Tag: Singapore

Film, News, Review, Reviews, Singapore

★★☆☆☆ Film Review: We Can Save The World!!! dir. Chai Hong Cheng

Rare local sci-fi film fumbles the funny despite strong efforts from the cast. Singapore hasn’t had many science fiction films, perhaps because our regional storytelling often leans toward fantasy or the supernatural. In that sense, We Can Save The World!!! is a bold undertaking, pioneering a genre that’s still vastly underexplored here. In a small arts industry like ours, even completing a feature-length film is … Continue reading ★★☆☆☆ Film Review: We Can Save The World!!! dir. Chai Hong Cheng

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Arts, Dance with Me, Review, Theatres

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

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Arts, Dance with Me, Review, Theatres

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

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Arts, Dance with Me, Review, Theatres

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

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Arts, Concert, musical, Preview, Sands Theatre, Theatre

Singapore’s Nathania Ong Joins stellar Cast of Les Misérables The Arena Spectacular

Cameron Mackintosh, in association with Nick Grace Management and Base Entertainment Asia, are delighted to announce initial casting for Boublil and Schönberg’s LES MISÉRABLES THE ARENA SPECTACULAR at Sands Theatre, Marina Bay Sands. Due to phenomenal demand, a final 3-weeks of performances have been added. The production will now run from 24 March 2026, with its final performance on 10 May 2026.  Tickets for the … Continue reading Singapore’s Nathania Ong Joins stellar Cast of Les Misérables The Arena Spectacular

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Arts, Interview, Preview, Theatre

Sight Lines Entertainment’s The Dreamcatcher: An Interview with co-creator and writer/director Krish Natarajan

This October, Sight Lines Entertainment returns with the fourth edition of Crack the Case, the immersive theatrical escape game series that has captivated audiences since 2023. In its latest instalment, The Dreamcatcher, invites participants into the fractured subconscious of a brilliant scientist in a futuristic biotech city, where puzzles, performances, and choices intertwine to shape the story, with an experience that promises a thrilling blend … Continue reading Sight Lines Entertainment’s The Dreamcatcher: An Interview with co-creator and writer/director Krish Natarajan

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Arts, Books, Singapore Writers Festival, Writers

Preview: Singapore Writers Festival 2025 – shape of things to come

From 7 to 16 November 2025, the Singapore Writers Festival (SWF) returns with its 28th edition under the theme Shape of Things to Come. Organised by Arts House Group (AHG), this milestone festival coincides with Singapore’s 60th year of independence, offering audiences the chance to “dream, question and reimagine a world that is inventive, inclusive and deeply human through the transformative power of literature.” Festival … Continue reading Preview: Singapore Writers Festival 2025 – shape of things to come

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Arts, Dance with Me, Preview, Theatres

U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

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Arts, Dance with Me, Interview, Preview, Theatres

Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

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Arts, Dance with Me, Interview, Preview, Theatres

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

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