Review: We Were So Hopeful Then by The Necessary Stage

An attempt to highlight the invisible people key to a production’s success. In any theatre production, those deemed worthy of praise are often limited to cast and creatives. But even beyond them, there still exist people who are present in every production, yet never receive praise or acknowledgement they deserve. To highlight these invisible people then acts as one of the key goals of Ellison Tan’s We … Continue reading Review: We Were So Hopeful Then by The Necessary Stage

Review: Aladdin the Musical presented by BASE Entertainment Asia

It doesn’t matter how much you love the animated film – this staging of Aladdin is a whole new world in itself filled with theatrical magic of the best kind.   For all of Disney’s theatrical adaptations of their films, Aladdin certainly ranks among one of the best, effectively bringing out the colourful world of the film to the stage. Adapted from the 1992 animated film of the … Continue reading Review: Aladdin the Musical presented by BASE Entertainment Asia

M1 Peer Pleasure 2019: Double Bill – The Ground/Wonderland (Review)

Anglo-Chinese School (Barker Road) and Anderson Secondary School showcase potential in two plays about poverty and school life. How does a student in Singapore encounter and understand the poverty that’s hidden all around them? Students from Anglo-Chinese School (Barker Road) and Anderson Secondary School have been given the chance to present their pieces created specially for the M1 Peer Pleasure Youth Festival to a public … Continue reading M1 Peer Pleasure 2019: Double Bill – The Ground/Wonderland (Review)

In London’s (Off) West End 2019: Mating in Captivity by Flo Taylor Productions in association with We Are Kilter (Preview)

LONDON – Playing as part of King’s Head Theatre’s Queer Season 2019, get ready for the European premiere of Oliver Page’s Mating in Captivity as it comes to London for one week only. With the entire season aimed to champion diverse stories across the breadth of the queer experience, and feature ground-breaking new writing, the play has so far received rave reviews when it previewed at the 2019 … Continue reading In London’s (Off) West End 2019: Mating in Captivity by Flo Taylor Productions in association with We Are Kilter (Preview)

M1 Peer Pleasure 2019: An Interview with Artistic Director Jean Ng

The M1 Peer Pleasure Youth Theatre Festival, Singapore’s only annual theatre festival by young people, is back with a number of shows and programmes after a year’s hiatus. With brand new artistic director and theatre practitioner Jean Ng at the helm, the festival has gained a new focus by zooming in on specific societal issues, such as this year’s theme of Poverty, explored through both research … Continue reading M1 Peer Pleasure 2019: An Interview with Artistic Director Jean Ng

#FreeYourMind: W!ld Rice Unveils Iconic New Home for Singapore Theatre

It’s been a long time coming, but at last, leading local theatre company W!ld Rice finally has a place to call home, truly. Located in the very heart of the city at the brand new Funan Mall, the 20,000 square foot W!ld Rice @ Funan was unveiled in the lead-up to their official opening. Envisioned by Founding Artistic Director Ivan Heng and Executive Director Tony … Continue reading #FreeYourMind: W!ld Rice Unveils Iconic New Home for Singapore Theatre

Preview: M1 Peer Pleasure Youth Theatre Festival 2019 by ArtsWork Collaborative

Following a one year hiatus, the M1 Peer Pleasure Youth Theatre Festival, Singapore’s only annual theatre festival by young people presented by ArtsWok Collaborative, returns this July to the Esplanade – Theatres on the Bay. Taking on the theme of Poverty, this year’s edition will feature a brand new Artistic Director in the form of veteran theatre practitioner and drama educator Jean Ng. Exploring what poverty looks … Continue reading Preview: M1 Peer Pleasure Youth Theatre Festival 2019 by ArtsWork Collaborative

In London’s (Off) West End 2019: This is Black at The Bunker

LONDON – Opening The Bunker’s Autumn Season, This is Black will premiere theatre productions by four new and exciting Black writers across an alternating double-bill. Exploring identity, family relationships and universal struggles, the festival will showcase All the Shit I Can’t Say to My Dad by Abraham Adeyemi and Blue Beneath My Skin by Macadie Amoroso with PYNEAPPLE by Chantelle Alle and Melissa Saint and Teleportation … Continue reading In London’s (Off) West End 2019: This is Black at The Bunker

Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

In London’s (Off) West End 2019: Femme Fatale by Fireraisers at Omnibus Theatre

LONDON – 1968. New York. Nico, singer with The Velvet Underground and Andy Warhol’s Superstar, waits to shoot his latest movie when her Chelsea Hotel room is invaded by radical feminist Valerie Solanas. She wants the celebrity’s help to spread her message of female revolution, but Nico only craves drugs to insulate her from her pain. A darkly comic battle begins, between two iron-willed opponents who … Continue reading In London’s (Off) West End 2019: Femme Fatale by Fireraisers at Omnibus Theatre