Preview: Beach Burden Bliss – A Double Bill @ Punggol Beach by Desert Wine Productions

As far as site-specific works go, beaches are a rather unlikely space to host a theatrical performance. But with Desert Wine’s Comfort Theatre Series, the local theatre company is doing just that, with the premiere of Beach Burden Bliss at Punggol Beach this November. Celebrating the Singapore Bicentennial with this production, Beach Burden Bliss invites audience members to visit Desert Wine’s comfy Beach Hut on the sand by … Continue reading Preview: Beach Burden Bliss – A Double Bill @ Punggol Beach by Desert Wine Productions

Review: The Gingerbread Man by SRT’s The Little Company

★★☆☆☆ (Performance attended 26/10/19) A children’s show that needed more time to rise in the oven. “Run run as fast as you can, you can’t catch me I’m the Gingerbread Man.” The iconic lines of everyone’s favourite anthropomorphic baked good has been taken quite literally in SRT’s The Little Company’s latest musical for kids, with the titular Gingerbread Man using his need for speed to … Continue reading Review: The Gingerbread Man by SRT’s The Little Company

Touring the UK 2020: The Political History of Smack and Crack (Preview)

LONDON –  The Political History of Smack and Crack is an urgent, angry, funny love-song to a lost generation crushed by the heroin epidemic at the height of Thatcherism. Following sold-out runs at Soho Theatre and Edinburgh Festival Fringe, this acclaimed production begins its UK tour this January. Inspired by the writer’s own experience in jail and rehab, Ed Edwards’ shattering portrait lays bare the passage … Continue reading Touring the UK 2020: The Political History of Smack and Crack (Preview)

Review: Lie With Me by Intercultural Theatre Institute

★★☆☆☆ (Attended 7/11/19) Graduating show from latest batch of ITI students a modern exploration of human relationships, but is marred by actors getting lost in iffy chemistry and a dragged out pace. Taking inspiration from Arthur Schnitzler’s 1897 play Reigen (La Ronde), Kaite O’Reilly’s Lie With Me was originally written for a group of graduating theatre students from London’s LAMDA in 2017, and has now been adapted for the … Continue reading Review: Lie With Me by Intercultural Theatre Institute

In London’s (Off) West End 2020: VAULT Festival 2020 Reveals First Round of Shows; Committed To Going Green With 8th Edition (Preview)

LONDON –  VAULT Festival, one of the largest curated arts festivals in the world, is back for its eighth edition next January! From new theatre and comedy, immersive experiences, cabaret, live performance and late-night parties, this is practically London’s biggest, boldest and wildest arts festival not to be missed. Come 2020, performances will take place across a whopping 18 spaces around Waterloo and the South Bank with the, with … Continue reading In London’s (Off) West End 2020: VAULT Festival 2020 Reveals First Round of Shows; Committed To Going Green With 8th Edition (Preview)

Sing’theatre’s A Spoonful of Sherman: An Interview with Sing’theatre Artistic Director Nathalie Ribette

Sing’theatre has been around for a long time – since 2007 in fact, and each year, they’ve only been upping their game with bigger production value, better performances and always with heart. “Sing’theatre usually produces musical theatre, or performances with music, such as Souvenir last year,” says Sing’theatre Artistic Director Nathalie Ribette. “It’s always been a part of our ethos since our very beginning, and … Continue reading Sing’theatre’s A Spoonful of Sherman: An Interview with Sing’theatre Artistic Director Nathalie Ribette

In London’s (Off) West End 2019: Silently Hoping at Applecart Arts (Preview)

LONDON – Written by award-winning playwright Iskandar R. Sharazuddin, Silently Hoping looks at what it means to come from a mixed cultural heritage. A piece exploring identity, class and faith through interpersonal dynamics and character-led writing, it follows a young woman trying to find her place in the world as she delves into Islam’s relationship with queerness and modernity. Directed by Mingyu Lin, Silently Hoping is … Continue reading In London’s (Off) West End 2019: Silently Hoping at Applecart Arts (Preview)

In London’s (Off) West End 2020: The Importance of Being Earnest (played by immigrants) at Tower Theatre (Preview)

LONDON – Pan Productions will welcome in the new year with Oscar Wilde’s English masterpiece The Importance of Being Earnest at the Tower Theatre. Their first play in English, it is created with a team of immigrant actors and creatives, who, like the characters in the play, are constantly asked where they are from, when all they want to explain is who they are. Directed by … Continue reading In London’s (Off) West End 2020: The Importance of Being Earnest (played by immigrants) at Tower Theatre (Preview)

In London’s West End 2020: Joseph and the Technicolour Dreamcoat at the London Palladium (Preview)

LONDON – Michael Harrison and the Really Useful Group are delighted to announce that Jason Donovan and Jac Yarrow will be back at the London Palladium in 2020, as the new, smash hit production of Joseph and the Amazing Technicolor Dreamcoat returns following its triumphant season this year. Jason Donovan will return in the role of Pharaoh. He was originally in the show when he made his defining stage performance as the title character … Continue reading In London’s West End 2020: Joseph and the Technicolour Dreamcoat at the London Palladium (Preview)

Review: The Far Side of the Moon by Robert Lepage/Ex Machina

★★★★☆ (Attended 2/11/19, Matinee) A deeply affecting reflection on loneliness, sibling rivalry, and the little triumphs that keep us going, buoyed by a masterful performance from Yves Jacques and Robert Lepage’s ingenious theatrical magic.  The far side of the moon, sometimes known as the dark side of the moon, refers to the side of the moon facing away from Earth, unseen and unnoticed in comparison to … Continue reading Review: The Far Side of the Moon by Robert Lepage/Ex Machina