An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’
Across the many great works of theatre in the literary canon, Henrik Ibsen’s A Doll’s House possesses an iconic ending scene that ranks among the very best, with a door slamming shut as protagonist Nora Helmer walks away from her husband and children, choosing herself over the constraints of 19th-century domesticity. But what happens to those left behind after that exit? What does it mean … Continue reading An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’
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