Review: Human+ by Khairul Kamsani

How will we take our smartphone addicted culture to new heights in the future? Emerging theatre maker Khairul Kamsani brings back his 2014 speculative play Human+ with a new cast, a new script and a new venue. Unlike what you might come to expect of a piece about technology and the future, Human+ is a stripped down, minimalist piece that is reliant almost completely on its actors to draw … Continue reading Review: Human+ by Khairul Kamsani

SIFA 2017: Vegetative State by Manuela Infante (Review)

Are animals really all that different from plants? Or is the way they experience life and stimuli simply a stretched out version of how we see things, due to their considerably longer lifespan? Chilean director Manuela Infante takes the concept of plant intelligence and communication and brings it to life in the polyphonic, poetic Vegetative State. Performed by actress Marcela Salinas, the experimental work brings us on a … Continue reading SIFA 2017: Vegetative State by Manuela Infante (Review)

SIFA 2017: Germinal by Halory Goerger, Antoine Defoort (Review)

If French philosopher Jacques Derrida were still alive today and caught Germinal, one wonders what the creator of deconstruction himself might have made of the show. To deconstruct an object or concept, one essentially takes it completely apart in all its complexities, almost like laying out all the parts of a well oiled machine, reducing it to the sum of its contents. What seems like an act … Continue reading SIFA 2017: Germinal by Halory Goerger, Antoine Defoort (Review)

Review: ETA: 9MIN by Main Tulis Group

No time for epic three hour plays? Think that Shakespeare is a little too dense for an enjoyable night out? All new playwright collective the Main Tulis Group has arrived on the scene to resolve those problems, and debuted nine short 9 minute plays at Centre 42’s Late Night Texting this August. Founded by writer Nabilah Said in 2016, the group consists of an all … Continue reading Review: ETA: 9MIN by Main Tulis Group

SIFA 2017: Dragonflies by Pangdemonium (Review)

In a world where Brexit is reality and Trump the president of the United States of America, how could things get any worse? Plenty, as writer Stephanie Street cranks the apocalypse up to eleven with Pangdemonium’s second original script of the year: Dragonflies, presented as part of the 2017 Singapore International Festival of the Arts. Set in a completely plausible version of the near future, the world of Dragonflies is … Continue reading SIFA 2017: Dragonflies by Pangdemonium (Review)