We’re only as alone as we want to be. If it’s one thing that the coronavirus lockdowns have made us realise, it’s that no man is an island, and human contact is a necessity. In The Sound Inside, the latest play by Singapore Repertory Theatre (SRT), playwright Adam Rapp takes that idea a step further, with how it is human contact that can spell the … Continue reading ★★★★☆ Review: The Sound Inside by Singapore Repertory Theatre
Journey to a brave new world with the power of art. While most often seen by the general public as a means for entertainment, we often forget about that the arts also has a therapeutic effects on both participant and audience, a theme that’s at the forefront of Nine Years Theatre’s (NYT) First Fleet, restaged at the Singapore Chinese Cultural Centre this week. Directed by … Continue reading ★★★★☆ Review: First Fleet (2021) by Nine Years Theatre and Singapore Chinese Cultural Centre
“He wept for living. And seeing the day they had to leave, he wept for himself. For never again would he have a family. A home. And someone to love him as much as they did. He wept because god had forsaken him. And never again would he be that same little boy.” Apsaras Arts Dance Company is set to restage their production Agathi this … Continue reading Preview: AGATHI | Refugee by Apsaras Arts Dance Company
Drawing out the dramatic potential in a family WhatsApp group. With live theatre still difficult to stage with all the restrictions COVID-19 has brought with it, experimentation in the arts remains rife, with various companies exploring new forms and means to create performances. Singapore theatre company Hatch Theatrics is the latest to try, with Keturunan Ruminah, a ‘play’ taking place entirely on WhatsApp. Keturunan Ruminah … Continue reading Review: Keturunan Ruminah by Hatch Theatrics
The beginning of the end, as SeptFest returns for a last hurrah. The Substation’s signature SeptFest comes at a strange time in the venue’s history. Having just announced the permanent closure of The Substation come July, rather than a triumphant celebration of the festival’s return after a 6-year hiatus, SeptFest has taken on far more weight as a final send-off to the 30-year old institution, … Continue reading SeptFest Week 1: Tea Leaves Glowing In The Wind, Waltz of the Flower, and OEOS
In 2020, the coronavirus pandemic has left many of us keenly aware of how difficult it can be cooped up in our own homes, and how thankful we were once we could have outside human contact and see each other once again. And now, with The Sound Inside, Singapore Repertory Theatre (SRT) starts their season off reminding us all of the power of the human connection. Written … Continue reading The Banter: An Interview with Cherilyn Woo and Krish Natarajan of SRT’s The Sound Inside
This March, join the Esplanade and bring your parents and grandparents for a celebratory line-up of arts dedicated to the generations that came before us at A Date With Friends 2021. Kick off the festival with favourite songs from yesteryear at The Young Ones: A Tribute to Cliff Richard and The Shadows. Join Dimension5 as they bring you the very best of the “Peter Pan of … Continue reading Preview: A Date with Friends 2021 by Esplanade – Theatres on the Bay
Local arts venue and institution The Substation has announced that they are closing for good, prompting a response from the National Arts Council (NAC). Following media reports, The Substation has released yet another statement clarifying their position. Now NAC has sent a second response to clarify once again, regarding their plans for 45 Armenian Street (where The Substation currently stands.) Read NAC’s response in full: … Continue reading NAC responds to The Substation’s latest statement concerning the venue’s closure
After formally announcing that The Substation would be closing for good, the National Arts Council (NAC) released a media statement in response, which The Straits Times and other media have reported on. The Substation have noted several misconceptions or incomplete remarks in NAC’s statement, to which they have released a further statement clarifying issues such as its position as a venue, funds and finances. Here … Continue reading The Substation releases response clarifying NAC’s statement concerning the venue’s closure
Deconstructing classical dance to find new meaning in the contemporary. From 2016-2018, Chowk Productions embarked on the Pallavi Series, exploring what happened when odissi dance was deconstructed to its component parts. From basic stances to dancers’ physicality, the Pallavi Series was a way of developing a new language of movement to bring the classical odissi dance form into the contemporary. Now, with Pallavi through Abstraction, dance itself is brought … Continue reading ★★★☆☆ Review: Pallavi Through Abstraction by Chowk Productions
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