★★★★★ Theatre Review: Final Bow《散戏》by Ming Hwa Yuan Arts and Cultural Group

Heartfelt, hilarious, and profoundly moving, Final Bow is a theatrical triumph that captures the bittersweet beauty of an art form standing at the end of an era and the edge of change. What makes theatre so precious is its transience. Each performance exists only in that instant, where there are no two ever alike, no recording ever truly able to capture the electricity of being … Continue reading ★★★★★ Theatre Review: Final Bow《散戏》by Ming Hwa Yuan Arts and Cultural Group

Preview: Othello by Intercultural Theatre Institute

Intercultural Theatre Institute (ITI) presents Shakespeare’s Othello, directed and adapted by multi-award-winning theatre artist Tang Shu-wing, and performed by the graduating cohort of 2025. This is Tang’s first production in Singapore since 2013. Described as “one of the richest and most wrenching of Shakespeare’s tragedies” (Variety, 2025), the story of Othello was written in 1603 and has been told across film and stage for centuries. … Continue reading Preview: Othello by Intercultural Theatre Institute

Murakami’s ‘Hard-Boiled Wonderland and the End of the World’ gets new stage adaptation, led by Death Note/Battle Royale star Tatusya Fujiwara

Haruki Murakami’s visionary imagination leaps off the page and onto the stage in End of the World and Hard-Boiled Wonderland, an ambitious adaptation of his acclaimed 1985 novel Hard-Boiled Wonderland and the End of the World. Direct from its world premiere in Tokyo in January at the Tokyo Metropolitan Theatre Playhouse, this highly anticipated production arrives in Singapore next April, for just one electrifying weekend. … Continue reading Murakami’s ‘Hard-Boiled Wonderland and the End of the World’ gets new stage adaptation, led by Death Note/Battle Royale star Tatusya Fujiwara

Twelve Angry Men, 12 years later: An Interview with Nelson Chia on restaging Nine Years Theatre’s iconic play

A verdict that decides life or death. A clash of prejudice and justice. An intense midnight quarrel leads to the murder of a man. Witnesses take the stand as his 16-year-old son is tried for homicide. With all testimonies against the boy, his fate hangs by a thread as 12 jurors must render the final verdict. In the stifling heat of the jury room, 12 … Continue reading Twelve Angry Men, 12 years later: An Interview with Nelson Chia on restaging Nine Years Theatre’s iconic play

An Interview with director Simon Stone on finding the soul of Seoul in Korean adaptation of Chekhov’s ‘The Cherry Orchard’ (벚꽃동산)

“Chekhov was never really writing about Russia; he was writing about us,” says acclaimed director Simon Stone, his voice brimming with intent. “It was always about what happens when the world moves on, and how we’re not ready.” It’s a sentiment that lingers, this idea that Chekhov’s melancholic comedies of inaction, his portraits of ordinary people caught between eras, might still hold the mirror up … Continue reading An Interview with director Simon Stone on finding the soul of Seoul in Korean adaptation of Chekhov’s ‘The Cherry Orchard’ (벚꽃동산)

Final Bow: An Interview with lead and gezaixi star Sun Tsui-Feng and director/playwright Huang Chih-Kai

In the shifting cultural landscape of 1960s and ’70s Taiwan, when the rise of cinema and television pulled audiences away from the theatre, many feared the extinction of Taiwanese Hokkien opera, better known as gezaixi. Once resplendent in grand indoor theatres, opera troupes were forced onto makeshift outdoor stages, clinging to survival even as their audiences dwindled. It was in this atmosphere of uncertainty that … Continue reading Final Bow: An Interview with lead and gezaixi star Sun Tsui-Feng and director/playwright Huang Chih-Kai

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement