★★★★☆ Theatre Review: Lord of the Flies by Sight Lines Entertainment

Metatheatrical interpretation of Golding’s classic is ambitiously and visually arresting, if occasionally more evocative than incisive. By now, Sight Lines Entertainment has carved out a distinct niche with its pragmatic approach to theatre, balancing original work with canny programming aimed at student audiences, a strategy that ensures both relevance and sustainability in a competitive arts landscape. Their latest offering, a new staging of Lord of … Continue reading ★★★★☆ Theatre Review: Lord of the Flies by Sight Lines Entertainment

★★★★☆ Theatre Review: Tall Tales – Bananas and Ang Ku Kueh 谈谈: 香蕉与红龟粿 by The Finger Players X Shakespeare’s Wild Sisters Group

A multiplicity of riotous stories exuberantly told, even if they don’t quite add up. Tall Tales: Bananas & Ang Ku Kuehs holds a delectable premise: a Singapore–Taiwan puppet theatre collaboration drawing on the storytelling spirit of The Decameron, where tales of love, jealousy, greed and mischief multiply across cultures and generations. Directed by Oliver Chong of The Finger Players and Wang Chia-Ming of Shakespeare’s Wild … Continue reading ★★★★☆ Theatre Review: Tall Tales – Bananas and Ang Ku Kueh 谈谈: 香蕉与红龟粿 by The Finger Players X Shakespeare’s Wild Sisters Group

Maya Dance Theatre Champions “Arts Saving Gaia” with Immersive Earth Day Celebration at Woodlands Botanical Gardens

On 25 April 2026, the lush grounds of Woodlands Botanical Gardens Community Garden will transform into an immersive stage for Temporary Bodies, a two-hour, multi-sensory Earth Day experience that blends dance, music, poetry, and augmented reality. But this isn’t just another arts event, it’s an invitation to feel climate change, rather than just think about it. Curated by Kavitha Krishnan, the production dissolves the boundaries … Continue reading Maya Dance Theatre Champions “Arts Saving Gaia” with Immersive Earth Day Celebration at Woodlands Botanical Gardens

★★★★★ Concert Review: Lea Salonga – Stage, Screen, and Everything in Between at the Esplanade Theatre

A masterclass in grace and storytelling—Lea Salonga returns to Singapore and reminds us exactly why she remains musical theatre royalty. After more than a decade away from the Esplanade Theatre stage, Lea Salonga’s return to Singapore feels nothing short of momentous. Bringing her Stage, Screen & Everything In Between concert to our shores, Salonga presents a sweeping, deeply personal retrospective of a career that has … Continue reading ★★★★★ Concert Review: Lea Salonga – Stage, Screen, and Everything in Between at the Esplanade Theatre

Lea Salonga to Star as Madame Thénardier in Singapore Season of Les Misérables The Arena Spectacular

Cameron Mackintosh, in association with Nick Grace Management and Base Entertainment Asia, are delighted to announce that multi-award winning Filipino actress and singer Lea Salonga will star as Madame Thénardier in the strictly limited season of Boublil and Schönberg’s LES MISÉRABLES THE ARENA SPECTACULAR at Sands Theatre, Marina Bay Sands from 24 March 2026 until 10 May 2026, for 7 weeks only. Lea Salonga has previously played the roles of both Éponine … Continue reading Lea Salonga to Star as Madame Thénardier in Singapore Season of Les Misérables The Arena Spectacular

★★★★★ Theatre Review: God of Carnage 《杀戮之神》by Nine Years Theatre

Polite company quickly gives way to violent, yet cathartic truth in Nine Years Theatre’s God of Carnage. It begins, as so many civilised disasters do, with good intentions. A carefully drafted statement, coffee and cake, and adults determined to behave. In Yasmina Reza’s God of Carnage, politeness is not resolution but provocation, and in Nine Years Theatre’s staging in Mandarin, that provocation unfolds with a … Continue reading ★★★★★ Theatre Review: God of Carnage 《杀戮之神》by Nine Years Theatre

Arts of Hong Kong: Gajah Gallery highlights contemporary voices from Southeast Asia at Art Basel Hong Kong 2026

HONG KONG – In the fast-moving world of global art fairs, where blue-chip names often dominate the conversation, there’s something quietly radical about a presentation that insists on nuance, memory, and regional voice. This March, Gajah Gallery returns to Art Basel Hong Kong 2026 with Moving Lines: Cartographies of Southeast Asia, a showcase that feels less like an exhibition and more like a living, breathing … Continue reading Arts of Hong Kong: Gajah Gallery highlights contemporary voices from Southeast Asia at Art Basel Hong Kong 2026

Preview: Myles – Soulmate In A Box by Singapore Repertory Theatre

In a world where people confess their deepest thoughts to their phones and swipe through romance like a catalogue, the idea of designing your perfect partner doesn’t feel all that far-fetched. But what happens when “perfect” starts to feel… unsettling? That’s the question governing Myles – Soulmate in a Box, a bold new musical by Singaporean musician and composer Inch Chua, now reimagined as a … Continue reading Preview: Myles – Soulmate In A Box by Singapore Repertory Theatre

Cirque du Soleil’s KOOZA: An interview with Artistic Director Jamieson Lindenburg and Lushington Entertainments

Nine years after it last captivated Singapore audiences, KOOZA returns under the Big Top at Bayfront Event Space with all the spectacle, danger, and wonder that have long defined Cirque du Soleil at its very best. First seen here in 2017, the production arrives in 2026 as a reaffirmation and reminder that the simplest elements of circus, when executed at the highest level, remain the … Continue reading Cirque du Soleil’s KOOZA: An interview with Artistic Director Jamieson Lindenburg and Lushington Entertainments

Film: An interview with ‘Amoeba’ director Tan Siyou about alienation, teen angst, and the shape of rebellion in Singapore

Amoeba’s title is one of the strangest choices in local cinema, considering an ‘amoeba’ doesn’t immediately bring to mind Singapore, teenage girls, or anything local. But perhaps that’s exactly the point. “Most of us know amoebas from biology lessons, and it’s kind of weird, kind of gross,” says filmmaker Tan Siyou. “It’s not a fluffy cloud or Hello Kitty, and I deliberately chose it as … Continue reading Film: An interview with ‘Amoeba’ director Tan Siyou about alienation, teen angst, and the shape of rebellion in Singapore