Generasia gives Erwin Shah Ismail and Kimberly Chan a platform to showcase their range of talents in two solo performances. One of the biggest gripes we’ve always had with the theatre scene is that as wonderful and skilled the current generation of actors is, there’s been a severe lack of platforms to truly let new, emerging talents have their time in the spotlight and show … Continue reading Review: Platform Series – Journeys by Generasia
Tackling the theme of Hope and Home this year, Pangdemonium’s 2018 season is starting off on an incredibly poignant note as they present the Singaporean premiere of Florian Zeller’s Moliere Award winning play The Father. Directed by Tracie Pang, The Father follows André, a 70 year old man who’s managed to lose his beloved watch again. His daughter and son-in-law aren’t helping much, sneaking around the house and … Continue reading Preview: The Father by Pangdemonium!
Jo Tan tackles racism and identity in this story about a Singaporean fish out of water. Jo Tan’s playwriting debut is a simple yet familiar story of one Singaporean girl with big dreams. In Forked, Ethel Yap plays Jeanette, a young aspiring actor who heads to London for drama school. Upon arrival in London though, Jeanette gets the biggest culture shock of her life when … Continue reading M1 Singapore Fringe Festival 2018: Forked by Jo Tan (Review)
Think you have to travel to a whole other country to find some premier street art? Look no further than the ArtScience Museum’s latest exhibition Art From The Streets, which collects and gathers both international street art and even some brand new pieces specially made for the exhibition within the museum’s four walls. From the mysterious Banksy to anonymous graffiti all the way to our local ‘Sticker … Continue reading Art From The Streets: The ArtScience Museum Presents Street Art
Stepford wives from 1950s America get a macabre, surreal twist in this bloody good show. There are times we find ourselves wondering when exactly the seeds of feminism were sown. In 1940s America, as men were shipped off to become soldiers during the war, the running of the country was left to women, as wives stepped foot into factories and worked for the first time. … Continue reading M1 Singapore Fringe Festival 2018: The Neighbor’s Grief Is Greener by Emanuella Amichai (Review)
There’s been a spate of large scale productions and festivals that seem to endlessly hit Singapore each month clamouring for attention. So perhaps there’s a kind of comfort in getting away from the madness of it all and finding something altogether different. This February, one show arises to buck the trend and showcase two actors, each just finding the space to tell a story. That … Continue reading Theatre Stars of the Future: An Interview with Erwin Shah Ismail and Kimberly Chan of GenerAsia’s Journeys
In recent years, the number of artists has skyrocketed, and Singapore is fast running out of art spaces. Independent galleries are often pressured to present ‘marketable’ work, and conceptual, abstract artists are often up a creek. But like the age old saying goes, when life gives you lemons, make lemonade. Putting their creative skills to the test, eight young artists have come together to present an … Continue reading A Shelter For Art: Tiong Bahru Air Raid Shelter Houses 8 Artists (Singapore Art Week 2018):
Sam Lo has long moved past her moniker of the ‘Sticker Lady’. The contemporary artist has been working incredibly hard over the last few years and gained recognition beyond her initial controversy, working on cheeky commissioned public art, products, projects such as INDIGOISM and even co-owns ice-cream shop Leng Leng Ice Cream. First shown in Melbourne, her latest piece Progress: The Game of Leaders amps up the … Continue reading Singapore Art Week 2018: Progress – The Game of Leaders by Sam Lo
EDM, North Korea and storage space collapse into an absurdist reflection on the difficulty of remaining an individual in an already overcrowded world. Two figures clad in black zentai suits discuss getting a self storage space in distorted voices. A man finds his opinions constantly silenced and quashed whenever he raises them to his ‘friends’. A ghostly figure meets a red suited, Japanese-speaking man in … Continue reading M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)
An unusually moving neo-burlesque reflection on film and pop culture’s influence on women. One of the key theories any film studies student learns early on is the concept of the male gaze and visual pleasure, coined by seminal film critic Laura Mulvey. In short, it’s a concept that discusses how Hollywood films are essentially born from an unconscious patriarchal desire to derive pleasure from voyeurism … Continue reading M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)
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