Review: Pán 盤 by T.H.E. Dance Company

Using dance to present the converging of cultures and our shared beliefs. Pan, or ‘盤’ is a word that appears across various Asian cultures and vocabularies, from Mandarin to Korean, Japanese to Vietnamese. While its Mandarin character takes inspiration from the Chinese creation myth of the giant ‘Pangu’, the romanized ‘pán’ also holds a variety of meanings, from a serving bowl, to the crouched intensity of … Continue reading Review: Pán 盤 by T.H.E. Dance Company

Changi Chapel Museum gets a revamp with new artefacts and an enhanced experience

Initially slated to re-open last year, the Changi Chapel and Museum (CCM) has finally completed its renovations and is now open to the public again after closing in 2018 for major redevelopments. Shedding light on the personal stories of prisoners of war (POWs) and civilians interned in Changi prison camp during the Japanese Occupation, the museum will showcase 114 artefacts across eight galleries delving into … Continue reading Changi Chapel Museum gets a revamp with new artefacts and an enhanced experience

SIFA On Demand streaming extends till 20th June 2021

With the pandemic still happening, the Singapore International Festival of Arts (SIFA) has always had a backup plan in case things went awry for live performances. That comes in the form of SIFA On Demand – a video streaming service that allows everyone to experience SIFA from the comfort and safety of their homes after the festival ends. With the number of audience members reduced … Continue reading SIFA On Demand streaming extends till 20th June 2021

Preview: Dancers’ Locker 2021 – Elemental Beings by Frontier Danceland

Dancers’ Locker, the flagship annual programme by Frontier Danceland showcasing works by company artists, returns this year with an intimate live performance that will take place from 3rd to 5th June 2021, at Aliwal Arts Centre, Multi-Purpose Hall. Co-choreographed by company artists Sammantha Yue, Mark Robles, Ma YueRu and Tan Xin Yen, Elemental Beings distils basal elements of human existence to find an embodiment of … Continue reading Preview: Dancers’ Locker 2021 – Elemental Beings by Frontier Danceland

★★★★☆ Review: The Year of No Return by The Necessary Stage (SIFA 2021)

The climate is changing for the worse – so when will we change for the better? The Year of No Return is possibly one of The Necessary Stage’s (TNS) most ambitious productions yet. Bringing together an international cast, the play tackles the expansive topic of climate change and our efforts to stop it, all while dealing with the new restrictions placed on them by the … Continue reading ★★★★☆ Review: The Year of No Return by The Necessary Stage (SIFA 2021)

★★★★☆ Review: The Journey by Scott Silven (SIFA 2021)

Magical storytelling that bringing us closer online. I’m a cynic at heart, and have always known that stage magic is a matter of sleight of hand, misdirection and trickery to pull off an act. And when magic is performed via a digital medium, one cannot help but suspect its ‘authenticity’ even more, given how easy it is to manipulate videos and video feeds. But there’s … Continue reading ★★★★☆ Review: The Journey by Scott Silven (SIFA 2021)

★★★☆☆ Review: As Far As Isolation Goes by Tania El Khoury and Basel Zaara (SIFA 2021)

An encounter with a refugee opens our eyes to the human pain behind the conflict. Moving to a new home can be hard. But it’s especially hard for refugees from war-torn nations finding themselves in a strange new land, reeling from the trauma of the past, adapting to their new life, and resisting strangers’ dirty looks and the creeping fear of feeling completely, absolutely alone. … Continue reading ★★★☆☆ Review: As Far As Isolation Goes by Tania El Khoury and Basel Zaara (SIFA 2021)

Practice’s ‘The Bride Always Knocks Twice – Killer Secrets’ goes fully digital

With the announcement of Phase 2 (Heightened Alert) on 14 May 2021, The Theatre Practice (Practice) confirms that their upcoming interactive murder mystery The Bride Always Knocks Twice — Killer Secrets will continue as a fully digital production. This marks the second major Practice production affected by the COVID-19 pandemic, after Four Horse Road 2020’s early closure last April. “ We’re disappointed but the show … Continue reading Practice’s ‘The Bride Always Knocks Twice – Killer Secrets’ goes fully digital

★★★☆☆ Review: Three Sisters by Nine Years Theatre and SITI Company (SIFA 2021)

Cross-continent, multilingual hybrid adaptation of Chekhov a valiant effort but flawed in execution. Ideally, collaborations between arts companies should produce work that take the very best of each company’s style and elevate the final production to new heights. It is especially exciting to see cross-border collaborations, where the contrasts in artistic philosophy and culture may lead to surprising results. But collaborations are by no means … Continue reading ★★★☆☆ Review: Three Sisters by Nine Years Theatre and SITI Company (SIFA 2021)

Music Is: An Interview with YAØ on ‘I Can’t Sleep’ in his Universal Music Singapore debut

It’s not often you come across a local musician whose music becomes an instant earworm, not just for its production, but even in the artist’s voice and lyrics. That’s something we see in YAØ, Universal Music Singapore’s latest signee, who makes his debut with the label with a lush and euphonious self-produced debut single, ‘I Can’t Sleep’. “I think it’s been a blessing, and I’m … Continue reading Music Is: An Interview with YAØ on ‘I Can’t Sleep’ in his Universal Music Singapore debut