★★★★★ Theatre Review: A Mirror by Pangdemonium

Tracie Pang deftly handles Sam Holcroft’s puzzle box of a play-within-a-play with confidence and a stellar team to produce the theatrical event of the year. There are theatre productions you admire and those you enjoy. And then there are productions that leave you walking out of the theatre almost hesitating to speak, not because you have nothing to say, but because you are still trying … Continue reading ★★★★★ Theatre Review: A Mirror by Pangdemonium

Turning Audiences Into Accomplices: An Interview with director Tracie Pang, and cast members Coco Wang Ling and Ghafir Akbar on Pangdemonium’s ‘A Mirror’

“It wasn’t intentional that A Mirror was chosen for our final season,” says director and Pangdemonium founder and co-artistic director Tracie Pang. “We had already programmed the season before the decision was made that it would be Pangdemonium’s last. We had maybe five shows planned and moving forward, and then it became a question of which of those we would keep and which we would … Continue reading Turning Audiences Into Accomplices: An Interview with director Tracie Pang, and cast members Coco Wang Ling and Ghafir Akbar on Pangdemonium’s ‘A Mirror’

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’