Four Horse Road: An Interview with Kuo Jian Hong

Coming hot on the heels of their epic, multi-national production I came at last to the seas at Huayi 2018, The Theatre Practice (TTP) forges onwards with yet another ambitious production for the second show of 2018 with Four Horse Road, an epic work of immersive, experiential theatre charting the past 150 years of history along Waterloo Street. One of the key reasons why the company was interested … Continue reading Four Horse Road: An Interview with Kuo Jian Hong

Preview: Nam Hwa Blazes by Nam Hwa Opera

Set up over 50 years ago as an amateur music and drama association, Nam Hwa Opera has grown to become one of the leading preservers and promoters of traditional Teochew opera, creating accessible public performances and continuing to enrich the local arts and culture scene. As part of their outreach programme, they’re bringing back their quarterly performance Nam Hwa Blazes at the Aliwal Arts Centre this April, … Continue reading Preview: Nam Hwa Blazes by Nam Hwa Opera

Preview:《有时月光》(Sometime Moon) by Toy Factory

Toy Factory opens their 2018 season on a high note, with a brand new show this March! Titled《有时月光》Sometime Moon, this epic new production is incredibly ambitious, and the 10-act musical charts a hundred years of history in the life of one of the earliest Huay Kuan (Clan Association) established in Singapore. Sometime Moon follows the rise of the fictitious Quan Ji Huay Kuan from the moment … Continue reading Preview:《有时月光》(Sometime Moon) by Toy Factory

Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Liu Xiaoyi, in his director’s message for Einstein in the Carpark, poses to the late renowned theoretical physicist Albert Einstein a litany of 33 questions, among them such pithy existential ones as: “What do you think is the most important question of all?” “How do I find simplicity in confusion?” “Why do so many people know you, but so few people understand you?” This thought … Continue reading Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Of the many performance spaces within the Esplanade, there’s never been one quite as unique as the carpark, being used for the very first time by experimental theatre company Emergency Stairs as they return to Huayi with their new production Einstein In The Carpark. Directed and conceptualized by Emergency Staris artistic director Liu Xiaoyi, Einstein In The Carpark takes inspiration from physicist Albert Einstein’s theory of relativity, … Continue reading Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)

This Huayi Festival, the Esplanade welcomes Hong Kong’s Edward Lam Dance Theatre to Singapore as they present a truly unique theatrical show that reflects on modern relationships, inspired, oddly enough, by the classic Chinese collection Liaozhai Zhiyi. Directed by award-winning director Edward Lam himself and written by the acclaimed playwright-actress Wong Wing Sze, Why We Chat? follows an aspiring writer (popular Taiwanese-Hong Kong singer/actor David Wang) as he shafts … Continue reading Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)

Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)

In a company first, leading arts companies Nine Years Theatre joins forces with T.H.E. Dance Company to produce an all new physical theatre/movement piece inspired by the works of author Franz Kafka. Kafka is best known for his surreal works that’ve influenced readers across the world, and certainly one of the most unique writers of the 20th century, with works such as The Metamorphosis, The … Continue reading Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)

Huayi 2018: I came at last to the seas by The Theatre Practice (Review)

It is perhaps fitting that the Esplanade’s 2018 Huayi Festival kicked off on Friday (Feb 23) with a local production starring one of Singapore’s largest breakout stars in China of 2017 – Joanna Dong, who placed third in the reality singing contest Sing! China. I came at last to the seas – directed by Kuo Jian Hong, written by Chinese playwright Wu Xi and featuring an … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Review)