Ever wished Singapore had its own massive theme park right in the heart of the city? Your prayers have been answered, as Pico Art and Prudential present the first ever Marina Bay Carnival! Set up along the Marina Bay Promontory and Bayfront Event Space with a prime bayfront view, the inaugural Prudential Marina Bay Carnival is set to be the biggest and most exciting carnival in Singapore … Continue reading Preview: Prudential Marina Bay Carnival
Hong Kong filmmaker Jenny Suen has a strange relationship with her home country. Like many artists, she felt stifled growing up in the congested, business-centric city and wanted out. But upon moving to America for her studies, she felt a sudden pang of homesickness, and when she watched Wong Kar Wai’s In The Mood For Love for the first time, she was suddenly struck with how beautiful … Continue reading Artist Spotlight: Jenny Suen, Co-Director of The White Girl (SGIFF 2017)
At the 28th Singapore International Film Festival, the Youth Jury and Critics Programme makes a welcome return, with the aim of nurturing a new generation of young critics from the region. Since October, the thirteen participants have been meeting every Saturday to attend lectures from various personalities in the industry, ranging from TV presenters like Genevieve Loh to Vietnamese filmmaker Tran Anh Hung. The participants … Continue reading SGIFF 2017: Getting to Know the Youth Jury and Critics
In 2001, Geneva-based, Tanzanian-born director Anup Singh made waves around the film festival circuit with his debut feature film The Name of a River. His exploration of Indian culture and mythology through oneiric cinematography and mythic narratives continued in his sophomore feature Qissa: The Tale of a Lonely Ghost in 2013 and marked his first collaboration with Indian film actor Irrfan Khan. Anup’s latest film The Song … Continue reading Artist Spotlight: An Interview with Anup Singh, Director of The Song of Scorpions (SGIFF 2017)
Kan Lumé is an award-winning director and filmmaker based in Singapore. Over the years, he’s worked on various television programmes for Mediacorp, before making his mark as a rising star in the new generation of filmmakers. Kan’s feature films have picked up multiple awards and accolades, including the Best Newcomer Award at the Torino Film Festival for Solos (2007), the NETPAC Award at the … Continue reading Artist Spotlight: An Interview with Kan Lumé, Co-director of hUSh (SGIFF 2017)
Chinese visual artist Xu Bing is primarily an installation based artist. But in 2017, he made his film directorial debut with Dragonfly Eyes, snagging the FIPRESCI Prize and Special Mention: Ecumenical Jury at the Locarno International Film Festival 2017. Dragonfly Eyes continues Xu’s ongoing exploration of communication and the way we interact, carefully editing down over 11,000 hours of footage obtained from surveillance cameras to create a completely unstaged, … Continue reading Artist Spotlight: An Interview with Xu Bing, Director of Dragonfly Eyes (SGIFF 2017)
Now in its 28th edition, the Singapore International Film Festival returns to bring the best international and regional cinema to our shores for 11 days. Today, we’re highlighting an all new section introduced this year specially for the night owls – Midnight Mayhem, a selection of four thrilling horror films to be played at – you guessed it – midnight on each Friday and Saturday of the … Continue reading SGIFF 2017: Spooks and Thrills at Midnight Mayhem
Khwaab-Sa opens with a spotlight on lithe, petite dancer Ronita Mookerji as the iconic spirit Puck. In the background, a musician clad in a unicorn mask assaults our ears with loud electronic music, as Mookerji writhes and vibrates. Grinning madly, she laughs silently before impishly back-flipping across the stage, a moon projection making her lunacy obvious. This is Shakespeare’s A Midsummer Night’s Dream as you’ve never seen … Continue reading Kalaa Utsavam 2017: Khwaab-Sa – Shakespeare’s A Midsummer Night’s Dream by The Company Theatre (Review)
In its traditional stand-up comedy routine form, the closing debate of the Singapore Writers Festival had audiences falling off their chairs laughing through the 90 minute show. Ironically, this only proved that the ‘kiasu-ism’ displayed by over 600 people queuing over six hours for free entry tickets to the debate was worth it after all. The debate closed the 20th Singapore Writers festival last Sunday … Continue reading Singapore Writers Festival 2017 Closing Debate: This House believes that Kiasuism is a Good Singaporean Trait
The Esplanade’s regular Mosaic Music Series returned last night as the season kicked off with local band Canvas Conversations in collaboration with fellow local musician FERRY (of Giants Must Fall), as they performed a dreamy electronic music set at the Esplanade Annexe Studio. Consisting of four members, namely Vick Low, Jeff Hue, Namie Rasman and Bings Lee, the band first came to attention at Noise 2015, before … Continue reading Mosaic Music Series 2017: An Interview with Canvas Conversations
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