Category: Theatre

Arts, Review, The Necessary Stage, Theatre

★★★☆☆ Theatre Review: Retina Manoeuvre by k*hole karaoke – Wang Ping-Hsiang

Taiwanese artist Wang Ping-Hsiang explores the uneasy tension between nationalism and violence in a winding piece of anecdotal theatre. It is difficult to pin down exactly what kind of show Retina Manoeuvre wants to be. Playing at Theatre Practice’s Practice Space as part of the Singapore Fringe Festival, Berlin-based Taiwanese theatremaker Wang presents a relatively stripped-down setup: a desk, a laptop, a microphone, and a … Continue reading ★★★☆☆ Theatre Review: Retina Manoeuvre by k*hole karaoke – Wang Ping-Hsiang

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Arts, Preview, Singapore, Theatre

★★★★☆ Theatre Review: Pretty Ugly by Theo Chen

Sincere, vulnerable coming-of-age musical revue that captures a young artist finding themselves. Theo Chen is someone you might describe as mature beyond their years. Having developed a lifelong love for musical theatre, singing, and performing from a young age, Theo has never shied away from the stage. There is a sense that they were always one step ahead of their peers in understanding who they … Continue reading ★★★★☆ Theatre Review: Pretty Ugly by Theo Chen

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Arts, Chinese Theatre, Nine Years Theatre, Preview, Theatre, Theatre Companies

Preview:《杀戮之神》God of Carnage by Nine Years Theatre

This March, one of the sharpest, funniest dissections of modern adulthood comes to Singapore as Nine Years Theatre (NYT) stages God of Carnage, Yasmina Reza’s internationally celebrated dark comedy. Running from 20 to 29 March 2026 at The Ngee Ann Kongsi Theatre @ Funan, the production promises an evening that begins politely, and ends gloriously unhinged. If NYT’s sold-out run of Twelve Angry Men proved … Continue reading Preview:《杀戮之神》God of Carnage by Nine Years Theatre

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Arts, Review, The Necessary Stage, Theatre

★★★☆☆ Theatre Review: A Lesbian Love Story – The Musical by Woody Avenue

A metatheatrical musical discovering love beyond the romance it promises. It’s a known fact that there is simply not enough lesbian representation in media And far too often, when it does appear, it comes freighted with emotional torture, tragedy, and pain. When, one wonders, do the lesbians finally get their happy ending? That’s a wrong Woody Avenue hopes to make right with its debut production, … Continue reading ★★★☆☆ Theatre Review: A Lesbian Love Story – The Musical by Woody Avenue

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Arts, Preview, Singapore, Theatre

Preview: Pretty Ugly by Theo Chen

Theo feels pretty… sometimes.Theo feels ugly… a lot. That push and pull between confidence and self-doubt, between wanting to be seen and wanting to hide, is the central concern of Pretty Ugly, an intimate cabaret performance coming to Singapore this January as part of *SCAPE’s Comma Festival. Performed by musical theatre artist Theo Chen, Pretty Ugly is what happens when that inner voice gets a … Continue reading Preview: Pretty Ugly by Theo Chen

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Arts, award, BCM Awards, Capitol Theatre, Checkpoint Theatre, Esplanade Theatre, Esplanade Theatre Studio, Review, Sing Theatre, Singapore, The Theatre Practice, Theatre, Theatre Companies, Theatres, Theatreworks

Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

It’s been sixty years since Singapore’s independence, a milestone that reminds us how young this country still is, and how much artistic possibility should still lie ahead. Yet 2025 has felt like a strangely uncertain year for theatre, one where our artists have found themselves caught between commemoration and complacency. Not quite an anniversary year, but treated as one nonetheless, it became a season where … Continue reading Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

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Arts, Interview, Preview, The Necessary Stage, Theatre

Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

“You very celup sia.” The moment her partner said it, Sofie Buligis laughed, but she also felt something click into place. “I was like, yeah, I am,” she remembers. “My friends and family have called me that, and actually it’s quite a snappy name for a show.” That idea became Celup (literally, ‘to dip’, and loosely translates to a desire to be more ‘mixed’) her … Continue reading Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

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Arts, Interview, Preview, The Necessary Stage, Theatre

Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

When audiences first encountered Retina Manoeuvre in its early work-in-progress, few could have guessed that the performance would later tour Europe, gathering deeply personal responses from audiences who recognised themselves, despite having no connection to Taiwan at all. The project began far from the solo, autobiographical form it eventually took. Taiwanese artist and creator Ping-Hsiang Wang recalls that the original proposal involved three performers and … Continue reading Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

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Arts, Interview, Preview, The Necessary Stage, Theatre

Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

When theatre-makers Rosie McGowan and Kluane Saunders first started writing a musical about a woman trying to create the happiest lesbian love story ever put on stage, they didn’t realise they were also building a company. “The idea for the production came first and the company came after,” Rosie laughs. “A lot of people asked who was the company behind it, and we thought, oh, … Continue reading Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

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Arts, Interview, Preview, The Necessary Stage, Theatre

Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

Set against the seemingly ordinary backdrop of a hotel workplace, Invisible begins with a simple premise: Malini, a young disabled woman, starts her new job as a cleaner determined to do well. When a guest’s prized possession goes missing, the incident sets off a chain of events that reveals the hidden struggles, quiet tensions, and unseen disabilities carried by those involved. Written by award-winning playwright … Continue reading Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

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