entire premise of Legally Blonde. Before she even speaks, people have already decided who she is: too blonde, too fashionable, too frivolous to be taken seriously. Yet for director Kate Golledge, that’s also the biggest misconception audiences have about the musical itself. “I love Legally Blonde. I honestly think it’s one of the best-written contemporary musicals … Continue reading Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

★★★★★ Dance Review: Dracula – Ballet at its Darkest by BIG Live

Bram Stoker gave us Dracula. Joel Burke made him ballet. Somehow, it feels like one of the most natural reinventions of the world’s most famous vampire yet. “Listen to them, the children of the night. What music they make.” Bram Stoker’s most famous line has echoed through popular culture for well over a century. Since Dracula was published in 1897, the Count has lived countless … Continue reading ★★★★★ Dance Review: Dracula – Ballet at its Darkest by BIG Live

Preview: Dracula – Ballet at its Darkest by BIG Live

If you think ballet is all tutus and fairy tales, Dracula: Ballet at its Darkest is here to change your mind. Fresh from a sold-out run in London’s West End and acclaimed seasons across Australia and New Zealand, BIG Live’s gothic reimagining of Bram Stoker’s iconic vampire tale will make its Singapore debut at the Esplanade Theatre from 15 to 19 July 2026. Part of … Continue reading Preview: Dracula – Ballet at its Darkest by BIG Live

Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Hang Tuah has occupied a singular place in the Malaysian imagination for centuries. The legendary warrior appears in school textbooks, literature, films and political speeches, often held up as the embodiment of loyalty, courage and duty. It is precisely because he is so deeply embedded in the national consciousness that theatre-maker Mark Teh never imagined he would make a work about him. “He’s a mythic … Continue reading Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Preview: Esplanade – Theatres on the Bay’s The Studios 2026 – Precarious Bodies

In a world shaped by uncertainty, shifting power structures and contested truths, theatre becomes more than entertainment, and becomes a space to question, reflect and connect. This year, Esplanade – Theatres on the Bay launches a bold new chapter of The Studios, its annual theatre season, with Precarious Bodies, a thought-provoking exploration of vulnerability, control and the invisible forces that shape our lives. Running from … Continue reading Preview: Esplanade – Theatres on the Bay’s The Studios 2026 – Precarious Bodies

★★★★★ Theatre Review: A Mirror by Pangdemonium

Tracie Pang deftly handles Sam Holcroft’s puzzle box of a play-within-a-play with confidence and a stellar team to produce the theatrical event of the year. There are theatre productions you admire and those you enjoy. And then there are productions that leave you walking out of the theatre almost hesitating to speak, not because you have nothing to say, but because you are still trying … Continue reading ★★★★★ Theatre Review: A Mirror by Pangdemonium

Turning Audiences Into Accomplices: An Interview with director Tracie Pang, and cast members Coco Wang Ling and Ghafir Akbar on Pangdemonium’s ‘A Mirror’

“It wasn’t intentional that A Mirror was chosen for our final season,” says director and Pangdemonium founder and co-artistic director Tracie Pang. “We had already programmed the season before the decision was made that it would be Pangdemonium’s last. We had maybe five shows planned and moving forward, and then it became a question of which of those we would keep and which we would … Continue reading Turning Audiences Into Accomplices: An Interview with director Tracie Pang, and cast members Coco Wang Ling and Ghafir Akbar on Pangdemonium’s ‘A Mirror’

Concert Review: Ray Chen – Violin Recital (Singapore)

Virtuosity, storytelling, and enough encore pieces for a second recital, Ray Chen makes classical music feel welcoming, alive, and deeply human. Ray Chen’s return to Singapore felt less like a standard recital and more like a showcase of how flexible a classical concert can be in 2026. Part virtuoso display, part storytelling, part direct conversation with the audience, Chen was joined by pianist Chelsea Wang, … Continue reading Concert Review: Ray Chen – Violin Recital (Singapore)

★★★★☆ Dance Review: Elusive—A Double Bill by T.H.E Dance Company

International collaborations produce clean, thematically-resonant double bill that proves T.H.E’s dancers are still at the top of the game. Contemporary dance often gravitates towards the intangible: memory, emotion, systems of power, the invisible forces that shape how we move through the world. Elusive, T.H.E Dance Company’s latest double bill presented as part of cont·act Dance Festival, pairs two international collaborations that approach these concerns from … Continue reading ★★★★☆ Dance Review: Elusive—A Double Bill by T.H.E Dance Company

★★★★☆ Circus Review: Der Lauf (The Way Things Go) by Les Vélocimanes Associés

A delirious circus of near-disasters that transforms juggling into a nerve-shredding game of trust and keeps audiences holding their breath. With Der Lauf (The Way Things Go), Belgian company Les Vélocimanes Associés has created what may be one of the most stressful circus experiences in recent memory. Presented as part of Esplanade’s Flipside 2026 programme, this deliriously inventive work transforms juggling into something stranger and … Continue reading ★★★★☆ Circus Review: Der Lauf (The Way Things Go) by Les Vélocimanes Associés