Theatre Stars of the Future: An Interview with Erwin Shah Ismail and Kimberly Chan of GenerAsia’s Journeys

There’s been a spate of large scale productions and festivals that seem to endlessly hit Singapore each month clamouring for attention. So perhaps there’s a kind of comfort in getting away from the madness of it all and finding something altogether different. This February, one show arises to buck the trend and showcase two actors, each just finding the space to tell a story. That … Continue reading Theatre Stars of the Future: An Interview with Erwin Shah Ismail and Kimberly Chan of GenerAsia’s Journeys

Preview: Platform Series – Journeys by GenerAsia

Monologues have the potential to be some of the most powerful pieces of theatre, with an entire audience focused on a single performer, pouring their heart out into a character. This February, for just two nights only, GenerAsia will present not one but two monologues performed by young, upcoming thespians Erwin Shah and Kimberly Chan in an exciting double bill. Erwin Shah will be performing Kulit On The … Continue reading Preview: Platform Series – Journeys by GenerAsia

Review: Leakage(s) and Anticoagulants by ITI

Based on Fyodor Dostoevsky’s classic novel Crime and Punishment, David Gaitan’s Leakage(s) and Anticoagulants is a biting psychological exploration on rational egotism and morality. A young intellectual, Raskolnikov (Tan Weiying), steals from and murders an unscrupulous old pawnbroker and due to a series of coincidences, manages to escape undetected. To Raskolnikov, this crime is motivated not by anything quite as plebeian as greed or desperation, … Continue reading Review: Leakage(s) and Anticoagulants by ITI

SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)

One thing that can be said about SIFA Festival Director Ong Keng Sen: whenever he attempts to create a new work, he always aims high and goes all the way, resulting at the very least in an unforgettable theatrical spectacle. With Trojan Women, Ong breathes new life into a centuries old Korean art form by applying it to an ancient Greek play. Based off Euripedes’ … Continue reading SIFA 2017: Trojan Women by Ong Keng Sen and the National Theater of Korea (Review)

Preview: Sanctuary by The Necessary Stage and HANCHU-YUEI

The Necessary Stage marks the end of their 30th anniversary celebrations with an all new play this November. Sanctuary is an international collaboration with contemporary Japanese theatre company HANCHU-YUEI. Set in the future, Santuary imagines how we will deal with new technology such as memories, data, artificial intelligence and the echoes of social media. How will social and familial relationships change? Will we be ok with being constantly under … Continue reading Preview: Sanctuary by The Necessary Stage and HANCHU-YUEI

SIFA 2017: Dragonflies by Pangdemonium (Review)

In a world where Brexit is reality and Trump the president of the United States of America, how could things get any worse? Plenty, as writer Stephanie Street cranks the apocalypse up to eleven with Pangdemonium’s second original script of the year: Dragonflies, presented as part of the 2017 Singapore International Festival of the Arts. Set in a completely plausible version of the near future, the world of Dragonflies is … Continue reading SIFA 2017: Dragonflies by Pangdemonium (Review)