★★★☆☆ Theatre Review: The Serangoon Gardens Techno Party of 1993 by Wild Rice

Joel Tan’s new play is a manic punk dream that takes us on a trippy ride on being a rebel without a cause in sanitised Singapore. In Singapore, rebellion often feels like a memory we’ve outgrown. We live orderly lives, shaped and honed for maximum efficiency, stability, and safety. Yet beneath that calm hum, there’s the quiet ache of a frustration we rarely name. To … Continue reading ★★★☆☆ Theatre Review: The Serangoon Gardens Techno Party of 1993 by Wild Rice

Theatre Review: MAD The Musical by SMU

Bridging the past and present in this original musical about student mental health. A college musical is difficult, maybe even impossible, to get exactly right. No one expects it to reach Broadway or West End standards, yet everyone still hopes it will be good enough to make them feel something. To round off SMU Arts Fest 2025, MAD The Musical takes on this challenge with … Continue reading Theatre Review: MAD The Musical by SMU

Dance Review: return of RE:TURN by SMU Eurhythmix

Celebrating Singapore’s ethnic diversity through dance. Singapore has long prided itself on its diversity, a value instilled in us from an early age as part of our national identity. The idea of something being “quintessentially Singaporean” often rests on an intercultural foundation, one that highlights the beauty of our major ethnic traditions and their harmonious coexistence. While that concept may feel somewhat familiar by 2025, … Continue reading Dance Review: return of RE:TURN by SMU Eurhythmix

★★★★☆ Theatre Review: Crack The Case – The Dreamcatcher by Sight Lines Entertainment

Put on your detective hats while dabbling in codes and keys as Sight Lines brings back their hit theatrical escape game. Whether it’s a one-minute brain teaser or an elaborate escape room, there’s just something about solving puzzles and mysteries that scratches an itch we all have. And when you meld that with the engagement of live performance and theatre, then you’ve got yourself a … Continue reading ★★★★☆ Theatre Review: Crack The Case – The Dreamcatcher by Sight Lines Entertainment

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

★★★★☆ Concert Review: COMMISSIONS by SMU Chinese Orchestra

A hearty musical tribute to SMU’s contributions and support of local talent over the years. The SMU Chinese Orchestra’s concert for SMU25 and SG60 was a celebration of new beginnings, community, and inclusion. Featuring three world premieres alongside commissioned works from previous years, the evening showed how far the orchestra has come and where it hopes to go. The concert opened with Sulwyn Lok’s Spring … Continue reading ★★★★☆ Concert Review: COMMISSIONS by SMU Chinese Orchestra

★★★★★ Theatre Review: Hotel (2025) by Wild Rice

Ten years on, Hotel remains a five-star experience, and a love letter to Singapore’s resilience and ever-changing nature, alive with endless possibility. When we first watched Hotel in 2016, Singapore, and the world, were different. It was before the global pandemic reshaped how we gathered, before Wild Rice unveiled its own theatre at Funan, and before the leadership changes that now signal a new chapter … Continue reading ★★★★★ Theatre Review: Hotel (2025) by Wild Rice

★★★☆☆ Review: Third Man Syndrome by Gateway Arts

This original play by Gateway Arts takes on the urgent theme of toxic masculinity and men’s silence around their emotions, but faces uneven execution. In a country where men find it difficult to talk about their feelings, Gateway Arts’ new play Third Man Syndrome tackles the urgent and deeply relevant subject of how toxic masculinity silences men and prevents them from confronting their emotions. Written … Continue reading ★★★☆☆ Review: Third Man Syndrome by Gateway Arts