Film Fanatic: Momo Film Co. Celebrates Cannes Critics’ Week Selection for Co-Production ‘A Useful Ghost’

Singapore-based Film & TV Company Momo Film Co. is proud to announce its role as a co-producer of A Useful Ghost, the Thai social satire selected for the 2025 Cannes Critics’ Week. Directed by Ratchapoom Boonbunchachoke, the film marks Thailand’s first entry in the festival’s Critics’ Week section in a decade and will premiere globally at the prestigious event. The film tells the story of … Continue reading Film Fanatic: Momo Film Co. Celebrates Cannes Critics’ Week Selection for Co-Production ‘A Useful Ghost’

Arts of Hong Kong: M+ presents the world premiere of The System in 4K, the first title in M+ Restored

HONG KONG – M+, Asia’s global museum of contemporary visual culture in the West Kowloon Cultural District (WestK) in Hong Kong, is pleased to present the world premiere of the first title of the M+ Restored, The System (1979) by pioneering Hong Kong filmmaker Peter Yung. This groundbreaking film will be showcased as part of the special programmes of the 49th Hong Kong International Film Festival (HKIFF), co-presented by M+ and HKIFF. The … Continue reading Arts of Hong Kong: M+ presents the world premiere of The System in 4K, the first title in M+ Restored

★★★★★ Film Review: The Solitary Gourmet (劇映画 孤独のグルメ) dir. Yutaka Matsushige

The Solitary Gourmet finds new friends and new fans in this moving, life-affirming feature film continuation of the hit television series. In Singapore at least, eating alone is considered a social faux pas. Why don’t you have any friends? Are you a misanthrope who shuns humanity? But as hit manga series The Solitary Gourmet shows, there is no shame in eating alone, and in fact, … Continue reading ★★★★★ Film Review: The Solitary Gourmet (劇映画 孤独のグルメ) dir. Yutaka Matsushige

★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

The past comes knocking, as Pangdemonium tackles the resounding fallout from the dramatic decision made by one of Ibsen’s most iconic heroines. Nora Helmer is perhaps one of theatre’s most iconic heroines of all times, famed for daring to fight back against oppressive, conservative Norwegian society by walking out on her family, slamming the door behind to pursue her independence, in Henrik Ibsen’s A Doll’s … Continue reading ★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

How Singaporean Movies Shape National Sports Identity

The world of sports is about much more than just results and achievements. In Singapore, cinema has proven to be a powerful platform for telling stories that shape national identity and collective consciousness. Two films stand out particularly in this narrative: “Kallang Roar the Movie” and “Homerun”. Sports as national pride: “Kallang Roar the Movie” The film about Singapore’s historic victory in the 1977 Malaysia … Continue reading How Singaporean Movies Shape National Sports Identity

35th Singapore International Film Festival Closes with Record-breaking Box Office, Celebrates Excellence in Asian Cinema at Silver Screen Awards

The Singapore International Film Festival (SGIFF) concluded its 35th edition on December 8 with another record-breaking year. The festival marked its highest-ever box office earnings, with total ticket sales seeing a 10% increase from the last edition. This year’s attendance also surpassed the previous edition’s record, cementing SGIFF’s place among audiences as a key platform for Asian cinema. The final night of the festival culminated in the prestigious … Continue reading 35th Singapore International Film Festival Closes with Record-breaking Box Office, Celebrates Excellence in Asian Cinema at Silver Screen Awards

35th Singapore International Film Festival Kicks Off with Southeast Asian Premiere of Stranger Eyes

The 35th Singapore International Film Festival (SGIFF) opened on the evening of 28 November, setting the stage for a vibrant celebration of Asian cinema. Held at the iconic Capitol Theatre, the evening saw the Southeast Asian premiere of Singaporean director Yeo Siew Hua’s award-winning psychological thriller Stranger Eyes, marking the first of 105 films from over 48 countries — 80% of which are from Asia — to be … Continue reading 35th Singapore International Film Festival Kicks Off with Southeast Asian Premiere of Stranger Eyes

Film Fanatic: An Interview with Jeremy Chua, General Manager of SGIFF on the state of the film industry

Jeremy Chua remembers his childhood as a lonely one, one primarily spent in what seemed to become a second home – the cinema. Growing up watching films that engaged and enchanted him, he recalls spending time doodling car parks, and in the cars parked within them, he would imagine people sitting inside, and all the little thoughts and stories that made up their lives, and … Continue reading Film Fanatic: An Interview with Jeremy Chua, General Manager of SGIFF on the state of the film industry

Film Fanatic: An Interview with Yeo Siew Hua, director of SGIFF 2024 opening film ‘Stranger Eyes’

Singaporean director and filmmaker Yeo Siew Hua has a longstanding history with the Singapore International Film Festival (SGIFF). Not only has he been consistently showcasing work he has helped produce or direct, but he looks upon the festival fondly as a key part of his formative years as a teen. But this year, Yeo is making new waves at the festival once again, with his … Continue reading Film Fanatic: An Interview with Yeo Siew Hua, director of SGIFF 2024 opening film ‘Stranger Eyes’

Full lineup revealed for Singapore International Film Festival 2024, including ‘Nightbitch’ and Cronenberg’s ‘The Shrouds’

As the Singapore International Film Festival (SGIFF) marks its 35th edition, the nation’s largest and longest-running film event reinforces its position as a key reference point for Singapore and Asian cinema, while showcasing its unique perspective on contemporary trends in global cinema. Held from 28 November to 8 December, this year’s lineup features 105 films from 45 countries, with 80% of the selections hailing from … Continue reading Full lineup revealed for Singapore International Film Festival 2024, including ‘Nightbitch’ and Cronenberg’s ‘The Shrouds’