Preview: ETHNI-CITY III – Kali Yuga by SAtheCollective
Art collective SAtheCollective presents their latest offering as part of their ETHNI-CITY series this October. Bringing together Singapore’s diversity of cultures and ethnicities, ETHNI-CITY aims to unite our country using the […]
Singapore Theatre Festival 2018: One Metre Square – Voices From Sungei Road (Review)
Torn down but not gone, the voices of Sungei Road live on in this piece of verbatim theatre. 10 July 2017. For most people, it was an ordinary day. But […]
Singapore Theatre Festival 2018: Faghag (Review)
The faghag is elevated to modern day superhero in Pam Oei’s hugely entertaining, big hearted origin story. On their own, ‘fag’ and ‘hag’ are pretty derogatory words. But as Singapore’s […]
Singapore Theatre Festival 2018: An Actress Prepares (Review)
An Actress Prepares confirms the one thing we all already knew – Siti K is without a doubt one of the best actresses in local theatre today. Siti Khalijah Zainal […]
Singapore Theatre Festival 2018: Faghag (Preview)
Theatre is rife with gay men, and women who love them. And if there’s one person who’s out and proud to be a firm supporter of the rainbow cause, irresistibly […]
Singapore Theatre Festival 2018: An Actress Prepares (Preview)
Siti Khalijah Zainal is one of our favourite actresses to watch onstage, and has pretty much excelled in every one of the diverse roles she’s been in, whether comedic or […]
Singapore Theatre Festival 2018: One Metre Square – Voices From Sungei Road (Preview)
W!ld Rice is no stranger to verbatim theatre, having presented both the critically and commercially acclaimed plays Cooling Off Day and Cook A Pot of Curry. At the 2018 Singapore […]
Singapore Theatre Festival 2018: 招: When The Cold Wind Blows/G.F.E. (Review)
What does it mean to be a man? Two surreal Mandarin plays tackle the toxic mindset of masculinity about what it means to be a man today. Are you any […]
Singapore Theatre Festival 2018: Double Bill – G.F.E. / 招: When The Cold Wind Blows (Preview)
Amidst stories of the underdog and minorities, does the straight Chinese male have a story to tell in Singapore society? Two playwrights think so, and at the 2018 Singapore Theatre […]
Singapore Theatre Festival 2018: Building A Character (Review)
Stripping back the layers to reveal actress Rebekah Sangeetha Dorai at her most vulnerable, while still showcasing all her talents. All her life, Rebekah Sangeetha Dorai has been playing roles. From […]
Singapore Theatre Festival 2018: Press Gang (Review)
Seven years on from Fear of Writing, Tan Tarn How makes a welcome return with this politically-charged, incisive commentary on the death of local journalism. Over the years, mainstream media […]
Singapore Theatre Festival 2018: Supervision (Review)
A successful second outing for Thomas Lim in this gripping domestic drama touching on national themes. George Orwell’s novel 1984 may have predicted a future where he believed our every action and […]
Singapore Theatre Festival 2018: Building A Character (Preview)
When we first saw Rebekah Sangeetha Dorai onstage in Boeing Boeing last year, we knew she was something special. She’s proven that again when we last saw her onstage at the Arts […]
Singapore Theatre Festival 2018: An Interview with Thomas Lim and Janice Koh (Supervision)
W!ld Rice’s newest Resident Playwright Thomas Lim made a stunning debut with Grandmother Tongue at the Singapore Theatre Festival 2 years ago, selling out both that run and the restaging last year. […]
Singapore Theatre Festival 2018: An Interview with Tan Tarn How, Rei Poh and Shane Mardjuki (Press Gang)
Former Straits Times journalist Tan Tarn How knows a thing or two about controversy. The playwright is best known for penning some of the most scintillating political satires in local […]
A Spotlight On New Writing: Singapore Theatre Festival 2018 by W!ld Rice
If you thought you loved theatre before, then W!ld Rice’s Singapore Theatre Festival will have you falling head over heels for it. Returning this July for its sixth edition, the […]
