Preview: Heather by Adeeb & Shai + An Interview with Adeeb Fazah and Karen Tan

Following their debut production of Sam Steiner’s Lemons, Lemons, Lemons, Lemons, Lemons in 2018, Adeeb & Shai are back to bring more Fringe theatre works to a local audience. This time around, they’ll be presenting UK writer Thomas Eccleshare’s Heather, which first premiered at the Edinburgh Festival Fringe 2017 and the Bush Theatre in London. Marking director Adeeb Fazah’s residence presentation under the Gateway Artist-in-Residence Programme, Heather stars Karen Tan … Continue reading Preview: Heather by Adeeb & Shai + An Interview with Adeeb Fazah and Karen Tan

In London’s (Off) West End 2019: Antic Disposition’s A Christmas Carol (Preview)

LONDON – Returning to the spectacular Middle Temple Hall, where Charles Dickens himself studied law, Antic Disposition’s acclaimed adaptation of A Christmas Carol is back for a fifth magical season this December. One of London’s most heart-warming festive treats, the production combines the ghostly tale of Ebenezer Scrooge with original songs inspired by traditional Victorian Christmas carols. Olivier Award-nominated West End actor David Burt (Enjolras in … Continue reading In London’s (Off) West End 2019: Antic Disposition’s A Christmas Carol (Preview)

In London’s (Off) West End 2019: Hungerland at The Bread & Roses Theatre (Preview)

LONDON – Following the success of The Black Eye Club by Phil Charles and The Buzz by Lydia Rynne, The Bread & Roses Theatre presents the first instalment of the 2019/20 Playwriting Award: Rachel O’Regan’s Hungerland. The production brings together a collaboration of talent from the theatre’s playwriting, emerging director and emerging producer schemes and marks an exciting moment as Artistic Director Velenzia Spearpoint and Managing … Continue reading In London’s (Off) West End 2019: Hungerland at The Bread & Roses Theatre (Preview)

Review: Lim Boon Keng – The Musical by Musical Theatre Limited

A musical digest reclaiming the life of a Singaporean icon ahead of his time.  Honest question: how many of you can say you know who Lim Boon Keng was? Sure, you may know him because of Boon Keng MRT station, but who was he really, and why is he such an important figure in Singapore’s history? The answer to that question comes neatly packaged in Musical … Continue reading Review: Lim Boon Keng – The Musical by Musical Theatre Limited

Review: The Page on Stage – Seven Views of Redhill

Childhood comes back to haunt these siblings in the final edition of the Page on Stage 2019. You ever go to a family gathering and meet all your relatives, each one taking their turn to reminisce about the past? That’s kind of what Seven Views of Redhill feels like, only a lot more dramatic, and a lot more bittersweet. Rounding off the Arts House’s The Page … Continue reading Review: The Page on Stage – Seven Views of Redhill

An Interview with the Creatives Behind Tanah•Air 水•土 – A Play In Two Parts by Drama Box

Tanah Air: A phrase in Malay that means ‘homeland’ in English, and forming the overarching theme of Drama Box’s newest work – Tanah•Air 水•土:A Play In Two Parts, premiering this week as part of Malay Culturefest 2019. Perhaps beyond all the Bicentennial plays this year that’ve sauntered past the history of pre-Raffles and into modern Singapore history, Tanah•Air might just be the only one that dives deep … Continue reading An Interview with the Creatives Behind Tanah•Air 水•土 – A Play In Two Parts by Drama Box

Toy Factory’s The Wright Stuff Festival 2019: Permanence by Gina Chew (Review)

A party girl’s fears of a life less romantic. Marriage is terrifying. There’s good reason why people love to joke that it’s like a ball and chain, clamped to you like a weight you can’t shake for your entire life. And for those who’ve lived their entire lives freely and with reckless wild abandon, it’s a prospect that may well result in nothing but unhappiness … Continue reading Toy Factory’s The Wright Stuff Festival 2019: Permanence by Gina Chew (Review)

Review: Emily of Emerald Hill by W!ld Rice

A stellar performance from Ivan Heng at W!ld Rice’s new home.  In many ways, Stella Kon’s Emily of Emerald Hill should be considered one of W!ld Rice’s most signature productions. Each time the company has staged it (including as their debut production back in the Jubilee Hall in 2000), W!ld Rice artistic director Ivan Heng has risen to the iconic role, one that he may perform in … Continue reading Review: Emily of Emerald Hill by W!ld Rice

In London’s (Off) West End 2019: Tabard Theatre relaunches as Chiswick Playhouse with exciting first season

LONDON – In honour of the area’s illustrious theatrical heritage, the Tabard Theatre is reopening as Chiswick Playhouse. The Tabard brought important and innovative theatre back to Chiswick after a gap of over twenty years following the 1959 closure of the much-loved Chiswick Empire. A popular local venue, Chiswick Playhouse may be a small space but it has big ambitions and promises a fantastic opening season … Continue reading In London’s (Off) West End 2019: Tabard Theatre relaunches as Chiswick Playhouse with exciting first season

Arts in the UK: Nevill Holt Opera wins Stirling Prize People’s Vote

LEICESTERSHIRE – The 400-seat theatre at Nevill Holt, home of Nevill Holt Opera, by Witherford Watson Mann Architects, has won the Stirling Prize People’s Vote with an incredible 28.8%. This online poll has been open to the public since July when the Stirling Prize nominations were first announced. The huge achievement of winning the People’s Vote shows how receptive the general public have been to this … Continue reading Arts in the UK: Nevill Holt Opera wins Stirling Prize People’s Vote