★★★★☆ Review: The Last Gardener 《身后的微光》by The Theatre Practice

Passing on lessons of care and moving on through the humble act of gardening. With limited land and government flats with strict rules, Singapore’s housing estates rarely allow for enough space or freedom to grow one’s own garden. As a result, those with a green thumb or a hankering for plants make do, placing tiny succulents along windowsills, or for those with bigger ambitions in … Continue reading ★★★★☆ Review: The Last Gardener 《身后的微光》by The Theatre Practice

Preview: Pesta Raya – Malay Festival of Arts 2024 by Esplanade – Theatres on the Bay

As is tradition, the Esplanade’s Pesta Raya – Malay Festival of Arts returns for a brand new edition after Hari Raya Puasa this May. This year, the arts centre and its collaborating and invited artists are ready to whisk audience members to the Nusantara region, with the meeting of tradition and folklore with the contemporary. Highlights of the festival this year include two new commissioned … Continue reading Preview: Pesta Raya – Malay Festival of Arts 2024 by Esplanade – Theatres on the Bay

Preview: Flipside 2024 at Esplanade – Theatres on the Bay

This June, get ready for the return of Esplanade – Theatres on the Bay’s Flipside festival, with a series of programmes that showcase the lighter side of the arts, from puppetry to circus, physical theatre to comedy. Joy and delight is at the heart of these productions, as these artists utilise absurdity and humour to find the beauty or depth in the everyday. This year’s … Continue reading Preview: Flipside 2024 at Esplanade – Theatres on the Bay

TRIP 2024: An Interview with Renee Yeong on directing ‘How I Learned To Drive’, finding balance and her place as a director in Singapore

Renee Yeong is a bit of a superwoman. Maintaining a full-time job against her theatrical pursuits, the young theatremaker has just come off directing a successful production of George Brant’s Grounded for Singapore Theatre Company, and is ready to present another production less than a month after closing, with Paula Vogel’s How I Learned To Drive. Marking her second and ‘graduating’ production for the Esplanade’s … Continue reading TRIP 2024: An Interview with Renee Yeong on directing ‘How I Learned To Drive’, finding balance and her place as a director in Singapore

TRIP 2024: An Interview with Sim Yan Ying ‘YY’ on directing ‘pass·ages’ and the process of collaborative learning and the joy of creation

Theatremaker Sim Yan Ying ‘YY’ may only be in her 20s, but she’s already able to list a slew of artistic achievements to her name across both Singapore and New York, starting from humble devised works, to experiments online, to working with major theatre companies such as T:>works and W!ld Rice. Now, fresh from a rejuvenating break, YY returns to the Esplanade to complete her … Continue reading TRIP 2024: An Interview with Sim Yan Ying ‘YY’ on directing ‘pass·ages’ and the process of collaborative learning and the joy of creation

An Interview with director TJ Taylor and actor Vanessa Kee on Sing’theatre’s ‘Little Shop of Horrors’

Before they became legendary composers and lyricists for some of Disney’s biggest feature film songs, Howard Ashman and Alan Menken worked on a small musical theatre show called Little Shop of Horrors in 1982. In the years since it premiered off-off-Broadway, Little Shop of Horrors has emerged to become a cult favourite productions among musical theatre fans, receiving a film adaptation, and multiple restagings, including … Continue reading An Interview with director TJ Taylor and actor Vanessa Kee on Sing’theatre’s ‘Little Shop of Horrors’

Preview: A Tapestry of Sacred Music 2024 by Esplanade – Theatres on the Bay

Now in its 15th edition, Esplanade – Theatres on the Bay’s A Tapestry of Sacred Music returns once more to bless audiences with religious music, showcasing the spirituality of sound to bring peace to our hearts in this conflict-ridden reality we live in. As always, the festival aims to help audiences better appreciate the beauty of others through art, with these songs and dances performed … Continue reading Preview: A Tapestry of Sacred Music 2024 by Esplanade – Theatres on the Bay

Art What!: Goddess – Brave. Bold. Beautiful. at ArtScience Museum

This April, Goddess: Brave. Bold. Beautiful. is set to make its dazzling Asian premiere at ArtScience Museum on, casting a powerful spotlight on screen legends who have challenged narratives, defied expectations, and broken boundaries across 120 years of cinematic history from the silent era to modern day film and television. Originally hailing from ACMI, Australia’s national museum of screen culture in Melbourne, this new iteration … Continue reading Art What!: Goddess – Brave. Bold. Beautiful. at ArtScience Museum

★★★★★ Review: Taha by Singapore Theatre Company

Monologue on Palestinian poet’s life nimbly sidesteps overt politics to encourage hope and empathy in shared humanity. 8,000 kilometres away in the Gaza Strip, a terrible war rages on. It is the culmination of decades of conflict, where countless innocent lives have been lost, key infrastructure and history are stripped away by bombs, and the world watches on, helplessly bearing witness to the loss as … Continue reading ★★★★★ Review: Taha by Singapore Theatre Company

Artists and technologists collaborate for the first edition of the Performing Arts x Tech Lab with new experiences for audiences

This April, the Performing Arts x Tech Lab (Lab) will launch an Industry Sharing at the Esplanade Annexe Studio till 13 April 2024 for the public, potential partners and adopters to experience new possibilities in performance creation. This marks the completion of the nine-month long incubation, organised by the National Arts Council (NAC) in partnership with Esplanade – Theatres on the Bay (Esplanade).  The Industry … Continue reading Artists and technologists collaborate for the first edition of the Performing Arts x Tech Lab with new experiences for audiences