M1 Patch! 2019: A Dog’s House《野良犬之家》by M.O.V.E. Theatre (Review)

Cycles of abuse can be a real bitch to break out of in this harrowing, pitch black play. It’s not often that you leave a play feeling utterly corrupted by how dark it is, and if any company has done it, it’s Taiwan’s M.O.V.E. Theatre. Directed by Fu Hong-Zheng and written by Lin Meng-Huan, A Dog’s House is pitch black in tone, as we enter the home of … Continue reading M1 Patch! 2019: A Dog’s House《野良犬之家》by M.O.V.E. Theatre (Review)

Review: Forked (2019) by The Finger Players

Faking it till you make it only gets you forked. Last seen as part of the 2018 M1 Singapore Fringe Festival, local actress Jo Tan’s debut play is back – now with the support of The Finger Players and re-imagined as a one woman show. Directed by Chong Tze Chien and written and performed by Jo herself, Forked is a play that’s all about identity. Based partially … Continue reading Review: Forked (2019) by The Finger Players

Preview: 1984 by The Young Company + An Interview with Director Daniel Jenkins

Following two years of practical training in all aspects of theatre, Singapore Repertory Theatre’s The Young Company are set to graduate this August, with a production of 1984 as their graduation show. With a script by Michael Gene Sullivan, based on the iconic novel by George Orwell, 1984 is a tale that brings us the story of Winston Smith, a cog in the giant, dystopian machine state of … Continue reading Preview: 1984 by The Young Company + An Interview with Director Daniel Jenkins

Review: Acting Mad by The Necessary Stage

Exemplary, no holds barred look at mental health in the theatre industry. As much as mental health has entered common conversation these days, it remains one of the most misunderstood conditions in the workplace, seen as some kind of weakness, a burden to employers or worse, a fake excuse to get out of work. But what about in the theatre industry, where actors are constantly … Continue reading Review: Acting Mad by The Necessary Stage

N.O.W. 2019: Stand-up – Fresh + Raw (Review)

A 10-lesson course by one of Asia’s top 10 female comedians pays off for these new comedy hopefuls. Is it possible to even teach an art form as intuitive as stand-up comedy? Sharul Channa certainly thinks so, as she presents the graduating cohort of her very first 10-lesson course for beginners in N.O.W.’s Stand-Up: Fresh + Raw. Transforming the space at 72-13 to a cosier, more … Continue reading N.O.W. 2019: Stand-up – Fresh + Raw (Review)

Preview: Forked (2019) by The Finger Players

We first saw Jo Tan’s Forked when it premiered at the 2018 M1 Singapore Fringe Festival. Now, with further developments under The Finger Players’ Watch This Space playwright incubation programme, she’s back with a brand new version of the comedy-drama this August! Directed by Chong Tze Chien, Forked is veteran actress Jo Tan’s first full length play as an emerging playwright. First written under a six-week writers programme under … Continue reading Preview: Forked (2019) by The Finger Players

Review: We Were So Hopeful Then by The Necessary Stage

An attempt to highlight the invisible people key to a production’s success. In any theatre production, those deemed worthy of praise are often limited to cast and creatives. But even beyond them, there still exist people who are present in every production, yet never receive praise or acknowledgement they deserve. To highlight these invisible people then acts as one of the key goals of Ellison Tan’s We … Continue reading Review: We Were So Hopeful Then by The Necessary Stage

N.O.W. 2019: Nimita’s Place – Staged Reading (Review)

The tragedy of Partition leaves a haunting impression in this page to stage adaptation. When Akshita Nanda debuted her first novel last year, little did we expect to see it receive a stage adaptation just a year later. Directed by Edith Podesta, the staged reading may not be a full production, but still manages to mostly capture the essence of the original novel, trimming out material … Continue reading N.O.W. 2019: Nimita’s Place – Staged Reading (Review)

#FreeYourMind: W!ld Rice Unveils Iconic New Home for Singapore Theatre

It’s been a long time coming, but at last, leading local theatre company W!ld Rice finally has a place to call home, truly. Located in the very heart of the city at the brand new Funan Mall, the 20,000 square foot W!ld Rice @ Funan was unveiled in the lead-up to their official opening. Envisioned by Founding Artistic Director Ivan Heng and Executive Director Tony … Continue reading #FreeYourMind: W!ld Rice Unveils Iconic New Home for Singapore Theatre

Review: Broadway Beng – Last Beng Standing by Dream Academy

With a line-up of catchy numbers, a talented trio of chio buus and the ever-charming Sebastian Tan, Broadway Beng is better than ever before.  It’s hard to imagine that when Broadway Beng first premiered 13 years ago, little would Dream Academy have imagined that it would grow to become the icon of local theatre that it is today. And with Broadway Beng: Last Beng Standing (directed … Continue reading Review: Broadway Beng – Last Beng Standing by Dream Academy