★★☆☆☆ Review: For My Highness by Toy Factory Productions

Weak direction and a script still in its infancy leave this play about drug abuse bereft of an emotional anchor. Category Score (out of 10) Direction (Adeeb Fazah) 4 Script (Shaleihin Pi’ee) 4 Performance (Zulfiqar Izzudin, Ong Xue Min, Wilfred Lee Kim Chye, Fadhil Daud, Jayden Lim Jun De) 4 Lighting (Fazree Azharie) 5 Sound (Vick Low) 5 Set (Vivien Lau) 4 Total 26/60 (43%) … Continue reading ★★☆☆☆ Review: For My Highness by Toy Factory Productions

★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

Excellent puppetry immerses audience members in a mystical river. Category Score (out of 10) Direction (Maria Tri Sulistyani) 9 Performance 9 Puppet Design / Puppet Engineers (Iwan Effendi / Anton Fajri and Muhammad Alhaq) 10 Choreography (Dapheny Chen) 8 Music and Sound Design (Yennu Ariendra) 8 Lighting Design (James Tan) 8 Multimedia (Gilang Kusuma) 8 Costume Design (Retno Intiani) 8 Total 68/80 (85%) Final Score: … Continue reading ★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

★★★★★ Review: Kumar XXX by Dream Academy

Celebrating 30 years of being an icon, Kumar tackles sex, politics and current affairs in his signature, quintessentially Singaporean style. Category Score (out of 10) Direction (George Chan) 9 Additional Writing (Gabrielle Evelena, Jo Tan, Malcolm Oei and Janis Goh) 8 Performance (Kumar) 10 Dancers (Aidil Fitrah, Charmain Ho, Francesca Harriman, Hafeez Hassan, Rocio Yap and Kim Eusope) 10 Choreography (Francesca Harriman and Hafeez Hassan) … Continue reading ★★★★★ Review: Kumar XXX by Dream Academy

★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

Interrogating the confused, multi-faceted identity of the modern Indian woman in a meta, self-reflexive play. Category Score (out of 10) Direction (A Yagnya and Alvin Tan) 6 Script (A Yagnya) 6 Performance (Indumathi Tamilselvan and Kewal Kartik) 8 Costumes (Max Tan) 8 Set (Chan Silei) 7 Lighting (Faith Liu Yong Huay) 8 Multimedia (Jevon Chandra) 9 Sound (Jevon Chandra) 8 Total 60/80 (75%) Final Score: … Continue reading ★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

Music Is: An Interview with Hans Sørensen, Director of Artistic Planning, Singapore Symphony Orchestra

Hans Sørensen is Director of Artistic Planning at the Singapore Symphony Orchestra. What that means is that among the many hats he wears, Sørensen is also responsible for the dynamic programming that goes into the Orchestra’s upcoming season, including acclaimed international and local musicians from Paul Lewis to Daniel Moult, the Thomas Clausen Trio to Yu Jing. A violin player, throughout his career, Sørensen has … Continue reading Music Is: An Interview with Hans Sørensen, Director of Artistic Planning, Singapore Symphony Orchestra

★★★☆☆ Review: The Change by Gangguan Theatre

Gangguan makes their debut with a solution for climate change in search of a medium. Category Score (out of 10) Direction (Edward Eng) 6 Script (Edward Eng) 6 Performance (Dennis Sofian) 7 Lighting Design (Ian Pereira) 6 Total 25/40 (63%) Final Score: ★★★☆☆ Everyone knows the climate crisis is important. But the sheer magnitude of the climate crisis and individual paralysis in the face of … Continue reading ★★★☆☆ Review: The Change by Gangguan Theatre

★★★★☆ Review: Chestnuts – Sibeh Strange in the Multiverse

Singapore’s longest running parody returns with a vengeance after 7 years, spoofing everything from Marvel to The LKY Musical. Category Score (out of 10) Direction (Jonathan Lim) 7 Script (Jonathan Lim) 7 Performance (Jonathan Lim, Judy Ngo, Audrey Luo, Timothy Wan, Nelson Chia) 8 Music (Elaine Chan) 8 Sound Design (Bob Wong) 7 Multimedia Design (Genevieve Peck) 7 Lighting Design (Tai Zi Feng) 7 Costumes … Continue reading ★★★★☆ Review: Chestnuts – Sibeh Strange in the Multiverse

RATA – new grounds, new sounds: An Interview with director Safuan Johari

In the blink of an eye, another year has gone by, and we’ll soon be saying goodbye to 2022. But before the year ends, sound artist and music producer Safuan Johari will be concluding it with a bang, as he and the Esplanade premiere the RATA Orkestra this December. Rounding off the Esplanade’s In New Light season of commissioned work at the newly opened Singtel … Continue reading RATA – new grounds, new sounds: An Interview with director Safuan Johari

Wild Rice announces An Inspector Calls, The Butterfly Lovers and Hotel as first three shows of 2023

With the end of 2022 comes the beginning of 2023, and with that – a brand new theatre season for leading Singapore theatre company Wild Rice, who’ve just announced the first three shows of 2023 – a new staging of J.B. Priestley’s An Inspector Calls, the arrival of the first English-language opera adaptation The Butterfly Lovers, and the restaging of their critically-acclaimed Hotel. A thought-provoking … Continue reading Wild Rice announces An Inspector Calls, The Butterfly Lovers and Hotel as first three shows of 2023

★★★★★ Review: Pinocchio by Wild Rice

Italian fairytale proves powerful inspiration for Wild Rice’s annual pantomime. Category Score (out of 10) Direction (Pam Oei) 10 Script (Thomas Lim) 9 Performance (Mae Elliessa, Ebi Shankara, Siti Khalijah Zainal, Dwayne Lau, Michelle Ler, Vester Ng) 9 Music – Composition/Lyrics (Julian Wong / Joel Tan) 9 Live Music (Joel Nah, Feri Susanto, Colin Yong, Brandon Wong, Rizal Sanip) 9 Choreography (Gino Babagay) 9 Set … Continue reading ★★★★★ Review: Pinocchio by Wild Rice