The Studios 2019: Miss British by The Art of Strangers (Review)

Post-colonial blues from the personal stories of three minority actresses.  With a title like Miss British, it’s easy to assume that the second show of the Esplanade’s 2019 The Studios Season is all about British identity. It’s a misnomer, and in fact, deals primarily with the impact, trauma and legacy that British colonialism has left behind on minorities. Directed by Felipe Cervera, Miss British comes at a timely … Continue reading The Studios 2019: Miss British by The Art of Strangers (Review)

The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

As the Esplanade’s 2019 seasons of The Studios roars into its second week, The Art of Strangers presents a brand new show – Miss British. Based off an original idea by Sharon Frese, who stars alongside Grace Kalaiselvi, Rebekah Sangeetha Dorai and Riduan Zalani, Miss British is a devised, multi-disciplinary work questioning the British identity, thinking about issues of both the monarchy and slave trade. What then are the prejudices and social hierarchies left behind … Continue reading The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

Antigone gets schooled. School is a tragedy. Specifically in Cake’s case, it’s a Greek tragedy. Opening the Esplanade’s 2019 season of The Studios, Cake presents Rubber Girl on the Loose, a brand new adaptation and reinterpretation of Sophocles’s Antigone, except this time, set within the tyranny of a formal education system. The titular ‘rubber girl’ is of course, Antigone, wearing rubber bands all over her body and refusing … Continue reading The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

so This week, the Esplanade’s new season of The Studios returns, presenting a lineup of intimate, powerful theatre shows playing at both the Theatre Studio and Annexe Studio. Kicking off the season is Cake Theatrical Productions with their hotly anticipated new production Rubber Girl On The Loose.  Based off Sophocles’s Antigone, this new interpretation of the Greek classic carries on in Cake’s tradition of reworking Greek plays (following … Continue reading The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Esplanade – Theatres on the Bay returns with another season of intimate performances with The Studios 2019. This year, the programme takes on the theme The weight of a stone in a pocket, referring to the concept of how stones in one’s pocket are often forgotten, yet the moment one reaches in to touch and feel it, one is triggered to remember the reason for its presence … Continue reading Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Preview: Art After Dark – Gillman Barracks Celebrates Its 6th Anniversary!

Has it already been 6 years since Gillman Barracks was launched? Whether you’re a regular at the former military site turned art gallery enclave, or never stepped foot into it before, Gillman Barracks invites one and all to their 6th Anniversary celebration this Friday at their annual Art After Dark event! Taking place from 7pm till late, the one night only event will see the … Continue reading Preview: Art After Dark – Gillman Barracks Celebrates Its 6th Anniversary!

Voilah! 2018: Roots by Bellepoque (Review)

The Belle Epoque was the pinnacle of arts in Europe, literally the ‘Golden Age’. With a name like that, Bellepoque of course, strives for excellence in their productions, and to showcase just what is it that made the era such a fascinating and innovative time. In Roots, the team quite literally takes its audience back in time, presenting a series of pieces and works from famous composers … Continue reading Voilah! 2018: Roots by Bellepoque (Review)

Voilah 2018: An Interview with Bellepoque Director Sabrina Zuber (Roots)

Bellepoque is a company that strongly believes in the importance of knowing one’s roots, in order to continue to flourish. More specifically, like their name, they’re committed fully to the Belle Epoque era between 1871 and 1914, where the arts and music flourished in Europe, particularly in Paris. Using the music from that era, the company seeks to create new work, re-defining the styles and … Continue reading Voilah 2018: An Interview with Bellepoque Director Sabrina Zuber (Roots)

The Studios 2018: How Did The Cat Get So Fat? (Review)

It’s been 11 years since How Did The Cat Get So Fat? was last staged and its message of a hollow pledge still rings true. Besides literally referring to corpulent felines, a fat cat can of course, also refer to corrupt businessmen and politicians abusing their wealth or power. And in Zizi Azah’s play How Did The Cat Get So Fat?, it is these members of the upper class … Continue reading The Studios 2018: How Did The Cat Get So Fat? (Review)

The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)

First performed in 2006 to critical acclaim, Zizi Azah’s monodrama How Did The Cat Get So Fat? makes a return this April as part of the Esplanade’s 2018 season of The Studios. In this version, the play will be helmed by The Finger Players Artistic Director Tan Beng Tian, who has injected the performance with her signature blend of puppetry. Siti Khalijah Zainal will once again be … Continue reading The Studios 2018: An Interview with Siti Khalijah (How Did The Cat Get So Fat?)