Preview: Thick Beats for Good Girls by Checkpoint Theatre

What exactly makes a good girl? Is she religious and knows her prayers by heart? Can she ever let go and take a walk on the wild side and still be good? And above all – can good girls ever call the shots? All these questions and more just might be answered in Checkpoint Theatre’s newest production this April. Directed by Huzir Sulaiman, Checkpoint will be premiering an … Continue reading Preview: Thick Beats for Good Girls by Checkpoint Theatre

Review: Alter Egos by Pink Gajah

There’s very good reason why Sharda Harrison has named her incubation platform ‘Magic Laboratory’ – sitting in the Harrisons’ front yard, sipping on drinks and chatting with other attendees, there’s some kind of magic that’s coursing through the air as we wait for their latest showcase to begin. Utilising their home turned studio, Pink Gajah presented Alter Egos this weekend, the culmination of a sporadic nine month … Continue reading Review: Alter Egos by Pink Gajah

Both Sides, Now: Exit by Drama Box and ArtsWok Collaborative

Death is probably one of the most terrifying things a person can face, and it can be incredibly difficult to talk about due to its taboo nature. But as terrifying as it is, its inevitability cannot be ignored, and Drama Box and ArtsWork Collaborative have joined forces in an attempt to make it more accessible and open up the conversation on how to die with … Continue reading Both Sides, Now: Exit by Drama Box and ArtsWok Collaborative

Review: When We Dead Awaken by Intercultural Theatre Institute

You’ve never seen Ibsen quite like this in ITI alumnus Sankar Venkateswaran’s stripped down, physical-focused interpretation. When We Dead Awaken is often considered one of Henrik Ibsen’s most unusual plays. Set in a spa town amidst snowy mountains and mysterious women, Ibsen’s final play was also his most oneiric, along with being his darkest, in dealing with themes of unhappy marriages, artistic death and actual mortality. … Continue reading Review: When We Dead Awaken by Intercultural Theatre Institute

Preview: Hong Kong Arts Festival 2018

The Hong Kong Arts Festival has returned this year with yet another fantastic lineup of the very best arts productions from all around the world. From mindboggling theatre to soul stirring music, you’ll find an eclectic mix of events that will appeal to any and every person visiting the festival. Having started on 23rd February, the festival is already well under way and is set … Continue reading Preview: Hong Kong Arts Festival 2018

Preview: Traditionally Speaking by Bhumi Collective

Bhumi Collective strides into 2018 with an all new series of works, utilising the performance-lecture medium to deliver a series of performances aimed at colliding research, process and performance. For the very first instalment of this series (titled Intersections), they begin this March with Traditionally Speaking. Directed by Muhammad Noramin Bin Mohamed Farid and in collaboration with Elizabeth Chan, these dancers will reflect back on the experiences that have shaped … Continue reading Preview: Traditionally Speaking by Bhumi Collective

Review: SUB II – The Art of Exploitation by Underground Theatre

A chance to hear from the misunderstood ranks of society and learn a little more about subcultures.  We’re going to start this review with a disclaimer: we have just about zero experience interacting with any of the subcultures mentioned in SUB II. A punk, metalhead or skinhead is about the furthest thing from our usual social circles, and it’s completely refreshing to see these subcultures take the … Continue reading Review: SUB II – The Art of Exploitation by Underground Theatre

Preview: Lanang by Hatch Theatrics

This April, in their 9th theatrical production and the final work in their Artist Residency at the Malay Heritage Centre, Hatch Theatrics presents Lanang. Literally translating to ‘boy’, Lanang was first written by Hatch Theatrics member Hafidz Abdul Rahman as part of Theatreworks’ 24-Hour Playwriting Competition held at the Malay Heritage Centre in 2014, and cinched joint-second prize at the Open category (there was no first prize that … Continue reading Preview: Lanang by Hatch Theatrics

Preview: When We Dead Awaken by Intercultural Theatre Institute

Henrik Ibsen is perhaps one of the greatest playwrights. But amongst his many celebrated plays, there still remain a couple that are so rarely staged, dwarfed by the success of his better known works such as A Doll’s House or An Enemy of the People. In the first show of 2018 from the Intercultural Theatre Institute’s (ITI) latest graduating batch, the students will be presenting Ibsen’s final written … Continue reading Preview: When We Dead Awaken by Intercultural Theatre Institute

True Colours Festival 2018: Double Bill by No Strings Attached Theatre of Disability + Very Special Theatrics (Preview)

As part of the inaugural True Colours Festival, one local group and one international group will be presenting the world premiere of a brand new Double Bill of theatrical works over the weekend of the festival! Presented by Australia’s No Strings Attached Theatre of Disability (NSA) and Singapore’s Very Special Theatrics (VST), I Forgot To Remember To Forget and My Home Is Not A Shell will … Continue reading True Colours Festival 2018: Double Bill by No Strings Attached Theatre of Disability + Very Special Theatrics (Preview)