Generasia gives Erwin Shah Ismail and Kimberly Chan a platform to showcase their range of talents in two solo performances. One of the biggest gripes we’ve always had with the theatre scene is that as wonderful and skilled the current generation of actors is, there’s been a severe lack of platforms to truly let new, emerging talents have their time in the spotlight and show … Continue reading Review: Platform Series – Journeys by Generasia
Amongst the countless razzle-dazzle type parks and museums around at Resorts World Sentosa, the first one you think of probably isn’t the Maritime Museum. But with its newly revamped look and structure, it may well be time to add it to the list of must-sees while you’re on everyone’s favourite tourist island. This year, the newly renovated Maritime Experiential Museum looks better than ever before, retaining some … Continue reading Master of the Seas: RWS’ Newly Revamped Maritime Experiential Museum
Tackling the theme of Hope and Home this year, Pangdemonium’s 2018 season is starting off on an incredibly poignant note as they present the Singaporean premiere of Florian Zeller’s Moliere Award winning play The Father. Directed by Tracie Pang, The Father follows André, a 70 year old man who’s managed to lose his beloved watch again. His daughter and son-in-law aren’t helping much, sneaking around the house and … Continue reading Preview: The Father by Pangdemonium!
The Nervous System gives theatrical form to the voice of the oppressed in this promising project about workplace discrimination. There’s a reason they call it ‘the daily grind’ – work can be a drag, and even more so if you’re at the bottom, pushed around by superiors and the system. It’s no wonder then that there’s plenty of room for complaints to be made, and … Continue reading M1 Singapore Fringe Festival 2018: Does This Work For You? by The Nervous System (Review)
Ground Cover Theatre tackles the refugee crisis in an intimate, polished piece brimming with theatrical magic. In Displaced, Ground Cover Theatre boldly tackles the topic of the refugee crisis in a play that tells of three women from different time periods who all escape to Canada. Mary (Jacqueline Block) flees from Ireland’s Great Famine in 1847, Sofia (Anna Mazurik) leaves war-torn Germany in 1947, and Dara … Continue reading M1 Singapore Fringe Festival 2018: Displaced by Ground Cover Theatre (Review)
An absurdist storm of buzzwords and punchlines that feels birthed straight from the mouth of a millenial social media influenza. In Kenneth Chia and Mitchell Fang’s new play One Thousand Millennials Crying, we’re given an opportunity to observe millennials in their natural habitat; too poor to go out drinking, a group of friends gather for a Halloween house party with homemade mixes and share their fears of … Continue reading M1 Singapore Fringe Festival 2018: One Thousand Millennials Crying by Kenneth Chia and Mitchell Fang (Review)
Petrina Kow showcases the empathetic effect of storytelling in this simple yet impactful session from six incredibly beautiful women. Petrina Kow is a woman who has been blessed with the gift of an incredible voice and knowing exactly how to use it. And as with the best gifts, it’s one that she’s learnt to share in her fullest capacity – through the power of storytelling, … Continue reading M1 Singapore Fringe Festival 2018: Walking In Beauty by Petrina Kow (Review)
A change of perspective could widen your peripheries in this oneiric projection-performance from one of Thailand’s most acclaimed filmmakers. Apichatpong Weerasethakul is one of Thailand’s most internationally acclaimed filmmakers, having been the first Southeast Asian artist to nab the Palme d’Or at the 2010 Cannes Festival. If anything though, Apichatpong is an artist first, filmmaker second, never shying away from innovations in the medium, and … Continue reading Review: Apichatpong Weerasethakul’s FEVER ROOM presented by Theatreworks
Jo Tan tackles racism and identity in this story about a Singaporean fish out of water. Jo Tan’s playwriting debut is a simple yet familiar story of one Singaporean girl with big dreams. In Forked, Ethel Yap plays Jeanette, a young aspiring actor who heads to London for drama school. Upon arrival in London though, Jeanette gets the biggest culture shock of her life when … Continue reading M1 Singapore Fringe Festival 2018: Forked by Jo Tan (Review)
Mudwrestling meets body image issues as this production weighs in on the way society has taught women to be perceived and to perform. Since the dawn of time, humans have always been obsessed with their bodies, and perhaps, none more so than the female body. Brought up on a steady diet of women’s magazines with stick thin covergirls, constantly told that ladies shouldn’t be eating … Continue reading M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)
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