★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

Mesmerising docutheatre production delves into the myth of Malayan national hero Hang Tuah while asking who gets to shape history, and why we continue to believe the stories we inherit. Duration: 90min Mythological figures have long served as vessels for morality, identity and national aspiration. Their stories are repeated until they begin to feel inseparable from the societies that tell them, their contradictions smoothed over … Continue reading ★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

Esplanade’s The Studios 2026: An Interview with Iranian theatremaker Amir Reza Koohestani on surveillance, solidarity and the power of ‘Blind Runner’

Surveillance cameras watch every interaction. A husband visits his imprisoned wife once a week, their conversations becoming increasingly strained under the weight of constant observation. Elsewhere, he agrees to guide a young blind marathon runner through the streets of Paris, discovering that trust, like freedom, is something built one careful step at a time. In Blind Runner, acclaimed Iranian playwright and director Amir Reza Koohestani … Continue reading Esplanade’s The Studios 2026: An Interview with Iranian theatremaker Amir Reza Koohestani on surveillance, solidarity and the power of ‘Blind Runner’

Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

Following its sold-out West End run, Dracula: Ballet at its Darkest arrived in Singapore with a bold reimagining of Bram Stoker’s gothic classic. Under the artistic direction and choreography of Joel Burke, the production traded traditional ballet conventions for cinematic storytelling, psychological tension and an evocative score featuring works by Bach, Mozart, Rachmaninov, Liszt and Debussy, inviting audiences into a haunting world where love, grief … Continue reading Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

For a musical that’s become synonymous with pink outfits, pop anthems and perfectly coiffed hair, Legally Blonde spends surprisingly little time asking audiences to admire appearances. Instead, it focuses on dismantling them. Nearly every major woman in the show enters the story wearing a label. Protagonist Elle Woods is the most obvious example, quickly dismissed as the ditzy blonde. But while she may be the … Continue reading Legally Blonde: Breaking stereotypes with stars Vanessa Kee, Sandra Riley Tang and Siti Khalijah Zainal

Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

Everybody underestimates Elle Woods. That is, after all, the entire premise of Legally Blonde. Before she even speaks, people have already decided who she is: too blonde, too fashionable, too frivolous to be taken seriously. Yet for director Kate Golledge, that’s also the biggest misconception audiences have about the musical itself. “I love Legally Blonde. I honestly think it’s one of the best-written contemporary musicals … Continue reading Legally Blonde: An interview with director Kate Golledge and choreographer Simon Hardwick on bringing out the best of Singapore Repertory Theatre’s all-star cast

★★★★★ Dance Review: Dracula – Ballet at its Darkest by BIG Live

Bram Stoker gave us Dracula. Joel Burke made him ballet. Somehow, it feels like one of the most natural reinventions of the world’s most famous vampire yet. “Listen to them, the children of the night. What music they make.” Bram Stoker’s most famous line has echoed through popular culture for well over a century. Since Dracula was published in 1897, the Count has lived countless … Continue reading ★★★★★ Dance Review: Dracula – Ballet at its Darkest by BIG Live

Preview: Dracula – Ballet at its Darkest by BIG Live

If you think ballet is all tutus and fairy tales, Dracula: Ballet at its Darkest is here to change your mind. Fresh from a sold-out run in London’s West End and acclaimed seasons across Australia and New Zealand, BIG Live’s gothic reimagining of Bram Stoker’s iconic vampire tale will make its Singapore debut at the Esplanade Theatre from 15 to 19 July 2026. Part of … Continue reading Preview: Dracula – Ballet at its Darkest by BIG Live

Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Hang Tuah has occupied a singular place in the Malaysian imagination for centuries. The legendary warrior appears in school textbooks, literature, films and political speeches, often held up as the embodiment of loyalty, courage and duty. It is precisely because he is so deeply embedded in the national consciousness that theatre-maker Mark Teh never imagined he would make a work about him. “He’s a mythic … Continue reading Esplanade’s The Studios 2026: An Interview with Mark Teh on retelling legends of national heroes in Five Arts Centre’s ‘Fragments of Tuah’

Preview: Esplanade – Theatres on the Bay’s The Studios 2026 – Precarious Bodies

In a world shaped by uncertainty, shifting power structures and contested truths, theatre becomes more than entertainment, and becomes a space to question, reflect and connect. This year, Esplanade – Theatres on the Bay launches a bold new chapter of The Studios, its annual theatre season, with Precarious Bodies, a thought-provoking exploration of vulnerability, control and the invisible forces that shape our lives. Running from … Continue reading Preview: Esplanade – Theatres on the Bay’s The Studios 2026 – Precarious Bodies

★★★★★ Theatre Review: A Mirror by Pangdemonium

Tracie Pang deftly handles Sam Holcroft’s puzzle box of a play-within-a-play with confidence and a stellar team to produce the theatrical event of the year. There are theatre productions you admire and those you enjoy. And then there are productions that leave you walking out of the theatre almost hesitating to speak, not because you have nothing to say, but because you are still trying … Continue reading ★★★★★ Theatre Review: A Mirror by Pangdemonium