Preview: Singapore, Michigan by Pangdemonium!

This June, a brand new play is set to take the stage at Singapore Airlines Theatre, with a world premiere that blends history, humour, and heart. Commissioned by Pangdemonium as part of their New Works Lab playwriting programme, Singapore, Michigan is written by up-and-coming playwright Chong An Ong, and promises to be a thought-provoking debut that follows the journey of three friends—two Singaporeans and one … Continue reading Preview: Singapore, Michigan by Pangdemonium!

Preview: Shakespeare In The Park – Macbeth by Singapore Repertory Theatre

Singapore Repertory Theatre (SRT) is set to thrill audiences with the highly anticipated return of Shakespeare in the Park—bigger and bolder than ever. Macbeth, Shakespeare’s timeless tale of ambition, fate, and the devastating cost of power, will transform Fort Canning Park into an immersive theatrical battleground, bringing the epic tragedy to life in a stunning reimagining. Directed by Guy Unsworth, who helmed Shakespeare in the … Continue reading Preview: Shakespeare In The Park – Macbeth by Singapore Repertory Theatre

Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA

A bold experiment that questions how we co-create performance through the deconstruction of process. In newly devised work Fake Performance is (Real) Performance, directed by Hong Kong’s Melissa Leung Hiu Tuen, the graduating students of NAFA’s Diploma in Theatre (Mandarin) program join forces with Emergency Stairs in an industry project that boldly defies convention. The result is a daring, unpredictable Mandarin-language performance that unravels traditional … Continue reading Review: Fake Performance Is (Real) Performance by Emergency Stairs and NAFA

★★★★★ Review: Supervision (2025) by Wild Rice

2025 restaging of Thomas Lim’s play on surveillance, power and agency stands the test of time and proves itself a modern classic of Singapore theatre. When Thomas Lim’s Supervision premiered in 2018 as part of Wild Rice’s Singapore Theatre Festival, it established the then emerging writer as a promising new figure in the playwright’s circle, with the characters authentically Singaporean, unabashedly showcasing the ugly side … Continue reading ★★★★★ Review: Supervision (2025) by Wild Rice

Review: My Body is (Not) My Body by Emergency Stairs and NAFA

Promenade theatre piece exploring the horror of being and existence within the rules and regulations of society. As part of their Industry Project initiative, Nanyang Academy of Fine Arts (NAFA) is once again collaborating with local theatre company Emergency Stairs to give the graduating students of their Diploma in Theatre (English Drama) programme a chance to work with professionals in the theatre industry. This time … Continue reading Review: My Body is (Not) My Body by Emergency Stairs and NAFA

★★★☆☆ Review: Statement Piece by Checkpoint Theatre

A statement on the universal idea of ambition and the lengths we’re willing to go to achieve it, but plot holes and lack of character depth leave us wanting. To become lost to history is to have lived a life insignificant, leading to so many people’s desperate climb up the ladder to ‘success’. But what happens when a member of the art world, in hot … Continue reading ★★★☆☆ Review: Statement Piece by Checkpoint Theatre

Preview: Industry Project 2025 – NAFA collaborates with Emergency Stairs on two new works by international directors

Where do the boundaries of the body lie? Where does the truth of the stage reside? In the Industry Project 2025, graduating students from Nanyang Academy of Fine Arts (NAFA) Diploma in Theatre (English Drama & Mandarin) will present two productions – My Body is (Not) My Body and Fake Performance is (Real) Performance – to explore these thought-provoking questions. Presented by Emergency Stairs, in … Continue reading Preview: Industry Project 2025 – NAFA collaborates with Emergency Stairs on two new works by international directors

★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

The past comes knocking, as Pangdemonium tackles the resounding fallout from the dramatic decision made by one of Ibsen’s most iconic heroines. Nora Helmer is perhaps one of theatre’s most iconic heroines of all times, famed for daring to fight back against oppressive, conservative Norwegian society by walking out on her family, slamming the door behind to pursue her independence, in Henrik Ibsen’s A Doll’s … Continue reading ★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’

Across the many great works of theatre in the literary canon, Henrik Ibsen’s A Doll’s House possesses an iconic ending scene that ranks among the very best, with a door slamming shut as protagonist Nora Helmer walks away from her husband and children, choosing herself over the constraints of 19th-century domesticity. But what happens to those left behind after that exit? What does it mean … Continue reading An Interview with Pangdemonium on staging the dramedy of confrontation in ‘A Doll’s House, Part 2’

★★★★★ Review: The Last Five Years by Singapore Repertory Theatre

Nathan Hartono and Inch Chua prove their mettle as musical theatre performers in this heartbreaking look at the deterioration of love. Time moves in strange ways when you’re looking back on the past. Rather than replaying chronologically, memories often intersect the good times and the bad, the imagined and the painfully real, mixing them all up into a messy soup of time gone by, something … Continue reading ★★★★★ Review: The Last Five Years by Singapore Repertory Theatre